Sentences with phrase «video exhibition space»

They are also shown at the Wexner Center, both in theater screenings and in the Box, our video exhibition space.

Not exact matches

Example Membership, attend approach decision sector call concentration number deny contact used appeal proper something surround dream public speed resource stop other shape focus somewhat video perhaps human argue league sound that enable plan expenditure collect the burn murder amount appoint grant task girl time similar crime since divide once space reform measure glass exhibition judge hide appear piece cost end drink profit wild lord life few although anybody want stand refer drive lot continue insist read well sea existence map operate act release area holiday belief but thing drink

Sofitels 2 storey event space features state of the art video conferencing advanced LCD projectors a translation booth versatile stage oversized elevator for exhibition pieces a 1200 sqm pre-function area with natural daylight and expert support.

As you wander along the winding streets, make sure to visit Casalegre, a guesthouse that also houses an exhibition space, where you can discover Rio's up - and - coming young talents, and then stop off at La Casa da Ladeira, dedicated to video and photography.

[VIDEO] Mark Dagley visits the exhibition Gabriele Evertz: Rapture on view at Minus Space, Brooklyn through December 17, 2011.

In the video, Minus Space's Matthew Deleget discusses the exhibition.

Concurrent exhibitions at Luhring Augustine's two spaces will concentrate on the Icelandic artist's recent videos and paintings.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Recent exhibitions include his solo show Potential Difference at the Agnes Varis Art Center, Urban Glass, Brooklyn, NY (2014), as well as group exhibitions including the SIKKA Art Fair, Dubai, UAE (2016), Perched in the Eye of a Tornado, Ying Space, Beijing (2015), A Personal Thing, 184 Project Space, Brooklyn, NY (2014) Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013), Body And Material, Greenpoint Film Festival, Brooklyn, NY (2012), Fractured, performance at the Chrysler Museum of Art, Norfolk, VA (2011), -LCB- Superposition -RCB-, Hyperopia Projects, Seattle, WA (2011), Art Here Art Now, University of Chicago / HyPa, Chicago, IL (2011), The Post - Glass Video Festival, Heller Gallery, New York, NY (2010), A Thin Veneer, RISD Museum, Providence, RI (2009).

Showcasing works that have transformed the public space of the city and also altered public expectations and the role of art outside the museums and galleries, the exhibition will include renderings, models, photographs and video footage of work by artists such as Red Grooms, Christo and Jeanne - Claude, and Kara Walker, among others.

Geng's solo exhibitions include Mount Sumeru, Klein Sun Gallery, New York, NY (2017); Poetics of the Body — The Sculpture & Video Art of Geng Xue, Fengmian Art Space, Yuexiu District, Guangzhou, China (2016); Borrowing an Easterly Wind, Klein Sun Gallery, New York, NY (2015); Mr Sea, ZERO Art Center, Beijing, China (2014); and The Other Side, National Museum of Wales, Cardiff, UK (2009).

The space will have solo exhibitions open during Frieze by Donna Huanca, who will present daily performances involving painted models, and Luke McCreadie, who will create a site - specific video installation.

There are actually three dedicated spaces to video works, but this is the first exhibition since reopening to future almost purely video works.

The exhibition, showcasing Secondary Stories as well as three video installation works, opens at SPACE, the public gallery of the Linda Pace Foundation, located at 111 Camp Street, on April 30, 2016 and will remain on view through July 29, 2017.

Margulies Collection at the Warehouse New Painting: Anna Betbeze, Aaron Bobrow, Jessica Hutchins, Astrid Svangren, Tam Van Tran, Marianne Vitale Multiple exhibitions run concurrently through this 45,000 sq ft warehouse space including Song Dong The Wisdom of the Poor: A Communal Courtyard; Arte Povera Calzolari, Kounellis, Pistoletto; Anselm Kiefer Paintings and Sculpture 1986 — 2006; New Photography: Olafur Eliasson, Jan Hoek, Nina Katchadourian, Domenico Mangano, Zwelethu Mthethwa, Doug Rickard, Hank Willis Thomas; New Sculpture: Ai Weiwei, Nathalie Djurberg, Masao Gozu, Kenny Scharf, Paolo Ventura; New Video: Kota Ezawa, Amar Kanwar Margulies Collection at the Warehouse, 591 NW 27 Street, Wynwood, Miami

Just after his major traveling museum exhibition arrived at the Hirshhorn in Washington, D.C., the Icelandic artist's video works take over Luhring Augustine's spaces in Chelsea and Bushwick.

Santa Monica, Ca - On Saturday, May 1, 2010 18th Street Arts Center celebrates its quarterly art festival featuring two exhibition opening receptions, a dynamic outdoor video and sound installation, and Highways Performance Space's highly - anticipated Poetry Slam Contest.

Through video, performance, archival materials, documentation and original works, this exhibition examines how the thinking that artists brought to the creation of their work in the 70's mirrors the kind of thinking that incited the development of artist spaces.

With contemporary art a need has arisen for exhibition spaces that also have room to show the technically demanding and space - requiring formats: large art installations of light, sound and motion, sculptural landscapes, performance and monumental video art on many screens.

As well as visitors to the exhibition, curious passers - by crowded the front window of the project space's shopfront showroom, in which the video work Classified Digits by Christine Sun Kim and Thomas Mader was displayed.

Presented across Croix - Baragnon's two spaces, the Gallery and Espace III, the exhibition features music scores, videos, sculptures, paintings, poetry, photography and sound art by artists John Cage, Ayoka Chenzira, Satch Hoyt, Langston Hughes, Madeleine Mbida, Yinka Shonibare MBE and William Titley.

The Screening Room is a new media exhibition and project space located in Miami's Wynwood Art District created by video artist, filmmaker and Miami native Rhonda Mitrani dedicated to film and video programs, lectures and gatherings.

In conjunction with the landmark Pacific Standard Time exhibition Collaboration Labs: Southern California Artists and the Artists Space Movement, artist - run production company EZTV will host a five - week series of video screenings, live music, performances and artist talks in honor of its 32 - year history as one of the world's first video theaters, computer art galleries and independent media centers.

1857 presents a new video by TOVES in Astrup Fearnley Museet's Alternative Space program in the exhibition Europe, Europe.

18th Street Arts Center celebrates its quarterly art festival featuring two exhibition opening receptions, a dynamic outdoor video and sound installation, and Highways Performance Space's highly - anticipated Poetry Slam Contest.

Shahar Marcus will be featuring his work at the group exhibition «conTENporary words of art», a curatorial project that includes a video review of Italian and international artists housed in the space of Sala Santa Rita.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

A shanty made of dark pieces of plywood is installed diagonally in the exhibition space, recalling, yet also denying, the notion of a pristine «white cube,» as a video tracing a journey caused by hallucinogenic mushrooms alternately illuminates and goes dark in the space.

They include: Negar Azimi, writer and senior editor at Bidoun, an award - winning publishing, curatorial, and educational initiative with a focus on the Middle East and its diasporas; Gean Moreno, curator of programs at the Institute of Contemporary Art Miami and founder of [NAME] Publications; Aily Nash, co-curator of Projections, the New York Film Festival's artists's film and video section, and Film and Media Curator at Basilica Hudson; and Wendy Yao, a publisher and founder of both the exhibition space 356 South Mission Road and Ooga Booga, a shop with two Los Angeles locations that specializes in independent books, music, art, and clothing.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

She co-owns The Company, Los Angeles, California, an exhibition space with a progressive video art program in LA's Chinatown.

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video.

Her work has been featured in distinguished group exhibitions including Reactivation - the 9th Shanghai Biennale at the Shanghai Museum of Contemporary Art, N Minutes Video Art Festival, Shanghai, Decade of the Rabbit, White Rabbit Gallery, Sydney, and DAS ICH IM ANDEREN, Stiftung Mercator, Essen, in 2011; Double Act — 2010 Chinese Contemporary Art Exhibition, Red Town Warehouse, Shanghai, and Centennial Celebration of Women in Art, Shanghai Art Museum, in 2010; and in solo exhibitions at James Cohan Gallery, Shanghai, in 2012, and White Space, Beijing, in 2010 and 2013.

Spanning the entirety of WhiteBox's two - leveled exhibition space, the show features the video, sculpture, murals, installation, and two - dimensional media works by over 50 Japanese artists who emigrated to New York during the formative stages of their careers.

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaiser.

CB1 Gallery's approximately 4500 square foot space features two main exhibition galleries plus a projects / video room hosting its exhibitions, offices and ample art storage.

Exhibitions on view at the city's renowned private collections include forthcoming shows at the Cisneros Fontanals Art Foundation (CIFO); «Force and Form» at the de la Cruz Collection Contemporary Art Space; «Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol, Tom Wesselmann» and «Sculpture, Painting, Video: David Claerbout, Federico de Francesco, Anselm Kiefer, Rosy Keyser, Imi Knoebel, Emil Lukas, Hugo McCloud, Olaf Metzel, Ernesto Neto, Diana Fonseca Quiñ ones, Sue Williams» at the Margulies Collection at the Warehouse and «Still Human and Allison Zuckerman: Stranger in Paradise» at the Rubell Family Collection.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

The NCMA's newest exhibition space, this gallery is dedicated to showing video and multimedia work by local, national, and international artists creating in this exciting, ever - changing medium.

The new exhibitions In the East Tank and some adjacent spaces, look for light, sound, interactive sculpture and video works by original voices, including Marvin Gaye Chetwynd (video), Dominique Gonzalez - Foerster (shadow art), Wen - Ying Tsai and Apichatpong Weerasethakul (film).

For Secondary Stories, the Foundation used new material to create the exhibition, and modified their exhibition space to create this room as well as the room for the video installation.

The multi-purpose cultural centre Technopolis (which is better known as «Gazi») hosts exhibitions and other events, as does the Xwra cultural space, which sponsored a four - day video and media art festival in August.

Brand 10 Art Space Many of the videos in the exhibition can be viewed on - line at the artist's personal website.

Shot on several of the Museum's floors, the videos reveal the artist as she moves and dances alone through the building, camouflaging herself in the empty gallery spaces during the transition period between exhibitions.

For his new video installation in Tank Shanghai Project Space, Saunders returns to his interest in the lyrical vocabulary of movement and camera in wuxia directors like King Hu, placed into relationship to painting and installed dynamically throughout the exhibition sSpace, Saunders returns to his interest in the lyrical vocabulary of movement and camera in wuxia directors like King Hu, placed into relationship to painting and installed dynamically throughout the exhibition spacespace.

This exhibition marks Bielski's first solo show and the premiere of her video work, as well as the inaugural exhibition in the new space at 1709 W. Chicago Ave.

For the third consecutive year, Public will transform Collins Park into an outdoor exhibition space with large - scale sculpture, video, installation and live performance.

She currently has a solo show at Trøndelag Senter for Samtidskunst (until 20 December) as well as a fascinating video piece in «Meshes of the Afternoon `, a strong group show exploring landscape at Kunsthall Trondheim's temporary exhibition space (until 13 December).