Sentences with phrase «video installation shot»

The twins have been singled out for the «wit and intelligence» of their piece Gamma - a four - screen video installation shot inside Greenham Common airbase.

Hyperallergic highlights Melanie Manchot's two - part video installation shot in the Swiss Alpine valley of Engleberg.

Not exact matches

From the magic lantern - style innovation of his sculpture installation Six Men Getting Sick to the fixed camera placements of The Alphabet to the rudimentary narrative of The Grandmother (whose heavy's freakishly accentuated jawline transforms his countenance into that of a snarling villain in the «Perils of Pauline» mode) to, finally, the total aesthetic compromise of the shot - on - video The Amputee, the first few entries contained on «The Short Films of David Lynch» imply that there is only one destiny for the medium, whether its evolution is spread out over a century or concentrated in the time it takes for an artist to develop a conscience.

Since the early 1970s, when Chris Burden had himself publicly shot in the arm and Vito Acconci masturbated under a gallery floor as his audience walked above him, performance, installation, and video art have increasingly pushed the envelope into new, often transgressive territory.

Atlas presents new video installations 2003 and The Years that incorporate aspects of his past works along with found footage and newly shot material.

She studied at the Byam Shaw art school and then the Slade, going on to create performance pieces such as Under Siege, and video installations such as Corps Étranger, featuring the footage shot inside her body; the latter earned her a 1995 Turner prize nomination.

The video installations of Jane and Louise Wilson, with their hovering steady - cam shots, their weird, wonky - angled explorations of atmospheric interiors, owe so much to the language of commercial film and to pop videos, that we feel we've already seen the movie and heard the song, when we've really only seen the set - in this case the late, late hour gambling rooms of Las Vegas, and the doomy tunnels under the Hoover Dam.

Their four - screen video installation Gamma was shot inside the decommissioned Greenham Common airbase in Berkshire.

Solo Szenen (Solo scenes, 1997 - 98), also shot primarily in Reykjavik, is an installation composed of 131 video monitors and players stacked in a grid of three wooden shelves, each presenting continuous footage of the artist going about his daily routine.

Even considering the strikingly disparate list of shooting locations for the video installations in the Blaffer exhibition Janet Biggs: Echo -LSB-...]...

Each of the five videos in the installation begins with shots of a landscape that includes the musicians» equipment and instruments.

For further information, including an interview with Guillermo Kuitca, installation shots and a video, please visit the exhibition website.

His body of remix artworks includes published cult novels, pioneering works of Internet art, digital video and surround sound museum installations, large - scale video projections in public spaces, live audio - visual / VJ performance, and most recently, a series of feature - length «foreign films» shot with different image - capturing devices in various locations throughout the world.

No we can't bring you a video of his video installation but the next best thing is Richard Mosse talking about shooting his gorgeous new film «The Enclave» in Eastern Congo.

They also shot a video for the installation that documents their impressive mural.

Highlights here include a magical film by Egyptian artist Wael Shawky which presents middle Eastern fables gorgeously shot in colour negative and acted out by children; a sound and light installation by London artist Haroon Mirza that makes your entire body vibrate and Brooklyn - based Cory Arcangel's four projections based on a hacked video game show.

Her layered installations, videos, and sculptures begin with wide - ranging yet highly specific references, from young - adult fiction and early 2000s cartoons, like Clone High, to autobiographical events and violent media spectacles, such as the 1999 Columbine High School shooting.

The 2 - channel video installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.

Samuel Rousseau's minimalist video installation, Un peu d' éternité (a little eternity), uses a candle and endless projection of a flame to convey an endlessness that our minds can grasp only speculatively; while Andy Warhol takes a characteristically deadpan approach with his film Empire, placing a camera in front of the Empire State Building and shooting it for 24 hours.

Marking the second installation in a quartet of films, Purple is an immersive six - channel video installation that combines hundreds of hours of footage shot across a variety of landscapes to create a meditation on the relationship between humans and the planet.

In a career of more than fifteen years, they have become known for their picturesque, color - saturated photographic series and their deliberately slow - paced video installations, which feature slow pan shots, endless loops, and puzzling plot lines.

For the video installation, she edits together clips from popular Egyptian films that feature shots of the pyramids.

The video installation Dust to Mountain pairs sheer, printed curtains with a video shot in the environs of a landscaping supply company.

Installation shot of Veiled Screen Video Projection Edition of 3.

For his debut at Lisson, Akomfrah is making two new diptych video installations, shot in Greece and Barbados respectively.

Installation shot from Everything I need, 2007, continuous color double video projection installation with sound, projectInstallation shot from Everything I need, 2007, continuous color double video projection installation with sound, projectinstallation with sound, projection screens.

A three screen video installation shows over 240 video portraits shot in the city of Glasgow and is accompanied by Craig Armstrong's composition Memory Takes My Hand.

The artist continues to expand her talents beyond provocative photography, performance, video installation and film and has recently been tapped to shoot for Dior and Hermès.

The two - room installation is comprised of nine photographs, three sculptures and a video piece that document a studio photo shoot.

The video installation was shot in and around Athens and Hydra, as well as Cancun, Mexico; Albuquerque and Gallup, New Mexico; Flagstaff and Arcosanti, Arizona; and Palm Springs, California.

Artist, filmmaker and theatre director Christoph Schlingensief is represented by a video installation, one that uses footage that the artist gathered in 2005 as part of his project The African Twin Towers — the story of a megalomaniac theatre director attempting to stage the 9/11 story in Namibia, shot on location with a cast of locals as well as Schlingensief's regular «family» of performers.

For the video installation, the artist shot a male model traversing through the woods with a stick and bindle over his shoulder.

That you can home in on the minutest of details - a rosebud, a panning shot - and then build towards an overall understanding of a work; that amazing art doesn't need to be a painting or a sculpture - it can be an installation or a video.

LoVid's audiovisual installation Roots No Shoots at Smack Mellon in New York is a new work that is based on video recordings from the artists» 2011 residency at the Experimental TV Center.

Highlights include Isaac Julien's nine - screen interactive video installation «Ten Thousand Waves», shot in China and featuring Maggie Cheung, and William Forsythe's «The Fact of Matter», which challenges visitors to cross the gallery without touching the floor, using 200 gymnastics rings suspended from the ceiling.

2005 The Rape of the Sabine Women, single channel High Definition Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen Video Cliff House, multi channel installation 2003 89 seconds at Alcazar, single channel video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video based on Las Meninas 2002 Portman's Looking Glass, a 4 projector installation, 150 ft. 16 mm loop Fly Right, a video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video triptych of Hasidic girls playing dodge ball 2001 Solace, a short film featuring soprano Kati Agocs 2000 China White - Scenes from an exile, three screen panoramic video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation 1999 Ten Women and a Shark or 15 years in 5:30, a short film 1998 Town Topic, three channel panoramic video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation, shot at Town Topic, Kansas City 1997 How to tell the future from the past, 12 channel surveillance video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video installation in the Serkeci Train Station, Istanbul, Turkey The Whites were a Mystery, 3 channel video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video filmed in Lomé, Togo 1996 Imagining Beforehand, 3 channel video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video, NYC 1995 Die Platzsünde, collaboration w / Ricoh Gerbl & Ivana Mestrovic, Rome / NYC 1993 Real Time, single channel video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video 1989 New Koke: An Advertisement for Real Life, a short pixal - vision video w / Karen video w / Karen Hatch

The exhibition installation features video footage documenting the children's performance and including images of a wavering horizon line shot from a camera suspended in water.

Centennial Gallery, Oakville, December 18 - February 7 The installation of Euan Macdonald's installation of drawings and paintings was supplemented by three single - shot, looped videos.

Last summer, shooting video and making masks for the multimedia installation she will unveil to the public Saturday in the US Pavilion at the Venice Biennale, the artist had phantoms on her mind.

There's nothing metaphoric about the title of this exhibition: Museum of Modern Art and P.S. 1 curator Klaus Biesenbach has marshaled a group of more than one hundred paintings, sculptures, videos, multimedia works, and installations (some large - scale) from the past six decades on the theme of corporeal entering and exiting, from metabolism (nourishment and excretion) and reproduction (intercourse to birth) to violence (shooting and — ouch!

A hellish sodium - lit environment provides the setting for Nick Crowe and Ian Rawlinson's video installation, Song for Armageddon, shot on location at Tel Megiddo, in which a group of workers make preparations for the end of the world.