Sentences with phrase «video sculpture on view»

Elijah Chair, a video sculpture on view in the new Goodkind Media Center, was created for the Times Square Seder, a public art and social action project which took place in New York in 2002.

Not exact matches

On view here will be sculptures, videos, documentation, and scores related to Moorman's performances.

The sculptures on view will continue changing over the course of the exhibition's run, and will be accompanied by a video Canell made with Robin Watkins about slugs.

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

The video, Untitled # 1, 2012, from the series my works, my dreams, must wait till after hell, is presented to establish a dialogue with the sculptures on view.

Curated by Indira Cesarine and Coco Dolle, the exhibit will be on view from May 3 -21, and includes works of photography, painting, sculpture, mixed media and video.

Over 20 artworks will be on view, including paintings, photography, mixed - media sculpture, drawings, video, and installation.

Curated by Indira Cesarine, the exhibit will be on view from June 27 — August 5th and will include works of painting, drawing, photography, printmaking, pottery, sculpture, collage, mixed media and video.

Kanye West may have claimed the great Matthew Barney as his personal Jesus, but just look at his «Famous» sculpture on view at Blum & Poe in Los Angeles — no true disciple of the letting - it - all - hang - out godhead of freaky video art would so demurely cover up his own manhood with a delicately positioned blanket, even while Kanye presents his wife's truly famous naked posterior for all to see.

In this video, Whitney curator Scott Rothkopf discusses the artist Robert Grosvenor's Minimalist sculpture, now on view in the exhibition

Though her mother has since recovered and is now cancer - free, this decisive moment in Reidel's personal life unifies the wide - ranging works of painting, digital prints, video, sculpture, and installation on view at -LSB-.....]

Sept. 10 — Oct. 18, 2014 DERRICK ADAMS at Tilton Gallery New York Screen images from situation comedies, music videos and stand - up comedy inspired New York - based artist Derrick Adams to create a new series of faceted wood sculptures and colorful mixed - media collages that appear to be framed in vintage televisions on view in «Live and in Color.»

Also on view will be new wall - mounted sculptures and the video Raspberry Poser (2012), shown in New York for the first time.

Works on view (until November 27 2016) include several of Walker's large - scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.

On view in ICA's First Floor Space from February 12 through August 17, 2014, the exhibition features sculpture, photography, and video.

Exhibitions on view at the city's renowned private collections include forthcoming shows at the Cisneros Fontanals Art Foundation (CIFO); «Force and Form» at the de la Cruz Collection Contemporary Art Space; «Pop Art: Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, Andy Warhol, Tom Wesselmann» and «Sculpture, Painting, Video: David Claerbout, Federico de Francesco, Anselm Kiefer, Rosy Keyser, Imi Knoebel, Emil Lukas, Hugo McCloud, Olaf Metzel, Ernesto Neto, Diana Fonseca Quiñ ones, Sue Williams» at the Margulies Collection at the Warehouse and «Still Human and Allison Zuckerman: Stranger in Paradise» at the Rubell Family Collection.

On view from Nov. 19, 2010 through March 13, 2011, Mark Bradford features over 35 works, including painting, sculpture, installation, and video spanning the past decade.

A selection of drawings, and works of related media such as photography, video, and sculpture, also will be on view.

On March 5, 2015, Moving Image art fair will open again in New York to offer its visitors a unique viewing experience and the vitality of a fair by featuring a selection of international commercial galleries and non-profit institutions presenting single - channel videos, single - channel projections, video sculptures, and other large video installations.

In addition to the thousands of paintings, sculptures and other 2D objects on view, this year AIB has made a special effort to include time - based work, such as performance and video art.

In this video, Alexander S. C. Rower (Chairman and President, Calder Foundation) and Oliver Wick (Curator at Large, Fondation Beyeler) talk about the title and the concept of the exhibition, the differences between the first and the second Calder Gallery at Fondation Beyeler, the restoration of the large outdoor sculpture that will be on view again soon in the park of Fondation Beyeler, and specific works in the show, such as the models for the avant - garde redesign of the Bronx Zoo, and the mobiles The Forest is the Best Place and El Corcovado.

Hot Mess Formalism (on view to January 28, 2018) will also offer Pepe's parallel practices in drawing, tabletop sculpture, and video — the artist's many sides displayed in all of their wonderful, messy complexity.

Works on view ranged from video art and sculpture to works on paper and mixed media, paintings and photographs.

With contributions from over 40 artists of the more than 100 originally participating, Times Square Show Revisited reflects the spirit of the original with a mix of extant sculpture, painting, and video — most of which has not been on public view since 1980.

Rodney McMillian: The Black Show, on view at the Institute of Contemporary Art at the University of Pennsylvania (February 3 — August 14, 2016), brings together a tightly focused selection of new and recent paintings, sculptures, and videos that deal with blackness as subject, form, process, emotion, and politics.

An installation view of «The Wandering Lake» shows, on the table and back wall, glass urinary - device sculptures from 2017, and on the side walls, the three - channel video «Configurations» (2016).

Among the works on view will be a five - part concrete sculpture by Lara Favaretto, each part of which captures a gesture meant to convey a single mood or feeling; a site - specific environment by Claudia Comte, which will include a series of sculptural works and a video; and a sculptural intervention by Renata Lucas, installed on the floor of the gallery.

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

Imagine Brazil, which was recently on view at le Musée d'art contemporain de Lyon, filled two floors of the museum with an overwhelming breadth of painting, sculpture, video, and artist books.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

by Tara Plath Imagine Brazil, which was recently on view at le Musée d'art contemporain de Lyon, filled two floors of the museum with an overwhelming breadth of painting, sculpture, video, and artist books.

On view through May 11 are Colorado artist Rosane Volchan O'Conor's complex mixed - media installation with organic - shaped ceramics, Organismo; New York artist Claire Watson's surrealist found - object sculptures, Now What; and Los Angeles - based Texas - native Paul Rodriguez's shifting, color - manipulated videos of surfers, landscapes and still - lifes in Post Penis.

In addition to photographs and a video on view at LAXART, Ebner will present an outdoor sculpture in an empty lot in Culver City.

On view through December 8th, «Proximities 2: Knowing Me, Knowing You» features painting, sculpture, video and photography as reflections of family, community and ethnicity within and beyond Asia's geographic boundaries.

Currently on view at Overduin & Co., Los Angeles is «Lies Inside,» a solo exhibition by Math Bass featuring sculpture, painting, performance, and video.

On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).

Pieces on view range from paintings to sculptures, from installations to video - art, from performances to graphics, from photography to video - games.

Though her mother has since recovered and is now cancer - free, this decisive moment in Reidel's personal life unifies the wide - ranging works of painting, digital prints, video, sculpture, and installation on view at the Sheldon Art Galleries.

On view are over 200 works, ranging from photographs, prints, and sculptures to video, installations, paintings, and books.

«Ultimately, turning the whole Museum over to photography helps us to concentrate on these broad issues that would not necessarily get the same attention if we also had paintings, sculptures, drawings, and prints on view — or even other photo - based media such as film and video,» he continued.

To view Mika Rottenberg's single channel video installation Lips (Study # 3), 2016 at New York's Andrea Rosen gallery, one peeked through the opening of a sculpture of pouty, red lips installed on a wall.

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa COOL KOOL SHIRTS PRESENTS: THOT COLLECTION SERIES 1 BY DANA JONES by Khari Saffo ARTIST STATEMENT: I work in a variety of mediums such as animation, sculpture, video, and Continue Reading»

Curated by Sessa Englund, Introductions brings a contemporary mix of video, photo, sculpture, painting and screenprint, offering the audience a view into the works of artists who's practice centers on the individual and academic exploration of self - identity.

BORTOLAMI Here the Hannah Hoffman Gallery of Los Angeles presents the small New York debut of the talented Joe Zorrilla in three works: two updates on 1970s sculpture and an especially good video showing a view of the layered, unstable reflections in the glass of an open window — a ready - made Structuralist film.

On view will be a selection of his mixed media works, prints, sculptures, and video installations.

The sculptures, objects, and videos on view in HOMECOMING examine origin and «home», masculinity, transition, queer & trans bodies, and the impact of time, location, and identity on memory as well as reality.

The pieces on view in this exhibition represent a diverse range of iconic word - based arrangements including a desktop calendar, diary entries, movie script, and Chinese scrolls, while referencing specific texts such as the Constitution of the United States of America, The New York Times, the Periodic Table, Twitter and authored books, all dovetailed with an array of artistic mediums from fine art prints, painting on paper, and collage; to installation art, aerial sculpture, and video art.

The exhibition features a range of media, including painting, sculpture, drawing, photography, installation and video; never - before - seen works from the 1980s; new large - scale sculptures; and the artist's most ambitious architectural installation to date: a vast and immersive mirrored labyrinth that will go on view in ICA Miami's Atrium Gallery.

«Directions: Jeremy Deller,» on view Feb. 7 through Aug. 31 at the Smithsonian's Hirshhorn Museum and Sculpture Garden, features «English Magic» (2012), a 14 - minute video that shares its title with the artist's solo exhibition commissioned for the British Pavilion at the 2013 Venice Biennale.

Cichocki curated one such group exhibition, the vibrant and unflinching Desert Island, at Coachella Valley Art Center in the city of Indio, on view through April 20, and featuring the work of some 24 artists in photography, painting, sculpture, installation, performance, and video, all with their own abiding interests in the region, not all of whom live there, but all of whom do their best, most explosive and salient work in the desert lands.