Sentences with phrase «video side»
We will put the same digital comic, e-book and video side by side so you can check out the differences.
goodereader.com
Usually exhibited with the two videos side by side, here the piece was shown with the monitors facing each other, such that the viewer had to stand between them.
The all - HD video side of things kicks off with «Deleted, Extended and Alternate Scenes» (25:21), which is comprised of fourteen bits unused, shortened, or somehow altered in the film.
The all - HD video side kicks off with five very short and insignificant deleted scenes (2:58), which are all unused snippets from existing scenes.
The all - HD video side kicks off with «Behind the Violence», a 44 - minute making - of documentary arbitrarily split into two even parts.
First fruits of the CampaignTech conference: according to Benny Johnson from BuzzFeed, who spoke on a panel this morning and who covered the digital video side of campaign 2012, Obama 2012's YouTube channel recorded 300 MILLION individual video views, to Mitt Romney's 30 million.
I'd like to see both ereaders play the same video side by side for curiosity.
This particular video sides with the former, as the rear panel is completely clear, save for a protruding camera.
We put the same magazine, eBook, newspaper, comic book and videos side by side so you can get a sense on any differences and gauge what device might be best suited to you.
Kicking off the all - HD video side, the documentary «On the Clock: The Making of Draft Day» (59:38) is arbitrarily divided into two halves: Preseason and Postseason.
On the video side, macOS High Sierra is boosting its video support to the latest file format, H. 265.
Comcast has been bleeding customers on the video side, but managed to significantly slow the losses in this most recent quarter (and, importantly, increase its overall revenue per customer 4.3 % in the same time period).
The video side of the home theater setup is much less important.
On the video side, American Sniper looks great.
On the video side, things begin with four deleted scenes (6:34), which offer more of Lisa's childhood (a wisely - shortened technique recalling Broadcast News» opening), a scene of present - day, post-hookup Lisa training on a stairway, a lunch date anxiety attack, and another appearance by Annie, George's pregnant secretary (played by Kathryn Hahn).
On the video side, where everything appears in high definition, we start with nine deleted scenes (14:23).
On the video side, where all is encoded in HD, we start with «Never Grow Up: The Legend of Pan» (10:50), which gathers cast and crew's thoughts on the universe and in this interpretation of it.
It's perhaps just a tick behind on the video side due to a few soft - looking shots.
On the video side, there is «Immortal Characters» (12:50), a new featurette that spends a few moments on each of the film's leading personalities and the actors who voiced them.
On the video side, where everything is encoded in HD, we start with «It's Never Just a Movie: Chris Rock and Top Five» (20:08) considers the star - filmmaker's parallels to his character and his history in comedy, with looks at his comedy bits and home movies, as well as interviews of other influential figures, from over the years.
On the video side, we start with «Sincerely Yours» (51:25, SD), a long 2010 retrospective making - of documentary divided into twelve parts.
On the video side, where all is encoded in HD, we begin with «Swiss Army Man: Behind the Scenes» (16:42), which details the many practical effects performed on set and the extremes to which the two leads were willing to go.
The video side, in which all is HD (but some of it looks strangely poor), we start with «The Making of Hot Tub Time Machine 2: Come on in the water is freezing!»
On the video side, we start with four long deleted scenes (19:40) illustrating the film's improvisational nature.
On the video side, where everything is presented in HD regardless of source limitations, we start with «Martin Scorsese and Kent Jones» (17:34), a brand new conversation between the legendary director and a film critic that celebrates On the Waterfront as part of cinema history and Scorsese's upbringing.
On the video side, where all is in HD, we start with a 4 - minute, 8 - second reel comprised of six deleted / extended scenes.
On the video side, where everything is presented in HD, things begin with «Now You See Me Revealed» (15:38), a making - of featurette that gathers thoughts from crew and cast, all of whom speak highly about this high concept project.
On the video side, where all is encoded in HD, we start with deleted scenes, which like the commentaries are accessible from the episodes submenu.
Moving to the video side (encoded in HD on Blu - ray, naturally), we get «Emotional Lives: Making Manchester by the Sea» (16:00), a solid making - of featurette that complements the expected talking head comments with behind - the - scenes footage and film clips.
On the video side, where all is encoded in HD, we begin with «Controlling Fate: The Making of Maggie's Plan» (15:52), a fine featurette that explains the origins of the story and how the project took shape, from casting to costuming to filming in New York.
On the video side, where all is encoded in HD but most is limited by source material, we begin with «In Their Own Voices: The Beatles on A Hard Day's Night» (18:02), which compiles the band's thoughts on making their first film shared in 1964 during their US press tour.
On the video side, we get «Building an Arsenal» (9:47), which collects clips and lots of upbeat talking heads talking about Southern Fury (a working title that seems transparently changed in the interests of alphastacking).
On the video side, where unless noted all is encoded in standard definition (and most within a 1.33:1 frame), we start with «Prelude to a Dream» (6:15), a featurette narrated by Crowe over audition footage, rehearsals, and assorted behind - the - scenes clips.
On the video side, there is «Crazy But True» (3:29), a short HD featurette that extends trailer clips with some interview remarks, chiefly from Spacey but also a few additional cast members.
On the video side, where all is encoded in HD, we start with a section of five deleted scenes (8:52) that are presented with timecodes running over them but no commentary or introductions explaining their deletions.
On the video side, we get two trailers: State of Grace's 1990 - cool original theatrical trailer (1:32) in standard definition and MGM's 90th anniversary promo (2:06) in HD.
On the video side, we begin with «Behind the Scenes of Inconceivable» (11:41), a standard issue making - of featurette.
On the video side, where all is encoded in HD, we start with a section of deleted and alternate scenes.
On the video side, where all extras are presented in HD (but with annoyingly varied volume levels), we begin with eleven deleted scenes (18:35).
On the video side, where all is encoded in HD, we start with «Building the World of High - Rise: 70's Style» (9:02), a featurette that discusses the film's look, period costumes, and production design.
On the video side, where everything is encoded in HD, we start with «Creating the Worlds of Time Bandits» (23:24), a new featurette written and narrated by David Morgan which features new on - camera interviews of costume designer James Acheson and production designer Milly Burns discussing their contributions to the film's visuals and characters.
On the video side, where all extras are encoded in HD, we begin with «No Regrets: The Making of Blue Ruin» (18:56), which features surprisingly traditional cast and crew sitdowns, minimal behind - the - scenes footage and pictures, and some brief clips of auditions and even Saulnier and Blair's violent childhood movies.
On the video side, we find «The Making of The Railway Man» (26:07, HD), a TV special - quality featurette hosted by Lisa Ling.
On the video side, where everything is encoded in HD, six deleted scenes are presented glaringly without a «Play All» option.