Sentences with phrase «video still courtesy»

Video still courtesy the artist and Matt's Gallery, London.

Floating Coffins, 2009 Video still Courtesy the Artist and Galerie Kamel Mennour, Paris Hans Ulrich Obrist, Director of International Projects and Co-Director of Exhibitions & Programmes at The Serpentine Gallery, will be in conversation with exhibiting artist Zineb Sedira drawing upon video excerpts of the artist's work.

Guadalcanal Requiem, Nam June Paik, 1979, © Nam June Paik Estate video still Courtesy Electronic Arts Intermix (EIA) New York

Not exact matches

Thanks to a video courtesy of IGN, we can see that the entire set is still compatible, with each figure giving you that character's...

According to video intros courtesy of Stiller and Childress, pacing led to the unceremonious removal of a charming dialogue between Laney and Troy meant to take place on either the night of their graduation ceremony or shortly thereafter, while Michael receives a touching send - off in a sequence apparently cut due to sound problems, though it's plausible that Michael simply had the misfortune of being played by the self - deprecating Stiller, as suggested by the humiliating resolution to Michael's story arc in the final cut.

Two more can now be added to the collection, and while they still aren't direct high quality gameplay videos, they come courtesy of the developers.

Benedict Drew, Incantation to rid this place of cars, without the help of Elon Musk, HD video still, 2017 © the artist, courtesy Tintype

© BRUCE NAUMAN / PROLITTERIS, ZURICH / STILL COURTESY ELECTRONIC ARTS INTERMIX (EAI) / EXHIBITION FILE COURTESY ELECTRONIC ARTS INTERMIX (EAI) / THE MUSEUM OF MODERN ART, NEW YORK, PURCHASED FROM VIDEO DATA BANK, THE SCHOOL OF ART INSTITUTE OF CHICAGO

Christian Marclay, Chewing Gum, 2016 (video still) Single - channel projected animation, silent Continuous loop, © Christian Marclay, courtesy Fraenkel Gallery, San Francisco

Images: Laura Ginn, Untitled (detail), 2011, Digital photograph, Dimensions variable, Courtesy the artist Clifford Owens, Anthology (Steffani Jemison)(detail), 2011, C - print, 20 × 16 inches, Courtesy the artist Jayson Scott Musson, Art Thoughtz: How To Be A Successful Black Artist by Hennessy Youngman (detail), 2011, Video still, Courtesy the artist and Electronic Arts Intermix, New York Anya Liftig, The Human Factor (detail), 2011, Performance, Photograph by Ken Yee, Courtesy the artist

Ed Atkins Safe Conduct (video still), 2016 Three channel HD film with 5.1 surround sound Image courtesy of the artist and Gavin Brown's enterprise, New York

Ed Atkins Hisser (video still), 2015 Video projection with 5.1 surround sound Image courtesy of the artist and Gavin Brown enterprise, Newvideo still), 2015 Video projection with 5.1 surround sound Image courtesy of the artist and Gavin Brown enterprise, NewVideo projection with 5.1 surround sound Image courtesy of the artist and Gavin Brown enterprise, New York

KEVIN BEASLEY, «Video still of Marshawn Lynch interview on ESPN SportsCenter, aired December 21,» 2014, Courtesy the artist via Casey Kaplan

Ed Atkins Ribbons (image still), 2014 3 - channel HD video with three 4.1 channel surround sound audio, 13 min Image courtesy of the artist and Gavin Brown's enterprise, New York

Stills from «Chess,» 2013 (HD video installation with three projections, black & white, sound, 10:25 minutes loop) by Lorna Simpson Courtesy the artist; Salon 94, New York; and Galerie Nathalie Obadia, Paris / Brussels.

Dara Birnbaum, American, born 1946; Installation view, storefront window of H - Hair Salon de Coiffure, NYC, 1980; Technology / Transformation: Wonder Woman, 1978 - 79; video still from single - channel video, color, stereo sound; 5 minutes 50 seconds; Courtesy of The Studio of Dara Birnbaum, New York; Photo: Dara Birnbaum © Dara Birnbaum

Dara Birnbaum, American, born 1946; Technology / Transformation: Wonder Woman, 1978 - 79; video still from single - channel video, color, stereo sound; 5 minutes 50 seconds; Courtesy of Electronic Arts Intermix, New York

Dara Birnbaum, American, born 1946; Kiss the Girls: Make them Cry, 1979; video still from single - channel video, color, stereo sound; 6 minutes 25 seconds; Courtesy of Electronic Arts Intermix, New York

Muzi Quawson, still from Shawmut Circle, 2011, 3 channel video installation; Courtesy of the artist and Annet Gelink Gallery, Amsterdam.

Stills from: Aernout Mik Tongues and Assistants, 2013 2 channel video installation Courtesy carlier gebauer

Image: Elizabeth Price, User Group Disco (still), 2009, HD Video, 15 min, courtesy the artist and MOT International

Guy Ben Ner, Soundtrack, 2013 (still); single - channel video projection with sound, 11 min.; courtesy the artist and Postmasters Gallery, New York; © Guy Ben Ner

Desiree Holman: video still from Heterotopias, 2011; three - channel HD video, 13 min., courtesy of the artist and Silverman Gallery, San Francisco.

Duncan Campbell, Bernadette, 2008, film still, 16 mm film transferred to digital video, 38» 10», Courtesy of the artist and Rodeo, Istanbul / London IMMA presents the first major exhibition in Dublin by Duncan Campbell, recicipient of the 2014 Turner Prize.

YINKA SHONIBARE, MBE Addio del Passato (still) 2011 Video Duration: 16 min 52 sec © Yinka Shonibare MBE / image licensed by SODRAC / courtesy of James Cohan Gallery, New York and Shanghai

Courtesy Department of Special Collections, Stanford University Libraries and The Estate of R. Buckminster Fuller; Sable Elyse Smith, Men Who Swallow Themselves in Mirrors (video still), 2017.

Berni Searle: A Matter of Time (video still), 2003; DVD projection; dimensions variable; courtesy of the artist and Axis Gallery, New York.

Written by Thierry Somers Still from A Minute Ago, 2014, HD video, 8» 43», Courtesy of the artist and Pilar Corrias Gallery Perimeter Photo © readsreads.info

T. J. Wilcox: Ladies» Room (Twenty Questions), 2002 (DVD still); digital video; courtesy of Metro Pictures, New York.

Image Credit: Kelly Nipper, Circle Circle (video stills), 2007/2012, Courtesy of Hauser & Wirth Collection, Switzerland

Mariam Ghani, still from The Trespassers (1 channel video, 4 channel audio installation with archive), 2011, courtesy of the artist and RYAN LEE Gallery, New York.

Marcos Serafim, Gas Station (still), 2017, HD video, projection on found object Image courtesy of the Artist.

Carla Zaccagnini, Bravo - Radio - Atlas - Virus - Opera, 2009 - 10, video record of the navigating hours of a transoceanic crossing of the Panama Canal, in AtlanticPacific sense, realized between 5PM on June 27 2009 and 1PM the following day, and painting on wall, duration 10h 45», Captain Matias Eli, Edition Tomaz Klotzel, Video still, Courtesy the artist and Galeria Vermelho, São video record of the navigating hours of a transoceanic crossing of the Panama Canal, in AtlanticPacific sense, realized between 5PM on June 27 2009 and 1PM the following day, and painting on wall, duration 10h 45», Captain Matias Eli, Edition Tomaz Klotzel, Video still, Courtesy the artist and Galeria Vermelho, São Video still, Courtesy the artist and Galeria Vermelho, São Paulo

Photo Caption YINKA SHONIBARE, MBE Un Ballo in Maschera (A Masked Ball)(still) 2004 High Definition Digital Video Duration: 32 minute loop © The Artist / Courtesy James Cohan Gallery, New York and Shanghai

James Richards, Rosebud 2013 HD video still, 13 minutes Image courtesy the artist; Cabinet, London; and Rodeo, Istanbul © James Richards

Featured image: Francis Alÿs in collaboration with Julien Devaux, Rafael Ortega, Alejandro Morales, and Félix Blume — Paradox of Praxis 5: Sometimes we dream as we live & sometimes we live as we dream — Ciudad Juárez, México, 2013 (detail of video still)-- Courtesy David Zwirner, New York / London Slider images: Francis Alÿs — Untitled, 2010 — Oil on canvas and wood — Courtesy David Zwirner, New York / London; Francis Alÿs — Untitled, 2013 — Marker, staples, graphite, and oil on vellum — Courtesy David Zwirner, New York / London

Video stills from The Enclave, 2012 - 2013 by Richard Mosse; Courtesy of the Artist and Jack Shainman Gallery, New York Photos © Richard Mosse.

Rachel Maclean, Germs, 2013, video still, courtesy the artist, a Bold Yin Ltd Production for Channel 4 Random Acts.

Image credit: Leslie Thornton Peggy and Fred in Hell: Folding (1985 — 2015) Still from digital video (originated on 16 mm film), 95 mins Courtesy of the artist

Video still, Video by Luis Martinez, 2012, copyright of Tania Bruguera, courtesy of CIFO Art Foundation.

Video still, courtesy of Annet Gelink Gallery, Amsterdam and Sommer Contemporary Art, Tel Aviv

William E. Jones, The Fall of Communism as Seen in Gay Pornography, 1998, video still, courtesy the artist and David Kordansky Gallery, Los Angeles

Maha Maamoun Domestic Tourism II, 2009 Video 62 minutes Arabic with English subtitles Film still Image courtesy of the Artist

Mario Rizzi 2005 Six - channel video 29 minutes French with English subtitles Film still Image courtesy of the Artist

Liu Wei 2008 Video 7 minutes, 16 seconds Arabic with English subtitles Film still Image courtesy of the Artist

Shirin Neshat, «Sarah», 2016, Video still © Shirin Neshat, Courtesy Gladstone Gallery, New York und Brüssel

Honey Baby, 2013, Video (still), Edition of 10 + 4 AP, Performer: Nick Sciscione, Videographer: Kirsten Johnson, Composer: Tom Laurie, Editor: Amanda Laws, © Janine Antoni and Stephen Petronio; Courtesy of the artists and Luhring Augustine, New York.

Stanya Kahn and Llyn Foulkes, Happy Song For You, 2011 [stills], color HD video with sound 5:07 min., Courtesy of the artists © 2011

Answer Me, Video still, 4 min 51 sec., 2008, Screen is 400 x 225 cm, Courtesy of the artist, Marian Goodman Gallery, New York; Hauser & Wirth Zurich London; Johnen / Schöttle, Berlin, Cologne, Munich; Galerie Chantal Crousel, Paris

Sriwhana Spong The Fourth Notebook (still) 2015 HD video, colour, sound Choreographed and danced by Benjamin Ord, voice by Evelyn Cornes, camera by Andrew Stroud Courtesy of the artist and Michael Lett, Auckland