Sentences with phrase «video transfer looks»

As Disc Three of «The Up Series» box set, the A / V specs on 28 Up aren't very impressive, though they are, of course, a product of their time: hazy and indistinct, the fullscreen video transfer looks fine in bright situations but suffers under darker ones.

Not exact matches

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Here is a very interesting video from COPA90 who has been asking reasonable Arsenal fans how they look at Arsene Wenger's style of management, especially as regards this transfer window and the season ahead.
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In this video, we take a look at some of the stars Mislintat plucked from relative obscurity who were then polished into diamonds — hence his nickname — at Signal Iduna Park, all either achieving legendary status with BVB or turning the club a healthy profit in the transfer market.
From the best transfer video campaign to the worst miss of year, we look back on the cream of the crop from social media in 2017.
But that, of course, is problematic on home video, and it was quite apparent to those who saw the film in cinemas that the original widescreen transfer of Se7en did not accurately recreate the intended look, mood or intention of the film.
Village Roadshow have produced yet another exceptional DVD onto the region 4 market with one of the best movies to come out of the 90's, a video transfer that simply looks stunning and this regions first DTS ES 6.1 soundtrack.
Video: The widescreen, enhanced for 16 x 9 TVs transfer of Into The Wild looks awesome, with beautifully realistic colors and sharp, clear imagery.
It's video transfer is only presented in 1080i, though it looks decent.
The video looks good in 1080p transfer but is not perfect.
Unfortunately, it seems that this R4 version might have been mastered from an older video transfer - in fact, this looks very much like the original home video transfer of the film done back in the early 1990s, which at the time was state - of - the - art but pales in comparison to what's possible today.
The video transfer may look somewhat disappointing, but no such complaints about the audio.
But home video audiences helped rescue an often clunky but enjoyably unusual B - movie, which in its new 2K transfer looks more than ever like a dime - store paperback cover come to live.
In celebration of its 60th anniversary (hardly an important milestone, but one that sounds impressive nonetheless), the studio has spared no expense for the film's Blu - ray debut, which boasts a new 4k high definition video transfer that looks amazing.
The 1080p transfer looks good for the direct - to - video animation of «Happy Pooh Year» and the 1991 Christmas TV special «Winnie the Pooh and Christmas Too» looks like it was made yesterday but still with that classic Pooh look and feel.
Found footage movies are supposed to look real, not great and Deborah Logan aspires to that with its jerky video that is capably but unremarkably presented in the DVD's 1.78:1 anamorphic widescreen transfer.
Even though some of the CGI looked a little cheesy, overall the 1080p transfer packed that certain 300» style feel but more on a direct - to - video standard.
Zierra's film manages a fascinating portrait of the wiry, once - emaciated, now near - bankrupt Vitali, the man who found Danny Lloyd for The Shining; who insisted that Kubrick consider Lee Ermey as the drill instructor in Full Metal Jacket; who personally checked every print, video transfer, and soundtrack compilation from every Kubrick film; and who can't stop looking out for his outsized boss.
The transfer looks good at times, given the more video quality that it has opposed to the other films in the set.
Beginning with a 2.35:1 anamorphic video transfer that reproduces the picture's lurid, saturated colour palette (all deep reds and greens), Cobb looks as good as it probably can look and sounds, in its booming Dolby Surround audio mix, as good as it probably ever has.
THE DVD Fox Family releases My Friend Flicka on DVD in a beautiful full - frame video transfer (preserving the original aspect ratio of the film) that feels sixty - years - old without actually looking it.
The video resolution looks sharp with its 1080p transfer and is presented in its original aspect ratio of 2.39:1.
The DVD boasts a widescreen transfer which, though surprisingly not enhanced for 16x9 displays, makes the digital video footage look fine and a 5.1 track which is largely limited to the front and center speakers.
If truth be told, Matinee has marketed itself by simply being a delightful and meticulously well put together movie and Arrow Video's pristine HD transfer is simply gorgeous to look at.
THE DVDs Red Dawn drops onto DVD in a two - disc «Collector's Edition» sporting a nifty 1.87:1 anamorphic widescreen transfer that frees the picture of the excess grain found in previous home video incarnations but doesn't do much to animate what is frankly a flat - looking film.
This fairy tale princess is one of the most recognizable and even has her own real - life castle located her in Orlando FL «Cinderella» looks glorious on Blu - ray with this simply magical restoration and video transfer.
THE DVD by Bill Chambers Universal Home Video presents About a Boy on DVD in a 2.35:1 anamorphic widescreen transfer * that looks fine.
«Scamp's Adventure» looks beautiful on Blu0ray with its 1080p video transfer.
Video: As with previous DisneyNature releases, «Bears» looks terrific in HD, with a beautiful AVC / MPEG -4 transfer that's as pristine as can be.
Depth and colors are without problem and the video looks worlds better than the original's transfer does.
The video transfer on Millenium Entertainment's DVD release of Trespass looks pretty sharp, with no visible blemishes and absolutely no combing.
Don't get me wrong: I'm happy as a clam that the films (remastered in effervescent 1.85:1 anamorphic widescreen transfers — pan-and-scan sold separately — supervised by co-creator Bob Gale with Dolby Digital 5.1 remixes that beef up the re-entry effects especially) look and sound as good as they do and that, for the first time in home video's history, each picture is now being seen as it appeared in theatres (more on that below).
The video looks sharp and very clear with its 1080p transfer and in its 2.39:1 original aspect ratio.
Contraband receives a similar treatment: a 1.85:1 anamorphic video transfer that looks a little washed - out, especially in the outdoors scenes.
The video looks great with its 1080p transfer.
The transfer looks little different from an upgrade DVD, while the extras consist of a few hastily assembled previews, a running commentary from the effects supervisors, a music video, and a montage of Godzilla's most famous battles which sounds a lot better than it is.
THE DVD Fox DVD's presentation of One Last Score features a cropped full - frame video transfer that looks a great deal like the scattershot presentations of Artisan DVD in general, and The Shipment's in particular.
As for Book of Shadows's audio / video presentation, the clean, 1.85:1, 16x9 - enhanced transfer is a tiny bit too orange, seasonally fitting or not, and it can look digitally - compressed at times.
The video resolutions looks really sharp in its 1080p transfer.
Enough to make you think that VistaVision was developed by Paramount engineers with Blu - ray in mind, their high - definition transfer of Hitchcock's film — the second in his career to take the Best Cinematography Oscar — is one of the best - looking home - video reproductions of a color film I've ever seen, up there with the studio's own disc of North by Northwest, or Criterion's The Leopard.
There is some visible video noise when horizontal lines are present, but otherwise the transfer looks good.
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