Sentences with phrase «video wall sculpture»

Not exact matches

This unique facility features an urban, modern and industrial flare, with a video sculpture installation, themed rooms, cyc walls, activations, a fabrication department, 40 - foot graffiti storage container by local Las Vegas artist, an Air Stream trailer, event technology, eight loading docks and more creativity all in one space.

The space will showcase the team's extensive design expertise, as well as cutting - edge technology, such as video mapping sculptures, augmented reality and gesture interactive walls, and expanded service offerings to match the new facility.

Highlights include videos from Bill Viola's immersive Martyrs series, about the endurance and infliction of suffering for beliefs (Earth Martyr, Air Martyr, Fire Martyr, and Water Martyr, 2014); The Propeller Group's sculptural freeze - frames of bullets fired into ballistics gel designed to simulate the effect of wounds (Universe of Collisions series, 2015); Liza Lou's hovering, gatelike sculpture covered in millions of gold - plated beads and providing no real protection (Barricade, 2007 − 8); and a commissioned wall drawing by Tirtzah Bassel (Concourse, 2016) that examines how familiar emblems of airline travel — freedom, adventure, global connection — have become entangled with notions of vulnerability and disempowerment.

For his new show at the Brooklyn gallery, which recently relocated from Greenpoint to Prospect Heights, Tcherepnin will once again show work that quite literally goes over everyone's heads: five new chandelier - like sculptures hanging from on high, with videos projected on the walls around them.

For the past quarter century, primarily with his paintings but also, as a recent exhibition title put it, «other stuff,» like photographs, videos, sculptures, and installations, he has been getting black figures onto museum walls.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

For the latter show, «Heavy Rain,» he presented a video along with sculptures that explore geology and shifting form — among them, wall - hung sculptures, akin to carved reliefs, recalled the puddle shape of melted ice cubes.

Also on view will be new wall - mounted sculptures and the video Raspberry Poser (2012), shown in New York for the first time.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Leaving no stone of art unturned, Matthew Ritchie came on strong at Andrea Rosen with painterly paintings of information systems on wall and canvas, sculpture, and a large video projection to boot.

Begun in 2008, Black Dada is a conceptual paradigm for a body of work, which includes ideas, paintings, sculptures, wall works, videos, a manifesto, and a reader.

Jamie's two dark - underbelly - of - suburbia videos led the popular vote for the show, which included photographs, masks, wall - mounted and freestanding ceramic sculptures, drawings, and books — enough art to fill galleries on two floors.

Hartford Courant, Dec. 18, «Mirror Mirror» on Wadsworth's Walls by Susan Dunne Antiques & The Arts Weekly, Dec. 5, Morgan The Collector by Kristin Nord The Burlington Magazine, December 2017, J. P. Morgan: mind of the collector by Eric Zafran The New Orleans Advocate, «Intriguing» sculpture of boy atop a giant snail to be part of citywide art exhibition by Katy Reckdahl Hartford Courant, Oct. 24, Imaginative «Denis the Pirate» Video, Stills at Wadsworth Atheneum by Susan Dunne Hartford Courant, Oct. 23, Wadsworth Splendor Gala Sells Out by Amy Ellis CT Post, Oct..

For the 2003 Venice Biennale, Wilson created a mixed - media installation of many parts — focusing on Africans in Venice and issues and representations of blacks and whites — which included a suite of black glass sculptures; a black - and - white tiled room, with wall graffiti culled from texts of African - American slave narratives; and a video installation of «Othello,» screened backwards.

Bernd Behr will present his video work in the video room, while Pier Stockholm takes over the Project Room with his wall drawing, sculptures and drawings.

About 65 works, including some of his figurative paintings, beaded sculptures, textural wall hangings, and videos, are gathered here in a showcase of his striking visual vocabulary and distinctively modern voice.

For instance, Nauman's 1968 video work «Wall / Floor Positions» in which the artist transformed himself into a living sculpture investigating space by moving his body in various relations to the wall and flWall / Floor Positions» in which the artist transformed himself into a living sculpture investigating space by moving his body in various relations to the wall and flwall and floor.

Best known for his photographs of the desolate, debris strewn, and decaying environs in and around Vancouver, which have been associated with Vancouver school artists like Jeff Wall and Stan Douglas, Roy Arden has also worked in collage, sculpture, and video.

The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large - scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

In the Locker Plants maze of thick - walled rooms, Ganzglass installed three video projections and multimedia sculptures.

As the only exhibition of its kind in California, it brings together more than 120 works by 28 individuals, including large - scale installations, sculpture, paintings, works on paper, wall drawing and photographs, as well as digital and video art.

Inside, though, I found an early — and slightly gauche — digital video thudding away on the gallery's biggest wall, a huge, dressing screen - like sculpture created from a grid of metal bars, and, best of all, an ingenious series of abstract paintings created from bathroom tiles and coloured grouting.

The survey exhibition will include a selection of Cave's (b. 1959) signature «soundsuits,» video projections, a multimedia installation, and wall - mounted sculptures.

An installation view of «The Wandering Lake» shows, on the table and back wall, glass urinary - device sculptures from 2017, and on the side walls, the three - channel video «Configurations» (2016).

In Home, Katzenstein presented 12 sculptures of figures who look like him and screened videos on the walls of actors, also made to look like Katzenstein.

The work on display in «Kinesthetics» includes morphing sculptures, moving wall reliefs, animated robotic works, and drawings and video from a group of established and emerging artists.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Like the multi-part octopus piece by Joakim Ojanen pictured above, each work in CLAY TODAY will be a significant ceramic artwork, whether sculpture, wall work or even claymation video.

Curated by artist Frank Connet and HPAC's Director of Exhibitions Allison Peters Quinn, the exhibition featured insightfully sensitive wall hangings, installations, video / performance and sculptures by Chicago artists Aviva Alter, Danny Mansmith, Dutes Miller & Stan Shellabarger, and Rebecca Ringquist that utilize the stitch to tangibly represent the passionate, chaotic and sometimes painful connection love generates between individuals.

Curated by artist Frank Connet and HPAC's Director of Exhibitions Allison Peters Quinn, the exhibition featured insightfully sensitive wall hangings, installations, video / performance and sculptures by Chicago artists Aviva Alter, Danny Mansmith, Dutes Miller & Stan Shellabarger, and -LSB-...]

The media ranges from wall painting, video, photography, sculpture and performance.

In terms of the wide range of media employed, the show looks like it could have been made by several different artists: sculptures similar to the ones shown a the Whitney occupy one gallery; another room boasts huge, scribbly pencil drawings on walls that surround a replica of a hearth («the traditional focal point of the American home»); in another, stacks of mannequins wearing identical outfits and wigs create a chute through which you can walk to view floor - facing monitors screening videos featuring the real - life character the mannequins seem to be modeled after (the artist's mother).

The array of media in this exhibition was rather startling: two videos and a photograph, all rather large (each took up a wall of its own); sculptures of bronze and plastic, or bronze alone, most small, often serially arranged; and works on paper, variously sized, sometimes watercolors, sometimes subtly mixing watercolor and automotive paint.

While he ambitiously explored a variety of media including painting, assemblage, performance, video, and photography, this exhibition focuses on a group of his wall - bound sculptures, as well as examples of video and drawing.

Presented across a sixteen - monitor video wall, Riverboat song revolves around one of the artist's recurring figures, a Huckleberry Finn / Alfred E. Neuman hybrid that appeared in animatronic form in his 2016 work Colored sculpture.

The Help examines the roles of the artist, the muse and the «help,» mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed - media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset.

The Mares of Magnesia exhibition includes four rocking sculptures with embedded videos and a wall painting inspired by Greek landscape paintings.

Working across a number of media including digital print, wall drawing, video, sculpture and installation, Mark Titchner's practice explores systems of belief, both secular and spiritual, often focusing on the marginalized, discredited or forgotten ideologies and objects we place our faith in.

Nathan Carter presents sculpture, photographs, mobiles, wall relief sculptures, videos, drawings and collages in «ALL CITY,» his third solo show at Casey Kaplan Gallery, New York.

There are suites of sculptures by Fischli / Weiss and Matthew Barney, videos by Anri Sala and Steve McQueen, photographs by Cindy Sherman and Jeff Wall.

To view Mika Rottenberg's single channel video installation Lips (Study # 3), 2016 at New York's Andrea Rosen gallery, one peeked through the opening of a sculpture of pouty, red lips installed on a wall.

The Saw Tooth Wave is an installation of new work by Benedict Drew which includes video, painting, sculpture, and wall drawing.

The show brings together several of Thomas» different material approaches, including video, sculpture, collage, photography and large scale wall paintings.

The title referred to then three - year - old Isis, whom she was thinking about while she made the works — fourteen paintings, two black and white wall drawings, hanging Plexiglas panels, a video, and a figurative neon - tube sculpture.

Beyond the sculptures, Vieira explores site and symbolic architecture across eras with a double video projection that stretches the full height of the back wall.

Damien Roach develops and extends elements of his ongoing research project here in the form of new wall - based works, video, sculpture and drawing — borrowing from sources and disciplines as diverse as architecture, music, psychoanalysis, graphic design and philosophy.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Recycled plastic iceberg sculptures cover the floor and glow eerily under black light while scents waft through the air and videos documenting collisions between the natural and manmade world stream continuously on two glass screens that reflect images onto the walls.

Pulling ideas that first surfaced from the Baroque period in the 1600s, the exhibition includes paintings, wall works, sculpture, video, and installation.

Sculpture, video, sound and performance will inhabit a serpentine maze of track - mounted rolling walls, a kaleidoscopic reimagining of rolling library stacks.