Sentences with phrase «video works in their exhibitions»

In terms of their content, the three video works in the exhibition are closely related to the large installation Passage / s.

The photographs and video works in this exhibition display the ups and downs of life, freezing the frame somewhere between the beginning and end of an action, from the precise click of the shutter.

Combining sculpture, painting and video work in the exhibition, Reyes McNamara investigated key texts by Mexican American theorist Gloria E. Anzaldúa, Dominican American writer Junot Díaz, and Cuban American poet Gustavo Pérez Firmat

Love «em, Leave «em constitutes one in a trilogy of video works in the exhibition, which invoke the labor of love analogous to gendered art practice.

His sculpture and video works in this exhibition reveal messages and meaning through recurring forms that change over time and in different geographic locations.

Further, the natural world as experienced through the passage of time is seen in two of the video works in the exhibition.

Margareta Kern is showing a video work in this exhibition called Guestures / Gostikulacije created this year.

Other video works in the exhibition explore reflections of the self in historical art and architecture.

The two video works in the exhibition open up the conversation to a wider historical time frame: both films were shot in Masada, a mountaintop fortress built by Herod The Great between 37 and 31 BCE.

The photographs and video works in this exhibition display the ups and downs of life.

Not exact matches

This new exhibition incorporates an extensive display of his past work in a diverse variety of media, including installations, photos, videos, posters, banners, performance works and sound pieces.

Located centrally on the exhibition grounds is the Operation and Security Centre, where representatives of the police, Messe Frankfurt, the security company, fire brigade and emergency services also monitor the fair with video cameras, working in close cooperation with the personnel in the halls and on the fairgrounds, as well as with the Exhibition Management office exhibition grounds is the Operation and Security Centre, where representatives of the police, Messe Frankfurt, the security company, fire brigade and emergency services also monitor the fair with video cameras, working in close cooperation with the personnel in the halls and on the fairgrounds, as well as with the Exhibition Management office Exhibition Management office of course.

His work has been include in the following selected exhibitions: Australian Perspecta, Art Gallery of New South Wales (1993); Fluxibelstructures, Kunsthaus Oerlikon, Zurich, Switzerland (1995); Preambles, Australian Perspecta, Museum of Contemporary Art, Sydney (1999); Art in the World, Pont Alexandre III, Paris, France (2000); Video - Salon, Week of Art and New Media, Brussels, Belgium (2000); 25th Bienale de Sao Paulo, Sao Paulo, Brazil (2002); Bitter Sweet, Art Gallery of New South Wales, Sydney (2002); Identity and Desire, Art Gallery of South Australia, Adelaide (2005); CRASH (and other worldly pleasures) Lawrence Wilson Art Gallery, University of Western Australia, Perth (2006); Bon Scott Project, Fremantle Arts Centre, Fremantle (2008) and Rough Trade, TANKS Art Centre, Cairns (1997) and Plimsoll Gallery, Hobart (1998).

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work serieIn addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

Andrea has also recently produced work for a local sports newspaper and appeared in numerous exhibitions and TV guest slots, but Milestone's WRC3 marks his video game debut.

Running until 28 January 2018, the exhibition Ai Weiwei: D'ailleurs c’est toujours les autres is bringing together more than 40 items dating from 1995 up to the present: works in porcelain, wood, marble, jade, crystal, bamboo, and silk, together with wallpaper, photographs and videos, all testifying to the rich variety of the artist's work and his profound knowledge of his country's cultural heritage.

The jurors — Sabine Breitwieser, Naomi Beckwith, Mario Codognato, Yungwoo Lee, and Ranjit Hoskote — also singled out three artists for special mentions: in the main exhibition, the late Harun Farocki (whose entire film catalogue is being screened there); the Aboundaddera collective, which is presenting videos from Syria; and Algerian artist Massinissa Selmani for «working in a modest medium which has the capacity to act beyond its scale.»

I've not been regularly mailing my list as much as I'd like (or perhaps should have) but have made a resolution this year to send out an email once a week at the same time (1 pm every Thursday) with an update of some sort like works in progress blog post, or time - elapsed videos, or invitations to exhibitions, or when new works are for sale or if I'm running a promotion etc..

Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of clips from old Hollywood films, with actors and musicians making sound or playing instruments.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

A picture caption on Friday with an art review of «Raymond Pettibon: A Pen of All Work» at the New Museum misidentified a video in the exhibition.

Artist Sara Hornbacher speaks about her pioneering work in video and electronic art in anticipation of the pop - up exhibition «Interference» at Atlanta Contemporary.

The works in the exhibition were either made for video or later released as videos.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatVIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizatvideo, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

The exhibition includes paintings, drawings, installations, sculptures, video works, and photographs by an intergenerational group of artists who are primarily based in the United States.

The puppets and sets from the performance were displayed as sculptural works in the exhibition, along video and photographs of the puppet show.

Video installations throughout the exhibition task the viewer in exploring the works as both observer and participant.

Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic sculpture — the publication ultimately exists as a hybrid between an exhibition catalogue and a stand - alone expression of Wolfson's vision.

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

his multi-disciplinary works, which span drawing, video, photography, and performance, have appeared in exhibitions worldwide.

Featuring photographs, manuscripts, correspondence, source material and two early video works from the Larry Rivers Papers, the exhibition explores the ways in which the archives contextualize Rivers's multi-dimensional artistic career.

In 2009, Als worked with the performer Justin Bond on Cold Water, an exhibition of paintings, drawings, and videos by performers, at La MaMa Gallery.

Known for working in a range of mediums — painting, photography, sculpture, video, installation, and performance — with this exhibition, Johnson adds drawing to his repertoire.

This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artists.

Each artist combines notions inherent in the practices of art and architecture, in an experimental exhibition that includes site - specific installation, sculpture, painting, photography and video to create five very different and exciting works.

The exhibition at Ameringer McEnery Yohe, who last year presented a show of work by Wolf Kahn (see more in this video), sees Brian Alfred capturing small slices of time that aim to capture the emotions of watching the races.

Organized by the Stuttgart - based Institut für Auslandsbeziehungen (IFA) and featuring more than 200 photographs spanning 1986 to 2017, as well as installations, video works, and publications, this is the artist's first exhibition in Africa.

In conjunction with her exhibition at Light Work, Mary Mattingly will be presenting Human and Object, a selection of video works at Urban Video Project (UVP) at the Everson Museum ofvideo works at Urban Video Project (UVP) at the Everson Museum ofVideo Project (UVP) at the Everson Museum of Art.

In her solo exhibition Your heart is clean at MASS Gallery, Ogunji unveils a body of works on paper and video installation developed during return trips to her father's homeland of Nigeria and time shared between industrial metropolis Lagos and Austin, TX.

From installation and video to sculpture, painting and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

Mr. Sanders has made his mark with exhibitions of postwar and contemporary dance, video and new media, but he's got a deft hand, too, for these works of core Modernism, which look rejuvenated in this riverfront aerie.

P.S. 1 Contemporary Art Center, an affiliate of The Museum of Modern Art, presents Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, an exhibition of performance - based artworks available in video foVideo Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, an exhibition of performance - based artworks available in video fovideo format.

DHC / ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay's REPLAY, a major exhibition gathering works in video by the internationally acclaimed artist.

This exhibition gathers Freilicher's paintings and drawings, as well as two videos by Rudy Burckhardt, and features four vitrines containing photographs, book covers, letters, and manuscripts — some poems with lines crossed out and handwritten additions in the margins — that point to the interrelated friendships between painter and poets, and to the development of work at hand.

NEW YORK - «Histories of Sexuality» situates Wynne Greenwood's work in proximity to two programs from the New Museum's past that focused on sexuality and gender in then - recent video works: «HOMO Video: Where We Are Now» (1986 — 87), curated by William Olander, and the video programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl Dvideo works: «HOMO Video: Where We Are Now» (1986 — 87), curated by William Olander, and the video programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl DVideo: Where We Are Now» (1986 — 87), curated by William Olander, and the video programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl Dvideo programs associated with Marcia Tucker's «Bad Girls» exhibition (1994), curated by filmmaker Cheryl Dunye.

2008 Sobey Art Award Exhibition, Royal Ontario Museum, Toronto, Canada The Temptation to Exist, Yvon Lambert, London, UK Gravity: Selected Works from the Ernesto Esposito Collection, Museo Artium, Viatorai, Spain Fragile, Julia Stoschek Collection, Dusseldorf, Germany Political Minimalism (curated by Klaus Beisenbach), Kunst Werk, Berlin, Germany Materialized: New Video in the Third Dimension, Bergen Kunsthalle, Bergen, Norway Meet Me Around the Corner, Astrup Fearnley Museum of Mordern Art, Oslo, Norway Expenditure: Busan Biennale 2008, Busan Museum of Modern Art, Busan, Korea The Boys of Summer, The Fireplace Project, East Hampton, New York Shape of Things to Come, Saatchi Gallery, London, UK Yokohama Triennial, Various Locations, Yokohama, Japan Eurasia.

In this video, 2012 Whitney Biennial artist Cameron Crawford discusses his work in the exhibition, focusing on his sculpture making water storage revolution making water storage revolution (2012In this video, 2012 Whitney Biennial artist Cameron Crawford discusses his work in the exhibition, focusing on his sculpture making water storage revolution making water storage revolution (2012in the exhibition, focusing on his sculpture making water storage revolution making water storage revolution (2012).

The diverse meanings placed on the horizon — which includes a symbol of longing, containment or desire — radiate across the additional works in the exhibition that include painting, sculpture, drawing, video, and installation.