The resulting sculptures,
videos and installations challenge the viewer's preconceptions of humor, insanity, rationality, schizophrenia, and culturally constructed notions of good and evil.
Not exact matches
Illustrated with performance, private
videos,
and recollections from those who knew him, this detailed
and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently
challenged ideas about the limits
and nature of modern art, from his notorious performances in the 1970s to his later assemblages,
installations, kinetic
and static sculptures,
and scientific models.
Executive Director
and celebrated documentary photographer Ruth Morgan has collaborative with visual artist Dee Morizono to curate a site - specific
installation of compelling large format photographs,
video diaries,
and multi-media artwork that
challenges assumptions about people behind bars
and their families.
Inspired by the spoken, written,
and performed introductions Conrad regularly used to help frame screenings
and presentations of his works, many of which are incorporated into the exhibition itself, it shows Conrad to be an unparalleled innovator in the mediums of painting, sculpture, film,
video, performance,
and installation, tenaciously working to
challenge the boundaries between artistic categories.
American artist Jonathan Monaghan (born 1986, New York) creates sculpture
and animated
video installations that
challenge the boundaries between the real, the imagined,
and the virtual.
Evolving through a range of mediums such as performance,
video,
installation, sound,
and literature, her works consider the fluid border between public
and private space,
and in so doing,
challenge established conventions relating to the body, sexuality, power relations,
and institutional spaces.
Through the 1970s the place of painting at the leading edge of the visual arts was
challenged by developments in conceptual art,
installation art, sculpture,
video and performance (see Contemporary Trends in Art; Video
video and performance (see Contemporary Trends in Art;
Video Video Art).
The artist's
challenge to what passes as news continues with Until, Until, Until... (2015 — 17), a multimedia
video installation and live - action play that he wrote, staged,
and directed.
Jonathan Monaghan (b. 1986, lives in Washington D.C.) creates sculpture
and animated
video installations that
challenge the boundaries between the real, the imagined,
and virtual.
Through
video, sculpture,
and installation she
challenges perceived boundaries between subject, object,
and image.
Kerry James Marshall WideWalls» artist of the year for 2017, specializes in
challenging the marginalization of African - Americans through his formally rigorous paintings, drawings,
videos and installations.
CIFO: Una mirada multiple seeks to validate the
challenge of visiting the exhibition by intersecting the five links that make up its internal structure: Contemporary Masters, New German Photography, Latin American Art, Photography,
Video and Installation,
and Outside Cuba.
The timing, while
challenging, afforded the gallery the opportunity to take more risks with programming — showcasing
video, performance,
and sculptural
installations — a defining characteristic of the gallery that carries through to today.
Featuring painting, drawing,
installation,
video, sculpture,
and performance, the exhibition highlights artists whose work both draws on
and challenges traditional artistic approaches to the natural
and built environments.
Taking the forms of
videos, a colored fabric
installation, a rope
and rock assemblage, charred
and dyed fur,
and alchemical experiments on canvas
and the gallery floor, these artists luxuriate in materiality while
challenging the medium specificity of painting.
Since the late 1980s, Belgian artist Wim Delvoye has been
challenging the art world status quo through a multidisciplinary practice that includes sculpture, drawing, photography,
installation,
and video.
Showcasing work by 29 artists of varying race, ethnicity
and gender (including David Hammons, Lorna Simpson, Robert Mapplethorpe, Pat Ward Williams, Jean - Michel Basquiat, Lyle Ashton Harris
and Andres Serrano, among others), the show, through
installation pieces, photography, sculpture, film
and video, presents a range of representation — images that «
challenge and transform the «negative» stereotypes,» «real
and imagined,» writes Golden in the exhibition catalogue.
This October in New York, Independent Curators International (ICI) produces the Curatorial Intensive: Curating Time - Based Media, a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics,
and challenges of organizing exhibitions featuring durational art,
installations, performance, dance,
video, film,
and sound art.
Among the most important artists to emerge during the 1990s, Los Angeles — based Diana Thater creates groundbreaking
and influential works of art in film,
video,
and installation that
challenge the normative ways in which moving images are experienced.
In 1976, she founded
and continues to direct Franklin Furnace, an artist - run space that champions the exploration, promotion
and preservation of artists» books,
installation art,
video, online
and performance art, further
challenging institutional norms, the roles artists play within society,
and expectations about what constitutes acceptable art mediums.
«Me as Muse» is a multimedia
video installation in which Thomas
challenges and disrupts historical perceptions of beauty, fictional spaces,
and traditional gender roles.
«Forest Law» (2014) is a collaborative
video installation by Biemann
and Tavares, brings us to Ecuador where, not without
challenges of its own, this radically altered relationship to the Earth
and the natural world has become possible.
Sound IN Spaces: The Conservation
Challenges of Activation
and Installation Tate collection of sound works is varied, encompassing film
and video works with sound, sound works with an integral sculptural component
and others that would be considered as just audio works.
In recognition of today's increasingly diversified art scene, The London Group Open welcomes innovative,
challenging works in any medium, including painting, sculpture, drawing, print, photography, digital, audio, mixed media,
installation,
video and performance.
This exhibition engages 16 U.S. Latino
and Latin American artists
and collaborative teams working across a range of media — from
installation and performance to drawing
and video —
challenging any notion of absoluteness with regard to what constitutes Latin America
and its diaspora in the United States, the art that can be associated with it,
and how to approach this complex region.
As a centre of modern art, Tate Liverpool typically shows a diverse
and challenging range of works taken from the field of avant - garde art, including:
video art, photography, printmaking, performance
and installation in addition to painting
and sculpture.
The most recent presentation, Tales of Our Time (2016 — 17), was a group exhibition that included a robot - operated
installation of monumental scale, a public tea gathering in an indoor garden setting,
and immersive
video works to explore
and challenge the notion of place.
Aside from the
challenge in hearing the exhibition's
video installation, her film, Making Money Religiously, was well worth the concentration
and effort.
All the major American artists
and works from the seventeenth century to today are included, such as epic history paintings by Benjamin West
and John Singleton Copley; sublime landscapes by Thomas Cole, Albert Bierstadt,
and Frederick Church; society portraits by John Singer Sargent; groundbreaking abstract expressionist
and pop art by Jackson Pollock, Barnett Newman,
and Andy Warhol;
and challenging sculptural,
installation,
and video works from more recent years by Robert Gober, Fred Wilson,
and Matthew Barney In architecture, dozens of different building types are illustrated
and discussed, from the earliest colonial houses
and churches to the most spectacular modernist
and postmodernist houses, stations, museums,
and iconic skyscrapers.
Ruppe utilizes a broad scope of approaches to his art making, including graphite transfer drawing, casting,
video,
installation,
and performance to
challenge the possibilities of cultural ownership
and altered identity.
Highlights include Isaac Julien's nine - screen interactive
video installation «Ten Thousand Waves», shot in China
and featuring Maggie Cheung,
and William Forsythe's «The Fact of Matter», which
challenges visitors to cross the gallery without touching the floor, using 200 gymnastics rings suspended from the ceiling.
Her sculptures, photos,
videos,
and installations vary greatly in form but consistently
challenge the viewer to contemplate what we experience as the human condition.
L O V E, Montalvo's latest exhibition, considers the
challenges of extending ourselves to commune
and connect with others, with an
installation of
video, drawings, sculpture,
and other works.
Curating Time - Based Media is a ten - day professional development program that offers curators the opportunity to discuss, among colleagues, the concepts, logistics,
and challenges of organizing exhibitions featuring durational art,
installations, performance, dance,
video, film,
and sound art.
The film
and video works in the collection mark the dramatic shift that occurred at that moment, as artists
challenged the traditional mediums of painting
and sculpture by creating performances, film
installations,
videos, slide works,
and films.