Sentences with phrase «videos and photographs reflect»

Not exact matches

Video of Chall Lecture: Al Tatum The photograph showing African American men bound and face down is one that Alfred Tatum, dean of the College of Education and director of the University of Illinois - Chicago (UIC) Reading Clinic, regularly reflects upon.

In his installations, which include photographs, videos and sculptures, Hartt explores how physical spaces reflect the ideas and beliefs of a particular time and place.

NEW YORK — Opening Thursday, March 28 at the Studio Museum in Harlem, David Hartt: Stray Light is a presentation of color photographs, sculptures and a video installation by Chicago - based conceptual photographer David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.

Focusing on photographs, collage works, performances, films and videos produced throughout the 1970s, the exhibition reflects a moment during which practices of emancipation, gender equality and civil rights protest movements became part of public discourse.

David Hartt: Stray Light presents color photographs, sculptures, and a video installation by Chicago - based Canadian artist David Hartt (b. 1967) reflecting on the iconic headquarters of the Johnson Publishing Company in downtown Chicago.

His video installations are usually displayed across multiple screens and accompanied by still photographs, conveying a sense of fragmented narratives and reflecting on the ideas of memory and remembrance.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

Comprised of a video in three parts with soundtracks in English and French, along with dozens of black - and - white photographs, Secret reflects on the artist's experience inhabiting a semi-deserted apartment in Le Corbusier's concrete housing block, Unité d'habitation, located in Firminy, France.

Boers works with several artists who are beginning to experience an upsurge in their market, including Qiu Xiaofei, who makes mural - size expressionistic oil paintings based on photographs and memories of his childhood (prices are between $ 50,000 and $ 100,000); Chen Yujun, whose collages reflect the culture of his hometown in Fujian Province (prices range from $ 30,000 to $ 60,000); and Lu Yang, a young woman who conveys science - fiction fantasies in videos and digital prints (selling for $ 4,000 to $ 20,000).

The main body of the exhibition features contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack, reflect upon or at any rate expose modern - day surveillance practices.

The exhibition reflects the diverse Kala community with a juried exhibition of prints, photographs, paintings, drawings, videos, mixed media works, and sculpture.

The diverse course offerings reflect the varied backgrounds of the visitors themselves: Blalock works extensively with layered photographs and Photoshop; Bornstein investigates multiple mediums including video, etching, and 16 - millimeter film; Bush specializes in shorter - length stop frame animation.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

Focusing on photographs, collage pieces, performances, films and videos produced throughout the 1970s, the exhibition reflects a moment during which emancipation, equality and civil rights protests became part of public discourse.

The artist's videos, photographs and installations are imbued with a probing intensity, as he invites us to observe political and corporate structures, male violence, and reflects on traditional hierarchies and long held assumptions.

Photographs, videos, description and information about the properties reflect conditions at the time the information was obtained.