Sentences with phrase «videos and sculptures engage»

Meredith James» videos and sculptures engage architectural space and sequential narrative through a series of inversions and perceptual events.

Not exact matches

By engaging the discourse of sculpture through the tools of cinema, the video follows the lives of «related» artworks and recounts the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.
PEET's work — whether painting, sculpture, drawing, video, or performance — actively engages with the social and political realities of our time and fluctuates between documentary and subjective approaches.
Since 2009, she has been exhibiting sculpture and video and engaging in performance in New York and Israel.
The New York - based Gilmore engages with ideas of femininity, gender, and sex through performance, video, sculpture, and photography.
Goldner's installations include steel sculptures, video, photography and sound combining poetry, patterns, forms and African themes that engage in social discourse.
While photography has been her primary medium, she has also incorporated drawing, text, sound, sculpture and video into work that evocatively engages with the intersection of photography, social history and personal memory.
From thought - provoking sculptures to a haunting video to a photographic installation, each of the chosen works engages with contemporary culture, reflecting the artist's looking at and thinking about life today.
Although the videos in «Video > Sculpture» are formally and conceptually engaged with the precedents and issues of video, and the sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause and efVideo > Sculpture» are formally and conceptually engaged with the precedents and issues of video, and the sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause and efvideo, and the sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause and effect.
These artists engage in painting, sculpture, video, photography, performance and a host of new digital technologies to explore the richness of the imagination and the diverse possibilities of experience.
Dedicated to rigorous and challenging programming, EXPO CHICAGO hosts the / Dialogues panel series, featuring provocative artistic discourse with leading artists, curators, designers and arts professionals on the current issues that engage them; IN / SITU, featuring large - scale sculptures and site - specific works; EXPO VIDEO, highlighting a dynamic screening program for film, video and new media works; and VIDEO, highlighting a dynamic screening program for film, video and new media works; and video and new media works; and more.
Featuring a variety of mediums — including painting, sculpture, photography, and video — the exhibition aims to create an experience in which the viewer employs the universal game to engage with the works of contemporary artists from around the world.
A culmination of five years of research and production by Suki Seokyeong Kang, the exhibition «Black Mat Oriole» is conceived as an installation that brings together sculpture, painting, and video to engage viewers with the power and politics of space.
The event is still regarded as the preeminent venue for showcasing each country's top innovators in the arts, including painting, sculpture, video, cinema, dance, performance, architecture and conceptual arts, and allowing artists from all disciplines to engage in discussions and further their.
Rodney McMillian (b. 1969, Columbia, SC) works in multiple modes, from sculpture to video, performance, and painting, including compositions on bedsheets that engage ideas in abstraction yet simultaneously invoke representations of the body and the landscape.
They may paint with an abstract art style while simultaneously making Minimalist sculpture, shooting hyperrealist videos, and engaging in Expressionistic photography on social media.
Sculptures and paintings by the Swiss artist engage in a fascinating dialogue with videos, sculptures, drawings, photographs, and spatial installations by the US multimedSculptures and paintings by the Swiss artist engage in a fascinating dialogue with videos, sculptures, drawings, photographs, and spatial installations by the US multimedsculptures, drawings, photographs, and spatial installations by the US multimedia artist.
The artist presents a new body of work, ranging from sculpture and neon to video and painting that engages with cosmic energy and portrayals of the sublime, whilst also integrating elements of Grasso's recent research on Japan.
Diana Heise's practice engages video, photography, performance, installation, film, writing, sculpture, public intervention, and sound.
Matthew Dalziel and Louise Scullion are Scottish based artists working with sculpture, photography, video and sound exploring new ways to engage with the subjects of, the environment and ecology.
Her practice encompasses sculpture, installation, photographic processes, video, and performance, which she also uses to engage in projects that promote cultural exchange.
Brooklyn - based Leigh, whose work spans sculpture, video, installation and performance, is a 2016 John Simon Guggenheim Foundation Fellow, 2016 Fellow of A Blade of Grass for socially engaged artists, and the 2016 Visual Arts recipient of the Herb Alpert Award in the Arts.
To mark its 9th year, the award invited audiences to engage with some of today's key cultural, social, political, environmental and economic themes through a selection of shortlisted works in the following categories: Photographic & Digital Art; Three Dimensional Design & Sculpture; Painting & Drawing; and Video, Installation & Performance.
Spanning sculpture, collage, installation, video, sound, and performance, Sara Magenheimer's practice engages the way language performs as physical material; vibrating the air as sound, moving on a screen as text or on a page as graphic image.
Artworks that engage in this refusal and exhortation are invited in any media, including painting, work - on - paper, sculpture, installation, photography, video, performance, internet - based art, and audio works.
Though initially interested in sculpture, Arnatt began experimenting with photography and video towards the mid 60s and soon after was actively engaged in the new Land Art.
Kallat (b. 1973) graduated from the Sir J.J. School of Art, Mumbai in 1996 with a BFA in painting and her practice has spanned drawing, photography, sculpture and video by engaging diverse materials while communicating thought - provoking concepts and ideas.
Each artist engaged the museum's collection and architecture in different ways, creating diverse projects — both aesthetically and conceptually — and employing various media and approaches from wall - drawing, rubber - painting, bicycle spoke sculpture, and digital photography to video projection and yarn installation.
Using performance and writing to develop sculpture, sound and video installations, the work engages with the living and life - supporting elements of the garden.
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