Meredith James»
videos and sculptures engage architectural space and sequential narrative through a series of inversions and perceptual events.
Not exact matches
By
engaging the discourse of
sculpture through the tools of cinema, the
video follows the lives of «related» artworks
and recounts the conditional relationships between artist, artwork,
and third - party agents (institution, caregiver, surrogate) in familial terms.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation
and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or
sculpture in favor of
video, art - science hybrids, updated junk
sculpture,
and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically
engaged exhibition.
PEET's work — whether painting,
sculpture, drawing,
video, or performance — actively
engages with the social
and political realities of our time
and fluctuates between documentary
and subjective approaches.
Since 2009, she has been exhibiting
sculpture and video and engaging in performance in New York
and Israel.
The New York - based Gilmore
engages with ideas of femininity, gender,
and sex through performance,
video,
sculpture,
and photography.
Goldner's installations include steel
sculptures,
video, photography
and sound combining poetry, patterns, forms
and African themes that
engage in social discourse.
While photography has been her primary medium, she has also incorporated drawing, text, sound,
sculpture and video into work that evocatively
engages with the intersection of photography, social history
and personal memory.
From thought - provoking
sculptures to a haunting
video to a photographic installation, each of the chosen works
engages with contemporary culture, reflecting the artist's looking at
and thinking about life today.
Although the
videos in «
Video > Sculpture» are formally and conceptually engaged with the precedents and issues of video, and the sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause and ef
Video >
Sculpture» are formally
and conceptually
engaged with the precedents
and issues of
video, and the sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause and ef
video,
and the
sculptures are immersed in the phenomenal world, emphatically objects down to their metaphorical fingertips, in all these pairings there is a strong suggestion of cause
and effect.
These artists
engage in painting,
sculpture,
video, photography, performance
and a host of new digital technologies to explore the richness of the imagination
and the diverse possibilities of experience.
Dedicated to rigorous
and challenging programming, EXPO CHICAGO hosts the / Dialogues panel series, featuring provocative artistic discourse with leading artists, curators, designers
and arts professionals on the current issues that
engage them; IN / SITU, featuring large - scale
sculptures and site - specific works; EXPO
VIDEO, highlighting a dynamic screening program for film, video and new media works; and
VIDEO, highlighting a dynamic screening program for film,
video and new media works; and
video and new media works;
and more.
Featuring a variety of mediums — including painting,
sculpture, photography,
and video — the exhibition aims to create an experience in which the viewer employs the universal game to
engage with the works of contemporary artists from around the world.
A culmination of five years of research
and production by Suki Seokyeong Kang, the exhibition «Black Mat Oriole» is conceived as an installation that brings together
sculpture, painting,
and video to
engage viewers with the power
and politics of space.
The event is still regarded as the preeminent venue for showcasing each country's top innovators in the arts, including painting,
sculpture,
video, cinema, dance, performance, architecture
and conceptual arts,
and allowing artists from all disciplines to
engage in discussions
and further their.
Rodney McMillian (b. 1969, Columbia, SC) works in multiple modes, from
sculpture to
video, performance,
and painting, including compositions on bedsheets that
engage ideas in abstraction yet simultaneously invoke representations of the body
and the landscape.
They may paint with an abstract art style while simultaneously making Minimalist
sculpture, shooting hyperrealist
videos,
and engaging in Expressionistic photography on social media.
Sculptures and paintings by the Swiss artist engage in a fascinating dialogue with videos, sculptures, drawings, photographs, and spatial installations by the US multimed
Sculptures and paintings by the Swiss artist
engage in a fascinating dialogue with
videos,
sculptures, drawings, photographs, and spatial installations by the US multimed
sculptures, drawings, photographs,
and spatial installations by the US multimedia artist.
The artist presents a new body of work, ranging from
sculpture and neon to
video and painting that
engages with cosmic energy
and portrayals of the sublime, whilst also integrating elements of Grasso's recent research on Japan.
Diana Heise's practice
engages video, photography, performance, installation, film, writing,
sculpture, public intervention,
and sound.
Matthew Dalziel
and Louise Scullion are Scottish based artists working with
sculpture, photography,
video and sound exploring new ways to
engage with the subjects of, the environment
and ecology.
Her practice encompasses
sculpture, installation, photographic processes,
video,
and performance, which she also uses to
engage in projects that promote cultural exchange.
Brooklyn - based Leigh, whose work spans
sculpture,
video, installation
and performance, is a 2016 John Simon Guggenheim Foundation Fellow, 2016 Fellow of A Blade of Grass for socially
engaged artists,
and the 2016 Visual Arts recipient of the Herb Alpert Award in the Arts.
To mark its 9th year, the award invited audiences to
engage with some of today's key cultural, social, political, environmental
and economic themes through a selection of shortlisted works in the following categories: Photographic & Digital Art; Three Dimensional Design &
Sculpture; Painting & Drawing;
and Video, Installation & Performance.
Spanning
sculpture, collage, installation,
video, sound,
and performance, Sara Magenheimer's practice
engages the way language performs as physical material; vibrating the air as sound, moving on a screen as text or on a page as graphic image.
Artworks that
engage in this refusal
and exhortation are invited in any media, including painting, work - on - paper,
sculpture, installation, photography,
video, performance, internet - based art,
and audio works.
Though initially interested in
sculpture, Arnatt began experimenting with photography
and video towards the mid 60s
and soon after was actively
engaged in the new Land Art.
Kallat (b. 1973) graduated from the Sir J.J. School of Art, Mumbai in 1996 with a BFA in painting
and her practice has spanned drawing, photography,
sculpture and video by
engaging diverse materials while communicating thought - provoking concepts
and ideas.
Each artist
engaged the museum's collection
and architecture in different ways, creating diverse projects — both aesthetically
and conceptually —
and employing various media
and approaches from wall - drawing, rubber - painting, bicycle spoke
sculpture,
and digital photography to
video projection
and yarn installation.
Using performance
and writing to develop
sculpture, sound
and video installations, the work
engages with the living
and life - supporting elements of the garden.