Sentences with phrase «videos the exhibition captures»

Not exact matches

The exhibition features recent videos by acclaimed international artists who use their work to explore the spectacle of nature and the sense of cosmic stupor that captures humans when faced with the sublime vastness of our planet.

The exhibition at Ameringer McEnery Yohe, who last year presented a show of work by Wolf Kahn (see more in this video), sees Brian Alfred capturing small slices of time that aim to capture the emotions of watching the races.

Positioned in the gallery's atrium is the dominant feature of the exhibition: Act Three: Silent Siege, a single channel movie that evolves and changes as live video feeds embedded around the viewing area allow Hartung to observe and adjust the picture remotely by capturing the viewer's image and manipulating it on screen.

Watch the video that captures the heart of the international competition and city - wide exhibition through a series of intimate portraits of ArtPrize Nine Artists and their work.

The Barnes presents a multi-part project that captures city life through a gallery exhibition, newly commissioned public installations and performances, and citizen - created photos and videos.

Person of the Crowd captures city life through a gallery exhibition, newly commissioned public installations and performances, and citizen - created photos and videos.

For his first LA solo exhibition, Yigal Ozeri furnished us with over a dozen photorealistic oil paintings and one exquisite video — works that captured the eye of Beautiful / Decay Associate Editor Sasha Lee, who interviewed the artist for the publication's preview feature article.

Capturing their extensive range, the exhibition includes paintings, prints, and sculpture, as well as video and mixed media installations.»

DeWoody's own thoughts on the exhibition and the process of putting it together was captured on a video that's posted on the museum's website.

This exhibition, which shows posters, and photo documentation of exhibitions, as well as works displayed during the In - Out Center's run — including video, performance documentation, concrete poetry and sound art — captures the life of Amsterdam's first independent artist's space.

2012Dallas Paul, A Rogue's Gallery of Gorgeousness: Charles Atlas and Anthony's Turning, FilmMaker Magazine, 16th November 2012 Atlas, Charles «Filming Cunningham Dance: In Conversation with Nancy F. Becker, 1983» Dance, Documents of Contemporary Art, Andre Lepecki, 2012 Verlaek, Jolien, «I got a book and learned video» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Avideo» Interview Charles Atlas, Metropolism Online, 16 April 2012 Goings on about town: Dance, The New Yorker Online, The New Yorker Online, 14 April, 2012 Boynton, Andrew, Ballet's Punk, Grown Up, The New Yorker Online, 12 April, 2012 Millar, Iain, A 21st - century take on art films, The Art Newspaper Online, 11 April, 2012 Sutton, Benjamin, Charles Atlas Crunches the Numbers at Luhring Augustine's New Brooklyn Outpost, Art Info Online, 9 April, 2012 Macaulay, Alastair, Films That Allow the Elusive to Elude, Charles Atlas Captures Merce Cunninghams «Ocean» on Film, The New York Times, Critics Notebook, 9 April, 2012 Kourlas, Gia, A Rock Star May Steal the Show, The New York Times, 6 April, 2012 Hawthorne, Julien, Payne, Jenny, The Whitney Biennial Experience, Columbia Spectator, 30 March, 2012 Huff Jason, Charles Atlas» Delirious Digital Projections Dazzle in Bushwick, Blouin Artinfo Online, 26 March, 2012 Charles Atlas: Views on Video, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AVideo, Petrine Archer BLOG, 26 March, 2012 First Charles Atlas museum exhibition in The Netherlands Includes large Video Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles AVideo Installations, www.artdaily.org, 19 March, 2012 De hallen Haarlem opens Charles Atlas.

Nearby a TV displays the video feed captured from the X-ray machine, indexing many of the items that passed through Wysocan's studio over the last year; included are the artifacts displayed in, and comprising the other works in the exhibition, as well as everyday goods such as food and clothing.

Titled Um - basax - bilua «Where They Make The Noise,» the exhibition features manipulated photographs, cultural artifacts, and video footage capturing the Crow Nation's annual Crow Fair, held since 1904.

For his first exhibition in Ireland / Northern Ireland, New York - based artist Artie Vierkant presents a new iteration of his Fingerprints series of video works produced with digital techniques of fingerprinting and gesture capture.

Previous exhibitions include One is the loneliest number (2011), featuring artist duos based in Philadelphia and elsewhere; Summer Studio with Anthony Campuzano (2010), a month - long free art school and working artist's studio in the ICA galleries; Touch Sensitive: Anthony Campuzano (2009), the first museum show of an artist whose work is largely text - based; and Asking Not Telling (2009), a video show presenting works that use the tropes of documentary filmmaking to capture, record, (re) record, and represent cultural memory.

The performances were as well captured through a series of videos that were ultimately included in the 2002 Whitney Biennial.The exhibition's title references the philosophy of astronomer Carl Sagan, who featured Jose's performance in his book The Demon Haunted World: Science as a Candle In the Dark.

A long wall of small, close up self - portraits shows Ms. Semmel not as an idealized figure — as she stresses in the video interview that accompanies the exhibition — or a generic model of femininity, but as a «specific person» captured at different moments.

The work consists of a video installation on which a video camera is placed at the museum's external area, behind the exhibition space, to capture images and project them, in real time, at the museum's interior.

Using all 60,000 square feet of the gallery space, including outdoor terraces and rooms for film and video, the exhibition will even capture what American artists have been producing for the last decade.

The exhibition captures the personal stories and collective histories of artists reflected through installations, videos, paintings and sculptures.