Sentences with phrase «view an exhibition by»

Not exact matches

We invite you to visit the Gallery at Habitat Education Center this April to view a unique exhibition of mixed media artworks created by more than 25 artists and special supporters of Mass Audubon.

Not all the cars at the exhibition are in one piece — for example the car from A View to A Kill had it's room removed by a barrier.

Carlson gives us a journalist's - eye - view of what brought Nikita Khrushchev to the United States in the first place, depicting Vice President Richard Nixon as an awkward emissary who visited Moscow to further his own political career and made a spectacle at the American National Exhibition by debating the merits of kitchen appliances with the leader of the Soviet Union.

Rest between courses by viewing the world's longest Viking ship at this summer's National Museum exhibition.

Every October the Bondi to Coogee coastal walk plays host to the free Sculpture by the Sea exhibition, with 520,000 visitors viewing 100 unique sculptures by artists from around the world.

Recent projects encompass commissions, artist residencies, and educational programs, and include the acclaimed exhibition @Large: Ai Weiwei on Alcatraz; International Orange, a group show honoring the 75th anniversary of the Golden Gate Bridge; Presidio Habitats; and a series of land - art installations by Andy Goldsworthy currently on view in the Presidio.

Installed across four locations on Alcatraz and on view from September 27, 2014, through April 26, 2015, the exhibition is inspired by the island's layered history as a 19th - century military fortress, notorious federal penitentiary, significant site of Native American history, and now one of America's most visited national parks.

Deluxe rooms showcase the amazing city view of the Hexi area surrounded by the Nanjing Olympic Stadium and Nanjing International Exhibition Center.

Most sculptures featured in the exhibition will be lent by the artist, including Magma (2008), which will be publicly on view for the first time.

Steven Alexander reviews an exhibition of new paintings by Rebecca Purdum at Jack Tilton Gallery, on view through November 5, 2011.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

When I reviewed the exhibition «Matisse / Diebenkorn» for ARTnews during its run at the Baltimore Museum of Art (it is currently on view at the San Francisco Museum of Modern Art), I found helpful the overstuffed, unwieldy, four - volume Richard Diebenkorn catalogue raisonné published this past autumn by Yale University Press.

Hilarie M. Sheets reports on the retrospective exhibition of works by of George Bellows at The National Gallery of Art, Washington D.C., on view through October 8, 2012.

John Yau reviews an exhibition of paintings by Keltie Ferris at Mitchell - Innes & Nash, New York, on view through January 12, 2013.

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

James Kalm visits the exhibition Painting Is History at Winkleman Gallery, New York, featuring work by Charles Browning, The Chadwicks, David Fertig, Joe Fig, Valerie Hegarty, and Steve Mumford, on view through August 10, 2012.

The sculptures on view will continue changing over the course of the exhibition's run, and will be accompanied by a video Canell made with Robin Watkins about slugs.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

Randee Silv explores the influence of Alice Neel's politics on her work on the occasion of the exhibition Alice Neel, Uptown, curated by Hilton Als, at David Zwirner Gallery, New York, on view through April 22, 2017.

John Yau blogs about the work of Catherine Murphy on the occasion of the exhibition Catherine Murphy: Two Subjects — Forty Years, curated by Portia Munson, at the BYRDCLIFFE Kleinert / James Center for the Arts, Woodstock, New York, on view through August 11, 2013.

The exhibition of eight pictures by Soutine opening at New York's Museum of Modern Art [to Jan. 6] will, for many people, be the first real encounter with his work and for nearly everyone will provide the first opportunity for a comprehensive view.

Kyle Chayka reports on a lecture by painter Jack Whitten on the occasion of his exhibition Jack Whitten: Erasures, on view at the SCAD Museum, Savannah, Georgia, through March 31, 2013.

An exhibition of works by Alan Uglow is on view at David Zwirner, New York, on view from February 19 - March 23, 2013.

Use the links at left to view past MATRIX exhibition brochures, organized chronologically by decade.

Updated February 1 - The BMA celebrates the evolution of its world - class collection in this stunning exhibition of more than 200 artworks — many on view for the first time — with masterworks by Degas, Kelly, Magritte, Matisse, Rodin, and many others given to the BMA during its enormously successful Campaign for Art.

Sikkema Jenkins & Co. is pleased to announce It Didn't Turn Out the Way I Expected, a memorial exhibition of work by Tony Feher on view at the gallery from November 17 through December 23, 2016.

Magnum Opus,» an exhibition of works by Hans Hofmann, will open in Germany at the Museum Pfalzgalerie Kaiserslautern on 8 March and will remain on view through 16 June 2013.

The exhibition coincides with AZIMUT / H: Continuity and Newness, on view at the Peggy Guggenheim Collection in Venice from September 20, 2014 to January 19, 2015, celebrating Azimut / h, the Milan gallery and eponymous review founded in 1959 by Enrico Castellani and Piero Manzoni.

The Madison Museum of Contemporary Art is pleased to present a solo exhibition of work by José Carlos Teixeira, on view in the Imprint Gallery January 13 through May 20.

Black Unity, an exhibition of 13 works by eight African American artists including Elizabeth Catlett, Romare Bearden, Jacob Lawrence, Kara Walker, and Bob Thompson, is currently on view at Crystal Bridges through September 5.

This event celebrates the publication of Come as You Are: Art of the 1990s and the exhibition by the same title, on view at the Montclair Art Museum this spring before embarking on a national tour.

NEW YORK — Sikkema Jenkins & Co. is pleased to present Over & Under a group exhibition organized with the cooperation of Matt Keegan and featuring work by Tony Feher, Charles Harlan, Bill Jenkins, Matt Keegan, Babette Mangolte & Trisha Brown, Virginia Overton, Kay Rosen, Diane Simpson, and Haim Steinbach on view from June 4 through July 24, 2015.

Beginning today, an online exhibition of 18 artworks by African - American artists in the BMA's collection can be viewed by people around the world thanks to a new partnership between the Google Cultural Institute and more than 40 other organizations with African - American artworks and historical artifacts.

Featuring 13 works by New Jersey - based Willie Cole, including a site - specific installation, video, and sculptures composed of discarded water bottles, found wood, and one of his signature source materials, previously owned shoes, this exhibition was organized by the David C. Driskell Center where it was on view last fall.

Originally built as a temporary installation for «A View Through,» a 1975 exhibition organized by a Museum Studies class, Irwin gave permission to reconstruct it in permanent materials in 1976.

Bradford's «Through Darkest America by Truck and Tank» exhibition opens today at White Cube in London and is on view through Jan. 12, 2014.

On view November 2, 2017 through January 13, 2018 at 32 East 57th Street, Agnes Martin, Richard Tuttle: Crossing Lines marks the first time in nearly 20 years that works by the two artists and longtime friends have been shown together in a focused exhibition.

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSM.

An exhibition, Omaggio a an Homage, of works by Julio Larraz at Contini Galleria d'Arte in Venice, Italy is on view from 18 June - 23 October 2016.

Artist Isabelle Cornaro is joined in conversation by Briony Fer, art historian, curator, writer and professor of History of Art at UCL, to discuss her current solo exhibition, Paysage avec poussin, at the South London Gallery, on view from 24 Jan - 5 Apr 2015

The artist's thirty - fifth exhibition with Pace, New York City, No - Name, Re-do, Seductions will be on view from September 15 to October 21, 2017, at 510 West 25th Street, and an opening reception will be held on Thursday, September 14 from 6 to 8 p.m. Pace will publish a catalogue that includes a new text by Samaras to accompany the exhibition.

IN SEQUENCE: PAINTINGS, DRAWINGS AND ANIMATIONS BY SCOTT HUTCHISON Terrace Gallery Solo exhibition On View: July 9 — August 1, 2014

The exhibition publication includes images of the works, installation views, and a text by Susanne Cotter.

MARC STRAUS is proud to present new paintings by Charles Hinman in his inaugural gallery exhibition, on view from September 5th, 2012.

Built — a solo exhibition featuring newly commissioned public artworks by Virginia Overton on view May 6 — September 3, 2018

Also on view are works by artists who were influenced by Michelangelo that relate to the art on view in the current exhibition.

Currently on view at the gallery's 19th Street location is Chris Ofili: Paradise Lost, a solo exhibition of new work by the artist.

Following the exhibition, Pace will publish a catalogue featuring installation views and a new essay by art critic John Yau.

David Zwirner is pleased to present an exhibition of new works by Raymond Pettibon, on view at the gallery's 519 West 19th Street space in New York.