Taking their work on
view as a point of departure, six Biennial artists, including Martin Kersels, Ari Marcopoulos, and Aki Sasamoto, among others, will explore a key aspect of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.
Not exact matches
Cf. D. Emmet: «But the doctrine
of the objective immortality
of actual entities... in the constitution
of other actual entities is,
as Miss Stebbing
points out, a
departure from the earlier
view of events
as particular and transient, and objects alone
as able to «be again».
His latest series, on
view in a new show at Ameringer McEnery Yohe, takes automobile racing
as its
point of departure.
After a series
of administrative
departures at the Whitney in 1998, a team
of outside curators organized the 2000 show, which critics skewered
as diffuse and lacking a
point of view.
Whether in service to narrative or
as the
departure point for abstraction, visual expression drawn from nature is the inescapable DNA
of the works on
view.
This conversation coincides with There is nothing I could say that I haven't thought before, Daignault's current solo exhibition at The FLAG Art Foundation (on
view through May 13, 2017), for which the artist used online indexes
as her
point of departure, exploring the inherent aesthetics and politics in these purportedly neutral platforms.
Reengaging with the iconography
of previous bodies
of work, the new paintings on
view mark Osborne's return back to figurative painting after a period
of total abstraction — utilzing bookcases, her studio painting storage, and windows
as a
point of departure for further play with blocks
of color within the paintings.
The third Matisse show on
view this season takes that event
as its
point of departure.
As one can see in the works we have on view, he has continued to explore the motif of the «map» as a point of departure for mining this topi
As one can see in the works we have on
view, he has continued to explore the motif
of the «map»
as a point of departure for mining this topi
as a
point of departure for mining this topic.
On
view is Albee's Radical Feminist Therapy series, which looks at Bonnie Burstow's Radical Feminist Therapy: Working in the Context
of Violence (published in 1992)
as point of departure.
In the 21st century exhibitions such
as Moholy - Nagy: Future Present at the Solomon R Guggenheim Museum, once
viewed as self - contained events, have come to represent
points of both arrival and
departure for those wishing to educate themselves about art.
For each Study Session, an artist, writer, or cultural worker selects a work
of art on
view in the Whitney's galleries
as a
departure point for thinking through an urgent question in our contemporary political landscape.