Sentences with phrase «view as we hammer»

Not exact matches

I know this is an unpleasant question to many, and one that some will use as a hammer on evangelicals, but let me encourage a different view.

In a sense the shocking breakdown of Go for Wand in the 1990 Breeders» Cup Distaff at Belmont, as she and Bayakoa went hammer and tongs 100 yards from the wire, poisoned the well even more deeply than Ruffian's demise, since Go for Wand went down deep in the stretch, in full view of everyone, and then tried to stand on a foot that flapped around grotesquely as she bounded in a panic in front of the horrified crowds that filled the grandstand.

Even in the 2015 - 16 Payet inspired season, viewed by many supporters as the pinnacle of West Ham's Premier League achievement, the Saints still snuck in at the last minute to pip the Hammers for the last of the top six berths.

«I view a career development plan as a tool, or hammer, to do something constructive, or to hit yourself on the head,» says Marder.

Dwell Rimini Floor Lamp — Brass — Global Views Inspired by Italian design from the»60s and»70s, this floor lamp is crafted entirely of brass into a botanical sculpture, with hammered leaves that function as shades and reflect a warm, golden light.

Brokering the deal from an apparent impartial point of view is the preened Ord (Armie Hammer), along with a post-Room Brie Larson as Justine.

It's a solid X-Men adventure with the fresh take on superhero concerns, but it also feels rushed, racing to hammer in its position as the first film of the saga, often forgetting to kick back and simply enjoy the vast mutant view...

He has mastered the art of harnessing the spotlight to hammer away at firms he views as troubled.

As I plan to hammer more hours this weekend before deducing what the score will be like, I'd like to be fully convinced that I've seen the best of Dark Souls 3, before that, there is no point of view.

Art and the Feminist Revolution» and «Global Feminisms») with major projects such as Hauser Wirth & Schimmel's «Revolution in the Making: Abstract Sculpture by Women, 1947 — 2016» (curated by Paul Schimmel and Jenni Sorkin), on view at the Los Angeles gallery through September 4, and «Radical Women: Latin American Art, 1960 — 1985» (curated by Cecilia Fajardo - Hill and Andrea Giunta), opening in 2017 at UCLA's Hammer Museum as part of the Pacific Standard Time: LA / LA initiative.

Clearly then, when Russell Ferguson, senior curator at the Hammer Museum in Los Angeles, chose «The Undiscovered Country» as the title for a recent survey of representational painting at the institution, he had a very different view.

(«Dubuffet Drawings: 1935 - 1962,» organized by New York's Morgan Library, is also on view, as is a nicely spare installation of paintings from the eclectic Armand Hammer Collection.)

«I look at myself in those days as being unconscious,» says the artist, whose early work is the subject of a major exhibition now on view at the Hammer Museum.

When the road trip portion of It Is What It Is: Conversations About Iraq arrives in Los Angeles, the project will go on view at the Hammer Museum and will then travel to the Museum of Contemporary Art in Chicago as part of the Three M Project.

His work is in the permanent collections of such public institutions as the Museum of Modern Art, NY and the Hammer Museum, Los Angeles where his large - scale outdoor installation, Demon Hill, 2010, is currently on view.

Three of her works are also currently on view as part of the Hammer Museum's exhibition Take It Or Leave It: Institution, Image, Ideology through May 18, 2014.

Taking place within the VW Dome in the courtyard of PS1 MoMA rather than the more traditional venues of New York Fashion Week, Eckhaus Latta's commitment to prioritizing creativity over mass marketability has won the young brand strong support of major art institutions resulting in their inclusion in several exhibitions such as the Greater New York survey show on view at at PS1 MoMA, as well as the upcoming exhibition, Made in LA opening at the Hammer Museum in Los Angeles, on June 12th.

At first glance, the regional purview of Made in L.A. 2012 — on view this past summer at the Hammer Museum and LAXART as well as the Los Angeles Municipal Art Gallery at Barnsdall Art Park — might easily have suggested collective SoCal navel - gazing comparable to the scene at the end of each of the SNL skits, when the characters come together to stare into a mirror in a surrealistic act of group narcissism.

About 80 % of Hammer's collection will be on view at the museum 80 % of the time, according to Henry Hopkins, director of the Wight Art Gallery, who will direct the new UCLA / Armand Hammer Museum and Cultural Center while continuing as chair of UCLA's art department.

His work was included in the 2012 Hammer Biennial, the 2014 Whitney Biennial, and is currently on view as part of Variations; Conversations in and around abstract painting at the Los Angeles County Museum of Art (LACMA).

The in - depth analysis of the chosen fifteen artists — Winsor McCay, Lyonel Feininger, George Herriman, E.C. Segar, Frank King, Chester Gould, Milton Caniff, and Charles M. Schulz at the Hammer Museum, and Will Eisner, Jack Kirby, Harvey Kurtzman, R. Crumb, Art Spiegelman, Gary Panter, and Chris Ware at MOCA — is meant to inspire the kind of concentrated viewing that will bring out the central contributions of each, as well as the formal innovations that make their work unique.

It is good for hammering home a particular point of view, but I've always thought of that as a political approach, not a scientific one.

Never the less, Obama delayed a decision regarding the pipeline for 7 years and then rejected it shortly before an international conference converged in Paris to hammer out a climate agreement that Obama viewed as part of his environmental legacy.