Sentences with phrase «view at this museum since»

★ Museum of Modern Art: «Edvard Munch: The Scream» (through April 29) A version of Edvard Munch's «Scream» has been on view at this museum since the fall, having come almost straight from the auction block.

Not exact matches

Since 1998, Kennewick has been stored out of view, but available for study, at the Burke Museum of Natural History and Culture in Seattle, Washington.

This past winter, Hendricks's triple - portrait masterpiece, all too rarely on view, presided over one of the most bracing permanent collection installations Washington has ever seen, one that filled two galleries behind Jackson Pollock's Mural (1943), a refugee wall - surfing through eleven museums around the world since it was left homeless in 2008 by extreme flooding at the University of Iowa Museum of Art.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Large works by Il Lee are currently featured as part of Extreme Drawing in Ballpoint Pen Drawings Since 1950 at The Aldrich Contemporary Art Museum, on view though August 25, 2013.

Oiticica's work and influence have been increasingly acknowledged since his death in 1980, most recently by the landmark retrospective To Organize Delirium, currently on view at the Carnegie Museum of Art, Pennsylvania, and travelling to the Art Institute of Chicago, Illinois,

Major work by the artist is currently on view in Adios Utopia: Dreams and Deceptions in Cuban Art Since 1950 at The Museum of Fine Arts, Houston.

This will be the artist's first solo exhibition in New York since her major retrospective at The Museum of Modern Art in 2010, and her first performative work in a gallery since The House with the Ocean View at Sean Kelly in 2002.

In the 164 years since its publication, the volume has served as a source of inspiration for countless artists including Frank Stella, whose retrospective is currently on view at the Museum.

The exhibition, currently on view at MoMA (the Museum of Modern Art) in New York City, is the first retrospective of the pioneer filmmaker and artist in New York City; the first complete retrospective of the artist's 50 - year career; the first survey of Conner's work in around 16 years and the first retrospective since his death in 2008.

Campuzano's piece «Forecast,» is on view at the Philadelphia Museum of Art for the first time since it was acquired by the Young Friends for the museum inMuseum of Art for the first time since it was acquired by the Young Friends for the museum inmuseum in 2013.

Since then, it has had stops at the Blaffer in Houston, SITE Santa Fe, the Gund Gallery at Kenyon College, and is now on view at the University of Minnesota's Weisman Art Museum.

In honor of the exhibition American Impressionism and Realism: The Margaret and Raymond Horowitz Collection, on view at the National Gallery of Art from January 24 to May 9, 1999, the Horowitzes joined Nicolai Cikovsky and Franklin Kelly to discuss the history of their collection and its first exhibition since a 1973 show at the Metropolitan Museum of Art.

Many of the works on view have not been seen in New York since the artist's retrospective exhibition at the Whitney Museum of American Art in 2005.

In 2016, Sherald was the first woman to win the Outwin Boochever Portrait Competition grand prize; an accompanying exhibition, The Outwin 2016, has been on tour since 2016 and was most recently on view at the Kemper Museum, Kansas City, MO..

Many of the works on view have not been seen in New York since the artist's retrospective at the Whitney Museum of American Art in 2005.

Also in 2007, the artist had his first European solo museum exhibition at Domus Artium 2002, Salamanca, Spain, and was featured in «Level 5: The View from Here: Acquisitions since 2000,» Tate Modern, London, England in 2006.

Revisiting the theme of the exhibition The Spectacular Art of Jean - Léon Gérôme, on view at the J. Paul Getty Museum from June 15 through September 12, 2010, curator Mary Morton shares revelations from the exhibition and since its closing two years ago.

A professor of art at the University of Washington since 1995, Gale has had a solo show of eight paintings at the Portland Museum (October 13, 2007 — February 10, 2008), and the work currently on view in New York was in her recent solo show at Rhode Island College, where she received her BFA in painting in 1988.

Last Sunday night, on the occasion of the exhibit Chagall: Love, War, and Exile on view at the Jewish Museum, Jordan Kantor a painter and professor at California College of the Arts, hosted an intimate panel looking back at painting since the death of Chagall to the present.

Gorchov's painting, Comet, is on permanent view at MoMA having been part of the museum's collection since 1979.

Saâdane Afif is part of «RE-SET: Appropiation and Transformation in Music and Art since 1900», currently on view at the Tinguely Museum, Basel.

Organized by the Pasadena Museum of Contemporary Art and on view at the Crocker Art Museum, «Claire Falkenstein: Beyond Sculpture» is the first comprehensive exhibition of her art since 1997.

Skin And Bones: 20 Years of Drawing, a retrospective of Hancock's drawings since the mid-90s, is currently touring the US and has been shown in major institutions such as Contemporary Art Museum Houston, Akron Art Musem Ohio, and is currently on view at the Studio Museum in Harlem, New York City (through 18 June 2015).

These works are closely related to her large - scale sculpture, The Stairs, which has been on view at the museum's outdoor site, the Betty and Edward Sculpture Park at Laguna Gloria, since 2015.

Since her arrival at the Whitney, she has co-curated Toyin Ojih Odutola: To Wander Determined with Melinda Lang (currently on view at the Museum through February 25, 2018) and An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 — 2017 with David Breslin and Jennie Goldstein (on view now until summer 2018).

Featuring five monumental works, the remaining four from private collections, Frank Bowling: Map Paintings, opening February 22, 2015, will mark the first time in nearly 45 years that these works from the «Map Paintings» series will be on view since its debut at the Whitney Museum of American Art in 1971.

A 2015 Artnews article by National Academy Museum chief curator Maura Reilly revealed that women artists made up only 20 - 30 percent of solo exhibitions at U.S. museums since 2007, and a recent count of the permanent exhibition displays at MoMA counted 7 percent of works on view were by women.

Kcho's «Obras Escogidas (Selected Works)» is on view in «Adios Utopia: Dreams and Deceptions in Cuban Art Since 1950» at the Museum of Fine Arts, Houston.

2013 Oh Christmas Tree, Dommuseum zu Salzburg, Salzburg One Foot in the Real World, Irish Museum of Modern Art, Dublin More Love: Art, Politics and Sharing since the 1990s, Cheekwood Botanical Garden & Museum of Art, Nashville White Light / White Heat: Contemporary Artists & Glass, The Wallace Collection, London Mak Hix: The Collection Exhibition, Cock «n» Bull Gallery, London Art from Britain and Poland from 1990, The Centre for Contemporary Art, Ujazdowski Castle, Warsaw (con) TEXT, Sharon Arts Centre, Peterborough, New Hampshire Stedelijk @ TrouwAmsterdam: Contemporary Art Club, TrouwAmsterdam, Amsterdam Mad, Bad & Sad: Women and the Mind Doctors, Freud Museum, London Frayed: Textiles on the Edge, Time and Tide Museum, Great Yarmouth Be Dramatic, Bechter Kastowsky Galerie, Vienna Ballet of Heads: The Figure in the Collection, Berkeley Art Museum & Pacific Film Archive, California Writings Without Borders, Lehmann Maupin, Hong Kong do it, MU artspace, Eindhoven do it, Manchester Art Gallery, Manchester Ordinary / Extra / Ordinary, The Public, West Bromwich Fail Better, Hamburger Kunsthalle, Hamburg Postcard Narratives, Room Artspace, London Arthouse, Museum of St Albans All You Need is Love: From Chagall to Kusama and Hatsune Miku, Mori Art Museum, Tokyo Looking at the View, Tate Britain, London Contemporary Magic: A Tarot Deck Art Project, The Dali Museum, St. Petersburg Contemporary Magic: A Tarot Deck Art Project, The Virginia MoCA, Virginia Beach More Love: Art, Politics, and Sharing since the 1990s, Ackland Art Museum, North Carolina Economy, Stills Gallery, Edinburgh & CCA: Centre for Contemporary Arts, Glasgow

Widely exhibited as he has been, since his first solo museum exhibition at the Legion of Honor as a 26 - year - old in 1948, Diebenkorn has never before been so systematically viewed through this particular lens.

Making Africa: A Continent of Contemporary Design will be on view through January 7, making the High the first stop in the United States for the exhibition, which premiered at the Vitra Design Museum in Germany in March 2015 and has toured internationally since.

The expressive design of the nearly all - black work as well as its conceptual nature bring to mind the charred furniture of the young Dutch designer Maarten Baas, such as in Smoke Armchair, now on view in the European Design Since 1985 exhibition at the High Museum.

His first exhibition with Pace since joining its roster in 2016 after a 14 - year hiatus, Schnabel shows new iterations of his «Plate Paintings» from the»70s and»80s, which were recently on view at the Aspen Art Museum.

We are very pleased to present this exhibition concurrently with Artschwager's first retrospective in New York since 1987, on view at the Whitney Museum of American Art from October 25 — February 5, 2013.

Nowness give us a rare look into artist Julian Schnabel's home studio as he prepares for his first US Museum show since the 80's at Gagosian Gallery, NY which opens tomorrow called «View of Dawn in the Tropics: Paintings, 1989 - 1990».

In 2014 his works Skeedo and For M were acquired by SFMOMA for the permanent collection and are currently on view at the museum as part of Open Ended: Painting and Sculpture Since 1900.

Frank Stella: Prints was published to coincide with Frank Stella Prints: A Retrospective - the first major exhibition of the artist's prints since 1982 - curated by Richard H. Axsom and currently on view at the Madison Museum of Contemporary Art.

They are on view at the entry to «Cindy Sherman: Imitation of Life,» the first special exhibition organized by the Broad museum since it launched last fall.

«Since its founding, the Skowhegan School of Painting and Sculpture has nurtured an expansive vision of art, maintaining a commitment to wide - ranging, often contradictory, artistic views» notes Sharon Corwin, the Carolyn Muzzy Director and Chief Curator at Colby College Museum of Art.