MMA's cable and pay - per -
view audiences often beat TV ratings produced by pro sporting events — including baseball, NASCAR and the Stanley Cup Finals - in the coveted 18 - to - 34 age bracket.
Not exact matches
Audiences» changing
viewing habits are likely one reason for the declining ratings for live award shows like the Oscars, as more and more people cut ties with the cable packages that are
often required to watch such programs either on TV or online.
At the same time, when it came to secondary matters - his preference for the KJV over the NIV or his pre-millennial
view of the End Times - he would
often pause and remind his
audience «there are good Christians on both sides of this».
Just as in 2008, when the campaign saw over a billion minutes of video
viewing, Obama's staff also posted a slew of individual video clips,
often several per day, and
often designed to deliver a targeted message to a specific
audience of voters... or campaign volunteers.
The actors aren't all well cast (I counted only about three I'd consider to be above average for their respective roles — Acker as Beatrice, Fillion (Waitress, White Noise 2) in the supporting role of Dogberry - the only time the
audience I
viewed the film with laughed at anything in the film that came from actual dialogue, rather than the injected slapstick and actors occasionally comical facial expressions, came from Fillion's delivery - and British actor Paul Meston in the minuscule part of Friar Francis) The rest
often appear as though they're reciting lines without any sense of meaning in the words they are saying, and when one of those happens to be the male romantic lead, that's one hell of a liability.
The female
audience that primarily were drawn to see eye - candy men like Walker, Diesel and Tyrese strut their macho stuff,
often without a shirt, will probably not care enough to see Walker - wannabe Lucas Black and comic relief cute, Bow Wow, especially as the film is mostly chaste from a romance point of
view.
«It's not
often you can work with a partner that has the ability to also create and offer a better
viewing experience for our
audience,» said Bobby Akin, SPEED Vice President of Advertising Sales.
It
often plays with the relationship between director, performer,
audience and the architecture of
viewing.
Prouvost's work moves between film, performance, sound and site specific installation, it
often plays with the relationship between director, performer,
audience and the architecture of
viewing.
Enticing her
audience into
often unusual
viewing situations, Prouvost weaves a complex web comprising film, objects, sculpture, drawing, painting, and architectural, sometimes stage - like settings.
Pettibone's take on appropriation is
often more head - on, blatantly pinching imagery from other works of art that he admired in order to highlight how most
audiences outside of New York
view art — through thumbnail print reproductions.
Public
view counts are
often used to compare a video's performance on one platform versus another and as proxies to evaluate the platforms» respective video
audiences.