Sentences with phrase «view breaking walls»

Harmoniously interconnected with the absence of doors or view breaking walls, you will feel as if floating on a cloud.

Not exact matches

«Studies have actually shown that an athlete's mind doesn't view training as «work» while music is playing.2, 3 Music can also alter your mindset, and with the right song it can greatly help fire you up, get your adrenaline and even anger flowing, and allow you to break through those walls of nerves and lethargy that can stand between you and new muscle.»

It is, after all, a fly - on - the - wall viewing of the final week of a broken, beaten - down teenage girl, teetering on the edge of sanity, cursed with a secret that will eventually lead to her demise.

In Mr. Behr's view, the U.S. Supreme Court's decision to uphold those vouchers breaks down the wall between church and state, weakening the opportunity for religious people and schools to stay independent and be a conscience for society.

Break a sweat and challenge your rock climbing skills at the state of the art rock - climbing wall while taking in beautiful views of the sea surrounding you, or play a round with the family at the 18 - hole mini golf course.

As a fan of the Merc with a Mouth I was pretty excited by the idea of a game in which he would be the star, viewing his combination of swords and guns as perfect fodder for a hack and slash adventure, and his fourth - wall breaking mad - cap sense of humour as a chance for developer High Moon Studios to flex their comedy muscles.

Walls of different heights and dimensions, which layer and break down the physical space, force us to look at the artworks with a different mind - set, dismantling, once again, the supposed conventions of viewing.

He has recently created large scale public installations, including Broken Bridge II, commissioned by High Line Art and presented by Friends of the High Line, on view on a wall next to the High Line from (2012 - 2013), and Tsiatsia — Searching for Connection, which was installed on the façade of the Royal Academy of Arts in London in summer (2013).

Four galleries devoted to Ellsworth Kelly span the artist's whole career; Agnes Martin's refined, ethereal works are in an octagonal room with a central sofa because «they need time»; a Frank Stella print series runs along a wall that breaks open to give views over the city.

One should remember, though, whose advent in this tale has broken through the walls — or who in the cosmos might share the painting's strange point of view from above.

As Prager oscillates between these shifting points of view and duality of artifice and reality, she breaks the «fourth wall,» an invisible barrier between the stage and audience, creating a liminal space that invites consideration of how we absorb notions of truth and fiction within visual culture.

It breaks out of the stereotypical «shoe box» mold, plays with cantilevered forms, and incorporates walls of glass to take advantage of sweeping views of the surrounding vineyard landscape.

Also, the street view shows broken retaining walls holding up the backyard.