Sentences with phrase «view glazed ceramic»
Robert Arneson Guardians of the Secret II 1989 - 1990 back view glazed ceramic, wood, plexiglass, steel and mixed medium 7 x10 x 2 feet RAs 21
http://www.georgeadamsgallery.com/ Not exact matches
Variant name: Rs5 Coupe, Variant: Coup Booster for Phone box, Tires 275/30 R20 97Y xl, Rear - view camera, Head - up display, Carbon engine cover, Side assist and pre sense rear, Ceramic brakes, Carbon Matt Aluminium Styling Pack, 20» x 9.0 J» 5 - arm trapezoid» design forged alloy wheels in gloss Anthracite black, diamond cut finish, Electrically adjustable front seats with memory function for the driver's side, Matrix LED headlights with LED rear lights & dynamic front and rear indicators, Storage Pack, Extended LED Interior Lighting Pack - multi-coloured, Privacy glazing (dark - tinted windows), Start - up version I, Sports exhaust system, Tyre repair kit, Disc brakes in front, Dynamic steering, Sports suspension plus with Dynamic RideControl DRC, Electrically adjustable front seats with memory function for the driver's side, Advanced key, Aluminium matt styling package, Forged alum.
Folk Jam, 2004 Glazed hand - thrown ceramic, hand - blown glass, roses, candles Dimensions variable Installation view, Bienal Internacional de Cuenca Cuenca, Ecuador
Folk Jam, 2004 Glazed hand - thrown ceramic, hand - blown glass, roses, candles Dimensions variable Installation view, Bienal International de Cuenca Cuenca, Ecuador
«Claire Falkenstein: Matter in Motion» explodes this narrow view with nearly 50 works, introducing a relentless exploration of abstraction in early paintings on canvas and also curved perforated aluminum; sculptures of wood and glazed ceramics; and one fantastic mixed - media relief.
Also on view: «monumental heads made of majolica - glazed stoneware; vitrified glazed ceramics resting on books and raw cedar pedestals; photographs of defaced Greek and Roman heads, printed on silk, cut, sewn together, and stretched to a uniform height.»
Background: Swoon, 2006; Glazed ceramic and hydrocal plaster on concrete and steel base; 61 1/2 x 18 x 18 inches Installation view: New Work, Elizabeth Harris Gallery, New York
Salvatore Arancio, They're Here, They're Under Us, 2015, glazed ceramic, 6.5 x 21.5 x 6.5 cm, 7 x 25 x 7 cm, 8 x 25.5 x 8 cm, 8 x 27 x 8 cm, 8 x 28.5 x 8 cm, installation view (17 April - 28 August 2015), © the artist.
A Question of Sight, 2014 (exhibition view) LED lamp on timer, glass prism, metallic spray paint, glazed ceramic, gold chain, plaster, acrylic, glitter, gold sign paint on lightbulb, hook, wood, digital chromogenic print size variable Commissioned by Manresa Gallery
Young man red Installation view, BALTIC centre for contemporary art, Newcastle 2014 Young man red Installation view, BALTIC centre for contemporary art, Newcastle 2014 Homework Glazed ceramic 34 x 40 x 41 cm 2014 Fruit & veg team Glazed ceramic 41 x 36 x 40 cm
Salvatore Arancio, They're Here, They're Under Us (detail), 2015, glazed ceramic, 6.5 x 21.5 x 6.5 cm, 7 x 25 x 7 cm, 8 x 25.5 x 8 cm, 8 x 27 x 8 cm, 8 x 28.5 x 8 cm, installation view (17 April - 28 August 2015), © the artist.
Installation view, top to bottom: Micius Stephane, At Home, c. 1960s, oil on board, Rodman Collection; Nyugen E. Smith, Bottle Crate with Teacups, 2014, found wood and glazed ceramics; Nyugen E. Smith, Socks and Shoes, 2012, mixed media and shoes
Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.