Sentences with phrase «view in a show curated»

The following night it was McEwen's turn to shine at the Goss - Michael Foundation, where his fake obituaries, graphite sculptures, and gum paintings were on view in a show curated by Aphrodite Gonou.

Not exact matches

The Cannon Beach Gallery is pleased to announce that Jennifer Zika of the Portland Art Museum's Rental Sales Gallery will be curating a juried art show in September, entitled Room with a View.

Joan Waltemath talks with Raphael Rubinstein about the exhibition Reinventing Abstraction: New York Painting in the 1980s, a show he curated at Cheim & Read, New York, on view through August 30, 2013.

Arguably the most up - to - the - minute venue in a city jam - packed with contemporary culture, The Modern Institute stages a group show focused on art created in virtually no time at all, curated with a view to revealing associations between disparate images and techniques.

68 - 18 is a group show curated by Ludovica Capobianco for SHIN Gallery in New York, on view until April 22, 2018.

On 117 Grattan Street we were welcomed by artist Sharon Butler of the blog Two Coats of Paint where we viewed a group show curated by Austin Thomas, mounted in Sharon's studio.

The third installment of Prospect, the New Orleans triennial, follows suit with work by 58 artists on view at 18 venues and is further distinguished by three attributes: Franklin Sirmans serves as artistic director; He curates the show with a decidedly New Orleans lens that doesn't lose sight of the global perspective; And most significantly, there are more Black artists represented at Prospect 3 (more than 20) than at any other American biennial - style gathering in recent memory, perhaps ever.

A sculpture by William King in The Stairs show curated by Sebastian Black and Mathew Cerletty which is on view through March 2nd at Algus Greenspon, 71 Morton street, New York.

Typically when artists are tapped to curate shows, such as Robert Gober with his presentation of Forrest Bess in the last Whitney Biennial, they are given only a moderate amount of space for exhibitions that are viewed as creative curiosities.

The Brooklyn - based artist (he used to live in Columbus, Ohio) currently has several works on view at Housing, Bed - Stuy's newest art gallery, which lives in American Medium's old haunt, and shows the work of black artists, curated by black artists.

Curated by Christie's Tim Schmelcher under the title Beauties and Beasts, the show aims in part to explore how views of what is beautiful and ugly, and their expression in art, have changed over time.

on view at MUSEION studio house, Bolzano, Italy, through Nov 22, http://www.museion.it/current-exhibitions/?lang=en Goldschmied & Chiari in group exhibition «The Body as Language,» curated by Paola Ugolini at Richard Saltoun, London, Oct. 9 - Nov. 27, http://www.richardsaltoun.com/exhibitions/ Kristen Lorello to exhibit at UNTITLED., Miami Beach, Dec. 2 - 6 Nadia Haji Omar / Bayne Peterson exhibition previewed in ArtCritical by William J. Simmons 9/7/15, http://www.artcritical.com/2015/09/07/labor-day-shout-outs/ Rachel Higgins interviewed in «From the Salvage Yard to the Shopping Mall: Rachel Higgins» Logistical Aesthetics,» by Natalie Hegert, in ArtSlant, June 30, http://www.artslant.com/ew/artists/rackroom/244140-rachel-higgins Rachel Higgins: Logistics featured in «Standing Out in the Crowd: 10 Summer Solo Shows Around the World in 2015» by Natalie Hegert in MutualArt http://www.mutualart.com/OpenArticle/Standing-Out-in-the-Crowd — 10-Summer-Sol/648DC5F4E3B290BD Josh Slater in CKTV Karaoke Night at Redbull Studios, Friday, June 12th, http://nyprojectspace.redbullstudios.com/news/karaoke-night/ Goldschmied & Chiari in «Organic Matters — Women to Watch 2015,» at the National Museum of Women in the Arts, Washington, D.C., through September 13, http://nmwa.org/exhibitions/organic-matters Rachel Higgins in Martha Schwendener's New York Times article, «10 Galleries to Visit in Brooklyn and Queens,» April 16, http://www.nytimes.com/2015/04/17/arts/design/10-galleries-to-visit-in-brooklyn-and-queens.html

SERIES INVITES ARTISTS TO CURATE FROM THE COLLECTIONS On view at the Hammer February 15 - May 24, 2009 Los Angeles, CA — The Hammer Museum presents the second exhibition of Houseguest, a new series in which artists are invited to curate a show from among the Museum's diverse collecCURATE FROM THE COLLECTIONS On view at the Hammer February 15 - May 24, 2009 Los Angeles, CA — The Hammer Museum presents the second exhibition of Houseguest, a new series in which artists are invited to curate a show from among the Museum's diverse colleccurate a show from among the Museum's diverse collections.

Cable Works, Cable Sounds, Cables Everywhere, freiraum quartier21 INTERNATIONAL, curated by Georg Weckwerth, Vienna, AT 2012 Oh Crisis, Frankendael Foundation, Amsterdam, NL 2011 Studies for a Catalogue, Flat Time House, curated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Georg Weckwerth, Vienna, AT 2012 Oh Crisis, Frankendael Foundation, Amsterdam, NL 2011 Studies for a Catalogue, Flat Time House, curated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Mathieu Copeland, London, UK 2011 Uncommon Places, Extra City, curated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Pieter Vermuelen, Antwerp, BE 2011 Neue Welt: View over Autocenter, SALT Foundation, Basel, CH 2011 Spring Exhibition, Kunsthal Charlottenberg, Copenhagen, DK 2011 Love Letters to a Surrogate, MuKHA, Antwerp, BE 2011 Envisioning Buildings: Reflecting Architecture in Contemporary Art Photography, MAK Center, curated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Simon Rees, Vienna, AT 2010 100 Exhibition, Autocenter, curated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Joep van Liefland and Maik Schierloh, Berlin, DE 2010 Bringing Up Knowledge, MUSAC, Curated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, BerlCurated by Octavio Zaya, León, ES 2009 Back to the Future, Coma Gallery, Curated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, BerlCurated by Carson Chan, Berlin, DE 2009 Scorpio's Garden, Temporary Kunsthalle, curated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Kristin Roepstorff, Berlin, DE 2009 The Fax Show, The Drawing Center, curated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by João Ribas, New York, NY, US 2007 Multitasking, NGBK, curated by Barbara Lauterbach, Berlcurated by Barbara Lauterbach, Berlin, DE.

CP: You have a second show on view at The Phillips Collection, Double Monument for Flavin and Tatlin (2010 — 2014), which includes five sculptures in one room, and an exhibition of artworks from the permanent collection that you curated in another.

Image: Yayoi Kusama, GUIDEPOST TO THE NEW WORLD, 2016 at the Armory Show, on view in Platform, a new curated section.

Opening: «That I am reading backwards and into for a purpose, to go on:» at The Kitchen This group show, curated by Whitney Independent Study Program fellows Magdalyn Asimakis, Jared Quinton, and Alexandra Symons Sutcliffe, takes its name from a citation in an essay by Ian White, whose writing often dealt with the experience of viewing artworks.

FoodShed: Art and Agriculture in Action at CR10Arts near Hudson, NY, on view till September 5, 2015 curated by Amy Lipton is the second edition of the exhibition project first shown at the Smack Mellon Gallery in DUMBO in 2014.

Currently on view at Copro Gallery in Santa Monica, «Morpheus» is a group show guest curated by Morpheus Gallery.

«Nearly Neutral,» a group show featuring works by Dawn Clements and Ryan Mrozowski, and curated by John O'Connor, is on view at The Barbara Walters Gallery at Sarah Lawrence College in Bronxville, NY.

Curating many groundbreaking shows, such as Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996 (1996), which amassed more than 100 works into an exhibition that was simultaneously on - view at CCCADI, The Studio Museum in Harlem, and The Bronx Museum of the Arts.

1992 Picturing Paradise: The Rain Forest at Risk, Fernbank Museum of Natural History, Atlanta, USA Summer Group Show, Texas Gallery, Houston, USA Documenta IX, Kassel, Germany Quotations, Aldrich Museum of Contemporary Art, Ridgefield, USA; Museum of Contemporary Art, Dayton Art Institute, USA Painting, Self Evident: Evolutions in Abstraction, The William Halsey Gallery, Simons Center for the Arts, College of Charleston, Charleston, South Carolina, USA (Exhibition on view here and simultaneously at two other venues, The Meddin Building and the Gibbes Museum of Art, during the Spoleto Festival) Summer Group Exhibition, Ginny Williams Gallery, Denver, USA Slow Art, P.S. 1 Museum, Long Island City, New York, USA Selective Vision, TransAmerica Corporation, San Francisco, USA Psycho, Kunsthalle, New York, USA (Inaugural exhibition curated by Christian Leigh) Allegories of Modernism: Contemporary Drawings, Museum of Modern Art, New York (2/16 — 5/5/92) Twentieth Century Prints of the East End, Renee Fotouhi, East Hampton, NY

In Ellen Cantor's restaging of Coming to Power: 25 Years of Sexually X-Plicit Art by Women, the landmark show that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worldIn Ellen Cantor's restaging of Coming to Power: 25 Years of Sexually X-Plicit Art by Women, the landmark show that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worshow that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worldin 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worldin Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worldin 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worldin Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worShow (1990); and other well - known artists protesting male - dominated worlds.

These include: Angelika Markul's site specific video installation, If the hours were already counted curated by Caroline Picard will be on view in Sector's main gallery (details about that show are available here); and Handles Expenditure, Liz McCarthy's window installation curated by Sharmyn Cruz Rivera in the Shoebox Gallery of Sector's storefront (more information about that project here).

PRESENTED BY DASHBOARD U.S. CURATED BY SUSANNE SLAVICK LOCAL ADDITIONS CURATED & COMMISSIONED BY DASHBOARD Opening at Marcia Wood Gallery / April 28, 6 - 10 pm On view April 28 - May 20, 2017 As the National Rifle Association hosts its 146th annual meeting in Atlanta (April 27 - 30), Dashboard US welcomes UNLOADED, a multimedia group show that explores historical and social issues surrounding the availability, use, and impact of guns in our culture.

Curated by Christopher Bedford and Katy Siegel, the show is on view at the Ogden Museum of Southern Art in New Orleans until January 21, 2018 and then will travel to the Nasher Museum of Art in Durham, North Carolina, from February 15 to July 15, 2018; the Snite Museum of Art in South

Curated by Franz W. Kaiser, chief curator at the Gemeentemuseum Den Haag, the show offers a look at several pieces that have never been exhibited in Europe, as well as an encompassing view of his larger body of work.

But according to NAM director Monica Ramirez - Montagut, who curated the show, Clark's and Dezsö's work can be viewed as following in the footsteps of Newcomb's artistic tradition.

, Grand Palais, Paris, FR Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection, CCS Bard Hessel Museum, Annandale - on - Hudson, US ArtMart 2007, Para / Site, Hong Kong, CN Performance On Demand, EAI Viewing Room At EFA Gallery, EFA Gallery, New York, US The Living Currency (La Monnaie Vivante), STUK, Leuven, BE; traveled to Tate Modern, Turbine Hall Bridge, London, UK RCA Secret (card show fundraiser), Gulbenkian Galleries, Royal College of Art, London, UK Déjà - vu, curated by Hans Peter Feldmann, Frac Nord - Pas de Calais, Dunkerque, FR Soirée der Perspektiven, Museum Ludwig, benefit show and sale, Cologne, DE In the Stream of Life, curated by Mélanie Beouteloup, Christophe Gallois, Bétonsalon, Paris, FR Postcards From The Edge, Visual AIDS, New York, US 40th Anniversary Galerie Anselm Dreher, Galerie Anselm Dreher, Berlin, DE Death Becomes Her, Yvon Lambert Temporary Space, Miami, Florida, US Art In Motion, Y - 3 & EAI, Miami, Florida, US

Curated by Naima J. Keith at the Studio Museum in Harlem, «Charles Gaines: Gridwork (1974 - 1989),» puts on view 10 of Mr. Gaines» early conceptual projects and deftly sketches out his context — from Castelli Gallery, where he showed in the 1980s, to Cal Arts, where his teaching has been influential to a generation of artists including his son, the performance artist and curator Malik Gaines.

1991 Telekinesis, curated by Patrick Painter, Mincher / Wilcox Gallery, San Francisco, California, US 20th Century Collage, Margo Leavin Gallery, Los Angeles, California, US Children in Crisis, Lorence Monk Gallery, New York, US The Readymade Boomerang (Print Portfolio), DAAD Galerie, Berlin, DE L'Art Se Porte Bien, Confort Moderne, Poitiers, FR Metamemphis 1991, Galerie Tanit, Cologne, DE Arte Fiera» 91, Mostra Mercato Internazionale d'Arte Contemporanea Bologna, IT Saga 91, Eric Linard Editions, Grand Palais, Paris, FR The Political Arm, John Weber Gallery, New York, US The Collection of Jason Rubell, Duke University Museum of Art, Durham, North Carolina, US Group Show, Daniel Newburg Gallery, New York, US Poet's Walk (public sculpture), Citicorp Plaza, Los Angeles, California, US The Fetish of Knowledge, Real Art Ways, Hartford, Conneticut, US Artists» Sketchbooks, Matthew Marks, New York, US Solaris, Mai 36 Galerie, Lucerne, CH Tokyo Art Expo, Harumi New Hall, Tokyo International Trade Center, Tokyo, JP Audio Arts, Wiens Laden & Verlag, Berlin, DE Blast Art Benefit, The X-Art Foundation Inc., New York, US Designated Space, Museum Dhondt - Dhaenens, Deurle, BE Franklin Furnace's 15th Anniversary Art Sale, Marian Goodman Gallery, New York, US This Land..., Marian Goodman Gallery, New York, US Tre Opera / 1965 -1975, Primo Piano, Rome, IT Inheritance and Transformation, The Irish Museum of Modern Art, Dublin, IR Tabula Rasa, Biel / Bienne, CH Für die Stimme, Wiens Laden & Verlag, Berlin, DE Group Show, Galerie Edouard Merino, Palais Albany, Monte Carlo, FR Learn to Read Art - An Exhibition of Artists» Books and Multiples From the Permanent Collection of Art Metropole, Basel Art Fair, Basel, CH Multipels en Andere Multipels, De Warande, Turnhout, NL Beyond the Frame / American Art 1960 - 1990, Setagaya Art Museum, Tokyo, JP; The National Museum of Art, Osaka, JP; Fukuoka Art Museum, Fukuoka, JP Metamemphis Exposition, Kunstlerkolonie Museum, Darmstadt, DE Summer Group Exhibition 1991, Leo Castelli Gallery, New York, US A View From The Sixties: Selections from the Leo Castelli and the Michael and Ileanna Sonnabend Collection, Guild Hall Museum, East Hampton, New York, US Artists» Books from A to B: Contemporary Artists» Books, A Center for Book Arts Exhibition, New York, US Group Show, Neues Museum Weserburg Bremen, Bremen, DE Books by Artists, Imschoot, Uitgevers, The Archives, Documentatie / Informatie Hedendaagse Beeldendekunst, Gent, BE Art for Children's Survival, Unicef Auction at Sotheby's, New York, US Topographie I, Wiener Festwochen, Vienna., AT Collage of the Twentieth Century, Musee d'Art Moderne et d'Art Contemporain, Nice, FR Group Show, Galerie Pietro Sparta, Chagny, FR Aussenraum - Innenstadt, Sprengel Museum, Hannover, DE Les Couleurs de l'Argent, Musee de la Poste, Paris, FR Act - Up Benefit, Matthew Marks Gallery and Paula Cooper Gallery, New York, US Jorge Luis Borges, ICA / Amsterdam, NL Wanderlieder, Stedelijk Museum, Amsterdam, NL Group Show, Holly Solomon Gallery, NL Tattoo Collection, Air de Paris X-Mas Show, Nice, FR Arte Americana 1930 - 1970, Lingotto, Torino, IT 1969, Daniel Newburg Gallery, New York, US

«Living On In Other Words of Living», group show with Thomas Ender, Em» kal Eyongakpa, Lorenz Helfer, Clara Ianni & Clara Ianni in cooperation with Débora Maria da Silva, Juliana dos Santos, Nossa Voz, producers of Kayapó, Tucano and Karajá, Monira Al Qadiri and Tracey Rose Curated by Delal Isci and Thiago de Paula Souza Opening: November 17th, 7 pm On view through January 8th, 20In Other Words of Living», group show with Thomas Ender, Em» kal Eyongakpa, Lorenz Helfer, Clara Ianni & Clara Ianni in cooperation with Débora Maria da Silva, Juliana dos Santos, Nossa Voz, producers of Kayapó, Tucano and Karajá, Monira Al Qadiri and Tracey Rose Curated by Delal Isci and Thiago de Paula Souza Opening: November 17th, 7 pm On view through January 8th, 20in cooperation with Débora Maria da Silva, Juliana dos Santos, Nossa Voz, producers of Kayapó, Tucano and Karajá, Monira Al Qadiri and Tracey Rose Curated by Delal Isci and Thiago de Paula Souza Opening: November 17th, 7 pm On view through January 8th, 2017

Light Wishes Only to Be Land In the language of painting, flatness and depth are usually opposites... Light Wishes Only to Be Land, a group show curated by AAC Residents Artist Becca Kallem features her work along with Tom Bunnell, Mike Dowley, Liz Guzman, and will be on view in the Wyatt Resident Artists Gallery on the Upper Level Aug 13 — Oct 2, 201In the language of painting, flatness and depth are usually opposites... Light Wishes Only to Be Land, a group show curated by AAC Residents Artist Becca Kallem features her work along with Tom Bunnell, Mike Dowley, Liz Guzman, and will be on view in the Wyatt Resident Artists Gallery on the Upper Level Aug 13 — Oct 2, 201in the Wyatt Resident Artists Gallery on the Upper Level Aug 13 — Oct 2, 2016.

Kuroda's experience in curating international Asian art shows from an Asian perspective allows us to see some of the similarities in our definitions of «otherness», as well as some of the very distinct differences in limitations of our respective points of view.

Made of latex rubber cast in a clay mold, the works are on view at the gallery through Saturday as part of Not Biodegradable, a group show curated by Leslie Kneisel.

Lorenzo: I'm working on three large woven pieces for a group exhibition curated by Howard Fox for the Craft And Folk Art Museum in L.A. on view in September 2015 through January 3, 2016, and a show of paintings for CB1 Gallery, which opens in November 2015.

The latest in the Hayward Gallery's traveling series of shows curated by British contemporary artists (a program initiated in 1991, when Deanna Petherbridge installed The Primacy of Drawing: An Artist's View), Leckey's exhibition draws on a wide range of material, both historical and contemporary, utilitarian and artistic to consider the «magical world of new technology.»

Another view of one of the best shows in the USA now: Art In The Streets is curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, on view until August 8 at the Geffen Contemporary of the Museum of Contemporary Art, 152 North Central Avenue, Los Angelein the USA now: Art In The Streets is curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, on view until August 8 at the Geffen Contemporary of the Museum of Contemporary Art, 152 North Central Avenue, Los AngeleIn The Streets is curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, on view until August 8 at the Geffen Contemporary of the Museum of Contemporary Art, 152 North Central Avenue, Los Angeles.

But I have seen and written about his art at least since Roberta Griffin curated the Ladies of the United States solo show at Kennesaw State in 1990, and on the basis of that length of viewing, I deem Thornton Dial one of the greatest American artists I have ever encountered — or one of the greatest world artists.

In The Hamptons gallery scene, the couple has work included in the group show «East End Collected3» at the Southampton Arts Center in Southampton, N.Y. Curated by artist Paton Miller, the show is on view from April 14 to May 29, 201In The Hamptons gallery scene, the couple has work included in the group show «East End Collected3» at the Southampton Arts Center in Southampton, N.Y. Curated by artist Paton Miller, the show is on view from April 14 to May 29, 201in the group show «East End Collected3» at the Southampton Arts Center in Southampton, N.Y. Curated by artist Paton Miller, the show is on view from April 14 to May 29, 201in Southampton, N.Y. Curated by artist Paton Miller, the show is on view from April 14 to May 29, 2017.

His first solo museum show in Switzerland, curated by Konrad Bitterli, starts with The Algiers» Sections of a Happy Moment, 2008, a digital slide show that develops a principle already probed in the previous Sections of a Happy Moment, 2007, not on view here, and Arena, 2007, the last work in the show.

ON VIEW IN THE CAC GALLERIES Mark of the Feminine — A group show of New Orleans artists, curated by Regine Basha International Sculpture Center: Outstanding Student Achievement in Contemporary Sculpture AwarIN THE CAC GALLERIES Mark of the Feminine — A group show of New Orleans artists, curated by Regine Basha International Sculpture Center: Outstanding Student Achievement in Contemporary Sculpture Awarin Contemporary Sculpture Awards

The New Britain Museum in Connecticut is showing «Contemporary Combustion: Chinese Artists in America, «curated by Tita Hyland on view through Oct. 14.

12 pm - 6 pm Two shows in two locations: International group show «Orient», curated by Michal Novotny on view at Tallinas 6 & Kim, Sporta iela 2 k - 1 and solo show «Family Business: Power Failure» by Dafna Maimon on view at Kim?

Curated by Christopher Bedford and Katy Siegel, the show is on view at the Ogden Museum of Southern Art in New Orleans until January 21, 2018 and then will travel to the Nasher Museum of Art in Durham, North Carolina, from February 15 to July 15, 2018; the Snite Museum of Art in South Bend, Indiana, from August 20 to November 25, 2018; the Baltimore Museum of Art from March to July 2019; and the Berkeley Art Museum and Pacific Film Archive from August 2019 to January 2020.

These include the 4th Gothenburg Biennial of Contemporary Art (25 August — 25 November 2007); and Bound, a large group show curated by Predrag Pajdic, on view at venues in Liverpool (9 August — 20 October 2007) and London (1 November 2007 — 30 January 2008).

The most eloquent alternative to the view that painting had reached a nadir in the 1970s was the 2006 exhibition High Times, Hard Times: New York Painting 1967 - 1975, curated by Katy Siegel with assistance from David Reed, who had conceived of the show.

And we'll experience it again January 19th, when his work is again on view, this time at Real Estate Gallery in a group show curated by Joe Bradley and Jeremy Willis.

«FICTIONS» marked a set of endings: It was the fifth in the Studio Museum's «F - show» series, which began with the landmark 2001 exhibition «Freestyle» (curated by Thelma Golden, the show proposed the contentious, generative term post-black), and was the last to be on view in the museum's current home in Harlem.