While, intentionally, the core
exhibition doesn't present a single theme, Macel sorted the works on
view into nine chapters, which she calls Trans -
Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances
in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.
Thanks to her wide and inclusive
view, she is able to fulfill the role of artistic director
in different realities such as an institutional
pavilion like Expo Gate, for Milano Expo
in 2015, and IL CREPACCIO project, a showcase
in Milan for young artists and not just them, (recently on Instagram with IL CREPACCIO INSTAGRAM SHOW @ilcrepaccio), she is a curator of
exhibitions — such as the latest solo
exhibition of Thomas Braida at Palazzo Nani Bernardo for the Venice Biennale 2017 — and of public projects for companies and international institutions like Moderna Museet
in Stockholm and Performa
in New York.