Sentences with phrase «view in the gallery space»

Segments of the artist's ongoing video project, The Happy Film, were on view in the gallery space, and Sagmeister brought in a film crew to document the ICA exhibition, making it an integral part of an even larger process and enhancing its longer - term impact.

Not exact matches

View an eclectic mix of mediums, styles and works in unique exhibition spaces at the Cairns Regional Art Gallery, Under Art Gallery, KickArts Contemporary Arts, Tanks Art Centre and the Canopy Art Space.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Bad Boys Bail Bonds Adopt a Highway» is a group exhibition currently on view at both Team Gallery spaces in New York.

On view in the gallery's London space, the exhibition will feature a selection of important sculptures and drawings exemplifying the scope of the artist's influential career.

These tapestries, woven in mohair on traditional looms to monumental scale will be on view in the new Goodman Gallery project space, at Arts on Main, downtown Johannesburg, Main Street.

David Zwirner is pleased to present an exhibition of new works by Raymond Pettibon, on view at the gallery's 519 West 19th Street space in New York.

Chakaia Booker: In and Out on view during the summer of 2010 was first in a planned series of solo exhibitions of sculpture in the Museum's galleries and outdoor spaceIn and Out on view during the summer of 2010 was first in a planned series of solo exhibitions of sculpture in the Museum's galleries and outdoor spacein a planned series of solo exhibitions of sculpture in the Museum's galleries and outdoor spacein the Museum's galleries and outdoor spaces.

EXHIBITION In his first exhibition since joining Jack Shainman Gallery in 2014, Titus Kaphar «s work is on view in both Chelsea spaces beginning Jan. 1In his first exhibition since joining Jack Shainman Gallery in 2014, Titus Kaphar «s work is on view in both Chelsea spaces beginning Jan. 1in 2014, Titus Kaphar «s work is on view in both Chelsea spaces beginning Jan. 1in both Chelsea spaces beginning Jan. 15.

Brunswick Street Gallery is a platform for the exhibition of diverse creative practices, and has, since opening its doors in 2007, maintained a persistent dedication to providing space for emerging art practices to be viewed and experienced.

The artist's latest series, Revisiting the Area, currently on view at Rachel Uffner Gallery in New York, is an intimate look at the neighborhood where he grew up, which he refers to as occupying a uniquely - American «middle space,» situated in the middle - ground between poverty and middle class.

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

Cool art pervades these spaces and this exclusive aesthetic point of view, happens to be the same point of view seen in the Salon of the galleries and museums.

The Nevelson piece, Sky Cathedral / Southern Mountain, 1959, which was borrowed from LA MoCA, is installed somewhat differently than these other works, directly on the floor in a portion of the room where the ceiling is lower.It looks consistent with similar Nevelsons I viewed at Pace Gallery or the Jewish Museum in New York during the»80s and»90s, before the advent of the enormity of scale that typifies so many of the new exhibition spaces of today.

Collaborative Project, 2 month exhibition in The Drawing Center's Main Gallery Space (with Steffani Jemison & Heather Hart) 2014, works selected from 65 Viewing Program artists + programming + catalogue.

On view at the gallery's 525 West 19th Street space, this is the first solo exhibition by the artist since she joined the gallery in 2008.

2017 — Take Care of Yourself, Linda Warren Projects, Chicago, IL 2014 — It Ended With My Putting it On, The Comfort Station, Chicago, IL Could Almost Feel it in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, ININ

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

The majority of the works he is presenting, including paintings, sculpture, installation and drawings, were created during the residency and will be in view in all five of the gallery spaces.

On view in the gallery's 519 West 19th Street space, the exhibition will feature a selection of important sculptures and drawings spanning the years 1969 to 2000, representing each decade of the artist's singular and influential career.

Other exhibits currently on view at the Brooklyn Museum are Chicago in L.A., Judy Chicago's early works, and Brooklyn - based artist Swoon's Submerged Motherland, a site - specific installation in the museum's rotunda gallery engages climate change and transforms the space into an artistically constructed fantastical environment.

Pace is delighted to announce a presence in Switzerland with the opening of an exhibition space in Geneva this March, closely following the gallery's first time participating in the city's premiere art fair, artgenève, on view 1 - 4 February 2018.

In protesting against this act of censorship to have the painting removed we are not necessarily endorsing the views of the artist but his right to express his views and the Goodman gallery to provide a neutral space for the exhibiting of his work.

I've cycled nearly my entire program through that space, which means I have fresh installation views, which are so important in this digital age when we're sending JPEGs to people who don't actually come to the gallery.

Pieces included in the exhibition will be selected by a panel of jurors and on view in the main gallery space at Manifest in Cincinnati's the East Walnut Hills neighborhood.

Now on view in an inviting show in the STAA's foremost gallery space, the exhibition was first on view at NOMA in 2015, and the current extension provides a great second chance for viewers in St. Tammany Parish to spend time with these historic works.

Now on view at SOFA gallery, a DIY space in the living room of an Austin apartment, is the work of Jeff DeGolier.

The new installation will increase the number of works on view from the collection, which will henceforth be presented in a new purpose - designed gallery space off the Museum's Concourse dedicated to Islamic art.

The small number and size of the works amplify the large and open space of that gallery and stand in stark contrast to the monumentally scaled works by Clyfford Still on view in adjacent galleries.

Just as the material conditions of the studio in this way become inseparable from the finished artwork, Murillo invites viewers to approach their physical engagement with the gallery space as part of the viewing process.

The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.

In fact, the gallery had moved a wall to separate the street entrance from the exhibition, making the viewing space narrower than it normally was.

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

2004 Between the Lines, James Cohan Gallery, New York, NY Andererseits: Die Phantastik, Landesgalerie am Oberöterreichisches Lanedesmuseum, Linz, Austria It's a Wonderful Life: Psychodrama in Contemporary Painting, Spaces Gallery, Cleveland, OH Genesis: Gifts and Promised Gifts to the Permanent Collection, Intuit — The Center for Intuitive Outsider Art, Chicago, IL À corps perdu, abcd, une collection d'art brut, Pavillon des Arts, Paris, France Smart Collecting, Acquisitions (1994 - 2004), Celebrating the Thirtieth Anniversary of David and Alfred Smart Museum of Art, University of Chicago, Chicago, IL Die Zehn Gebote, Deutsches Hygiene Museum, Dresden, Germany Dopes, Dupes, and Demagogues: Viewed by Outsiders, Luise Ross Gallery, New York, NY

Nestled among the flagship stores and designer boutiques, however, are fantastic opportunities for viewing art in little museums, alternative spaces and galleries — or touring the only single - occupancy building left in SoHo, the Judd Foundation.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, ParIn My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Parin My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

The gallery established its first international exhibition space in Hong Kong in 2013, and a second international space, a viewing office in Seoul, launched in 2017.

An object of affection at New Shelter Plan in Copenhagen, DK, The eclectic is now at David Dale Gallery in Glasgow and Views on the eclectic as idea and the generous space as ideal at Kunsthallen Brandt Klædefabrik in Odense, DK.

Conor O'Shea: I think it is important to view exhibitions in different ways, it really excites me to see objects in different scenarios, we can not always for the rest of time see shows just in gallery spaces.

In Anna Bogatin's second solo show, on view through July 30 at Holly Johnson Gallery in Dallas, twelve acrylic paintings executed in the last two years occupy the entry spacIn Anna Bogatin's second solo show, on view through July 30 at Holly Johnson Gallery in Dallas, twelve acrylic paintings executed in the last two years occupy the entry spacin Dallas, twelve acrylic paintings executed in the last two years occupy the entry spacin the last two years occupy the entry space.

For more information, please see www.damelioterras.com Designed to highlight the prevalence of contemporary artists who are fascinated with the ephemeral, the transitory, and the temporary, miniMATRIX is a series of exhibitions comprising a single work of art, mounted not in the MATRIX Gallery but in atypical viewing spaces.

On view August 20 — September 17, «The Beat Goes On» is the first exhibition mounted in the gallery's newly renovated space.

After being off view for more than five years, the Virginia Museum of Fine Art's Classical Art gallery has reopened to the public in an expanded space with an all - new installation

Impenetrable Structure consumes the entirety of the main gallery space and can be viewed by only one person at a time, in a small, designated area guarded attentively — over your shoulder, in fact — by an invigilator.

Kukje Gallery is pleased to announce Joris Laarman Lab: Gradients, a solo exhibition of work by Joris Laarman on view from May 10 to June 17, 2018, in the gallery's K2Gallery is pleased to announce Joris Laarman Lab: Gradients, a solo exhibition of work by Joris Laarman on view from May 10 to June 17, 2018, in the gallery's K2gallery's K2 space.

The Delaware Art Museum is pleased to unveil its renovated and re-installed 18th - and 19th - century American Art galleries — Galleries 1, 2, and 3 — to the public on Friday, November 28 from 10:00 a.m. — 4:00 p.m. Just in time for the holiday season, the beautifully redesigned space will display over 50 works of art, including many permanent collection objects that have not been on view for over 10 years.

Recent exhibitions were on view at Annet Gelink Gallery in Amsterdam (2011), Kunsthal Charlottenborg in Copenhagen (2011), the Van Abbe Museum in Eindhoven (2010), SMART Project Space in Amsterdam (2009), and Ileana Tounta Contemporary Art Centre in Athens (2008).

In a show called «Uprising / Angry Women,» the works of more than 80 female artists, pieces created in reaction to the election and policies of President Donald Trump, are now on view at gallery Untitled SpacIn a show called «Uprising / Angry Women,» the works of more than 80 female artists, pieces created in reaction to the election and policies of President Donald Trump, are now on view at gallery Untitled Spacin reaction to the election and policies of President Donald Trump, are now on view at gallery Untitled Space.

The Collection Teaching Gallery, where this material is presented, is a newly established teaching and viewing space in the Center for Curatorial Studies Bard Galleries created to foster diverse forms of engagement with a broader range of CCS Bard and Hessel Museum collection materials.

A figure, at once robotic and lifelike, is isolated in a clean gallery space, behind a forbidding block wall that restricts the view to the outside world.