Sentences with phrase «view in this exhibition provide»

Not exact matches

Under the management of Millennium International, Millennium hotel Chengdu is located in Chengdu's urban district, near the Shenxianshu Park and famous «European Street» — Zishan Road, close neighboring with Century City Exhibition Center, Galleria, Auchan, Carrefour shopping area and Shuangliu International Airport, providing the most convenient urban transportation network for all kinds of business travelers and tourists.Hotel offers 359 inspired guest rooms and suites along with an excellent view of the Shenxianshu Park.You can enjoy your comfortable and quiet time in the bustling city.Amber restaurant offers you bumper Chinese and Western buffet and also you will enjoy the delicious and unique Cantonese and Sichuan cuisine in Yipin Restaurant.

The Hamptons» own Lee Krasner demonstrates the expressive possibilities of the first medium in «The Umber Paintings, 1959 — 1962,» while «David Hockney: Works on Paper, 1961 — 2009» provides a close - up view of the world of the beloved British painter, who is currently the subject of a major exhibition at The Met.

The works on view at Eleven Rivington have long since distanced themselves from this beginning, having appeared in an artist book, then haphazardly rearticulated through three - color process paintings (cyan, yellow, and magenta), scanned and digitally distributed on his and others tumblr pages, and presently re-photographed through a PDF generating application on his phone, the images from which provide the basis for this exhibition.

Brunswick Street Gallery is a platform for the exhibition of diverse creative practices, and has, since opening its doors in 2007, maintained a persistent dedication to providing space for emerging art practices to be viewed and experienced.

The Morgan Library and Museum's remarkable exhibition on Henri Matisse's book works provided a wide - ranging, in - depth view of his achievements in the realm of the artist's book and, perhaps surprisingly to some viewers, more commercial types of publication.

Now on view in an inviting show in the STAA's foremost gallery space, the exhibition was first on view at NOMA in 2015, and the current extension provides a great second chance for viewers in St. Tammany Parish to spend time with these historic works.

Designed by architect Renzo Piano and situated between the High Line and the Hudson River, the Whitney's building in the Meatpacking District vastly increases the Museum's exhibition and programming space, providing the most expansive view ever of its unsurpassed collection of modern and contemporary American art.

This is the perfect starting point for an appreciation of the works on view in the current exhibition, which rely on white in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large - scale paintings.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

The unique screenprints in the gallery exhibition provide a view into Warhol's creative process, revealing the imperfections of paint drips and aberrations in the paper.

This exhibition of new paintings and cyanotypes provides evidence of the many different bodies of work McGinness has been exploring in recent years — from self - reflective Studio Views with process - referencing subject matter to iconic Signals, Skateboards, Mindscapes, and Black Holes.

It will also exhibit works by artists who have had residencies at Rauschenberg's former home in Captiva, Fla.; and it will invite scholars from the Williams College / Clark Art Institute art history program to curate exhibitions of his pieces and art by others to provide a «new view» of Rauschenberg's works.

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.

Coinciding with May sales of Contemporary and Modern art in New York, these selling exhibitions provide a great opportunity to view and collect in depth works in a variety of media by a handful of celebrated artists.

His work has been increasingly featured in the world's most significant exhibitions, including Documenta 12 (2007), the 5th Asia - Pacific Triennial (2007) and the 15th Biennale of Sydney (2006), in the process providing the world with a inside view into one of the most exciting new art scenes.

This unique exhibition will provide a rare opportunity to view old master drawings and modern and contemporary works on paper, highlighting and pairing major works from two key galleries in the Contemporary and Old Master art worlds.

On view through February 24, 2013, at the Museum of Arts and Design, the exhibition examines major stylistic developments in the evolution and design of fragrance, and provides unprecedented insight into the creative visions and intricate processes of the artists responsible for crafting the featured works.

We are dedicated to the exploration, scholarship, appreciation, and deeper understanding of the exhibitions and ideas on view at the ICA LA, and providing greater access to artists living and working in our community.

Through site - specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly.

Produced over a quarter of a century beginning in 1964, the maquettes offer a unique view into the sculptor's creative process: some illustrate the origins of compositions for monumental works, while others document ideas not realized ultimately in large scale or provide fascinating examples of early sculptural ideas that underwent significant transformation as they emerged as full - scale sculptures in the exhibition chronicle Arneson's evolution as an artist and the development of his freewheeling creativity and prodigious imagination.

This exhibition provides a view into the passion and diversity of the punk feminist movement Riot Grrrl, and highlights how these ideas have broadened, evolved and mutated in the work of contemporary artists.

Designed pro bono by Lee H. Skolnick (AR» 79) and his company, Lee H. Skolnick Architecture + Design Partnership, the exhibition is located just outside the Great Hall where it provides visitors to Cooper Union with a broad view of the institution and its place in New York City history.

Held in conjunction with the exhibition American Modernism: The Shein Collection, on view at the National Gallery of Art from May 16, 2010, to January 2, 2011, this public symposium provides an analysis of the paintings, sculptures, and drawings created by the first generation of American avant - garde artists.

The first exhibition in the Gallery's history to be installed in both the East and West Buildings, it provided a unique opportunity to view Puryear's sculpture in modern and classical settings.

In the present exhibition, the seven painting on view provide a glimpse into the evolution of her work.

There was also an upsurge in the number of artists blogging and sharing work (theirs and their colleagues») online — providing a more intimate view of current studio practice and a more personal level of response to exhibitions and events.

The exhibition includes some innovative communication devices, such as the low - fi augmented reality «stereo - visors» which provide surprising views superimposed to the model of A Liminal Blur, the project by Mack Scogin Merrill Elam Architects for Mexican town, and the Microsoft HoloLens VR headsets through which the visitors can get an in - depth conceptual preview of the Center for Fulfillment, Knowledge, and Innovation conceived by Greg Lynn.

As Los Angeles has become a defining force in international contemporary art, this book and accompanying exhibition, though focusing on Los Angeles, provide a compelling view into the state of sculpture today.

Viewing the collection and its collector in tandem for the first time, the exhibition provides unique insight into the period when the history of modern art in America was being made.

The rare vintage prints in this exhibition provide an exceptional opportunity to view the art of photography as it finds its expressive potential at the dawn of the twentieth century.

This commission provides space for visual artists to create installations frequently in dialogue with exhibitions on view in the Gallery.

They vary from an attempt at reconstruction (When Attitudes Become Form, Venice, 2013), which entails the impossible endeavor of providing the viewer with an authentic experience in the form of an archival documentation exhibition with the aim of updating our (own) past (Recollections), to a much more multifaceted or «corrected» image of the original, such as Jens Hoffman's Other Primary Structures, which also included sculptures by artists working in the 1960s in Asia, Latin America, the Middle East, Eastern Europe, and Africa, and which reexamined the exhibition of 1966 from a global point of view.

The works by the artists in this exhibition explore the notion of replicating individuality, with all of its flaws, in technology and provide different perspectives on the psychology of computation, allowing us to view our relationship with technology with fresh eyes.

Penumbra is the first solo exhibition in Philadelphia dedicated to Victoria Burge and it provides the opportunity to view her complex, meditative work in a new context.

Hallway Commissions provide space for visual artists to create installations, frequently in dialogue with exhibitions on view in the Gallery of BRIC House.

The exhibition, on view in Cleveland from October 17, 2010, to January 17, 2011, will provide American audiences with an unparalleled opportunity to see about 100 extraordinary works of late antique, Byzantine, and Western medieval art, including precious metalwork objects, paintings, sculptures, and illuminated manuscripts, drawn from public and private collections as well as church treasuries across the United States and Europe.

Essays by Jo - Anne Birnie Danzker and Erika Dalya Massaquoi, co-curators of the exhibition, reveal the multitude of perspectives shaping artistic practice in Seattle and the global community, while authors Courtney Sheehan and Jennifer Zeyl provide an in - depth view into the city's film and theater communities.

While the gallery clearly prods us to view the latter as providing the exhibition's heft, the lighter pieces hung in the hallway hint at what the leaden centerpieces lack; namely, the lubricant image play that gives rise to slipperiness of meaning — between personal memory and collective history, perhaps — that has animated Bailey's art in the past.

The exhibition trail will lead to five locations in the city, providing an idiosyncratic and up - to - the - minute view of a region on the move.

Organized by the Scottsdale Museum of Contemporary Art in Arizona, the exhibition is currently on view at the San Jose Museum of Art, where it provides a challenging reflection on Silicon Valley's relationship with data and privacy.

An additional part of the exhibition, developed for the Kunsthalle Wien, provides a view of the aesthetics and events of the 1960's in Austria.

Coinciding with the Whitney Museum of American Art's presentation of Heat Waves in a Swamp: The Paintings of Charles Burchfield, curated by the artist Robert Gober, this exhibition will provide a complementary view of the artist's unique personal vision.

Each piece in the exhibition provides only an oblique, tangential, narrow view, like a tiny robot equipped with only a single photoreceptor.

Fellowship artists are awarded a grant and a residency in the Park's outdoor studio and are also provided with technical support and access to tools, materials and equipment to facilitate the production of new sculptures and installations for exhibition in the Park.The artists develop their projects throughout the summer in the open studio and on site in the landscape, offering visitors the opportunity to experience both the creation and presentation of their works.Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the Park's spectacular waterfront view of the Manhattan skyline.

Each month, a local artist will provide an in - gallery, original interpretation of one or more artworks on view in MOCA's exhibitions.

Whereas Folds in Time in Ghent is conceived as a walk through a number of traditional exhibition rooms, Mu.ZEE provides a setting with various directions of view, which reflects upon the idea of the white cube.

Rather than using the painting and sculpture galleries to present a purely canonical narrative, she has broken with her predecessors by treating individual galleries more like rotating special exhibitions, showcasing MoMA's holdings in certain areas and providing a more inclusive and nuanced view of modern - art history.

Three exhibitions currently on view in New York City — Stuart Davis: In Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition at the New Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonin New York City — Stuart Davis: In Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition at the New Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonIn Full Swing, Carmen Herrera: Lines of Sight, and the Hilma af Klint exhibition that is secreted within The Keeper exhibition at the New Museum — provide object lessons on the necessity of seeing «in person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonin person» artworks that in reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonin reproduction appear flat and graphic in a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonin a way that stays fixed at the level of an image with no scale so that when looking at the images most people, particularly those brought up entirely within the regime of Instagram would not see why they should see the works and, further, might not be able to see the work when in front of it because many people now see exclusively through the lens of their smart phonin front of it because many people now see exclusively through the lens of their smart phone.