Sentences with phrase «view in this exhibition represent»

The first works in the series were debuted in Douglas's 2016 Hasselblad Award solo exhibition at the Hasselblad Center in Gothenburg, Sweden, and the compositions that will be on view in this exhibition represent a more expansive and nuanced investigation into pictorial abstraction as well as the complex relationship between technology and image making.

The pieces on view in this exhibition represent a diverse range of iconic word - based arrangements including a desktop calendar, diary entries, movie script, and Chinese scrolls, while referencing specific texts such as the Constitution of the United States of America, The New York Times, the Periodic Table, Twitter and authored books, all dovetailed with an array of artistic mediums from fine art prints, painting on paper, and collage; to installation art, aerial sculpture, and video art.

Not exact matches

The exhibition will be on view from September 10 through October 17, 2015 and is the artist's first major gallery show in the United States since representing the U.S. in the 55th Venice Biennale (2013).

In this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSIn this two - venue exhibition, paintings by renowned contemporary American artist Mark Bradford — who will represent the United States at the 2017 Venice Biennale — will be on view at the DAM, while a presentation of Still's work selected in collaboration with Bradford will be on view here at CSin collaboration with Bradford will be on view here at CSM.

The exhibition is a mini retrospective of the traveling museum show of Mercedes Matter's estate represented by Mark Borghi, which was on view at Baruch College, New York, NY, Pepperdine University, Malibu, CA, Guild Hall in East Hampton, NY and finally the Figge Art Museum at Knox College, Davenport, Iowa running from 2009 through 2011.

On view in the gallery's 519 West 19th Street space, the exhibition will feature a selection of important sculptures and drawings spanning the years 1969 to 2000, representing each decade of the artist's singular and influential career.

Representing Peter Beard's first U.S. museum solo exhibition in 15 years, the show presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

Representing the artist's first U.S. museum solo exhibition in 15 years, «Peter Beard: Last Word From Paradise» presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the Park's spectacular waterfront view of the Manhattan skyline.

While Tanner is well represented in PAFA's collection and that of the Philadelphia Museum of Art (PMA, which organized a Tanner exhibition in 1991), his work is widely dispersed in public and private collections in the U.S. and France, and the exhibition brings them together and into public view, many for the first time since they were acquired.

Representing a broad range of materials, working methods and subject matter, the diverse sculptural works in this exhibition are presented against the spectacular waterfront view of the Manhattan skyline.

On view through January 24, Reeder's «Chicago Works» exhibition represents a seismic change not only for the MCA, but for every young artist in the city.

Sculptures representing systems of thought through coding, inscription, and movement will also be on view in this exhibition.

In gallery news: after 10 years in operation, London's Supplement Gallery is closing — its final exhibition will be of artist Mimi Hope which will run 14 — 29 April; the veteran New York Postmasters Gallery is turning to crowdfunding to support its activities — it has joined Patreon with subscription levels ranging from special viewings to exclusive lunches, hoping to follow «a new model — a radical hybrid combining the strength of the market with the support of the community»; New York's Gladstone Gallery now represents Vivian Suter, with a solo exhibition planned for early 2019; and P.P.O.W., New York, will represent Judith LinhareIn gallery news: after 10 years in operation, London's Supplement Gallery is closing — its final exhibition will be of artist Mimi Hope which will run 14 — 29 April; the veteran New York Postmasters Gallery is turning to crowdfunding to support its activities — it has joined Patreon with subscription levels ranging from special viewings to exclusive lunches, hoping to follow «a new model — a radical hybrid combining the strength of the market with the support of the community»; New York's Gladstone Gallery now represents Vivian Suter, with a solo exhibition planned for early 2019; and P.P.O.W., New York, will represent Judith Linharein operation, London's Supplement Gallery is closing — its final exhibition will be of artist Mimi Hope which will run 14 — 29 April; the veteran New York Postmasters Gallery is turning to crowdfunding to support its activities — it has joined Patreon with subscription levels ranging from special viewings to exclusive lunches, hoping to follow «a new model — a radical hybrid combining the strength of the market with the support of the community»; New York's Gladstone Gallery now represents Vivian Suter, with a solo exhibition planned for early 2019; and P.P.O.W., New York, will represent Judith Linhares.

In the exhibition, the series of 15 untitled drawings work collectively to diagram an array of triangulations, each angle representing the point of view of a single camera.

She represented her country twice in the Venice Biennale and has exhibited globally, and yet her current exhibition, Work is never finished on view at the Art Institute of Chicago, strangely, is the artist's first museum show in the United States in over a decade.

For the past few years, solo exhibitions present new art that is mostly unavailable for purchase so fans can see the work before it disappears from public view, said Richard J. Demato of RJD Gallery in Bridgehampton, NY, the gallery which exclusively represents the artist.

Through site - specific installations, including sculpture and digital prints on silk, this exhibition considers the ways in which artists provide an indirect view of reality, representing it as a fictional mythology drawn from its facts, forms, or histories, but never reflecting them directly.

Representing the artist's first U.S. museum solo exhibition in 15 years, the show presents more than 50 multi-layered collages, drawings, photographs, and diaries from the 1960s to the present, some on public view for the first time.

In an effort to reflect the museum's history of exhibitions, many artists represented in the collection — and whose work is on view in this exhibition — have participated in our Hammer Projects series, one of our biannual Hammer Invitational exhibitions, or in a monographic or thematic exhibition presented at the HammeIn an effort to reflect the museum's history of exhibitions, many artists represented in the collection — and whose work is on view in this exhibition — have participated in our Hammer Projects series, one of our biannual Hammer Invitational exhibitions, or in a monographic or thematic exhibition presented at the Hammein the collection — and whose work is on view in this exhibition — have participated in our Hammer Projects series, one of our biannual Hammer Invitational exhibitions, or in a monographic or thematic exhibition presented at the Hammein this exhibition — have participated in our Hammer Projects series, one of our biannual Hammer Invitational exhibitions, or in a monographic or thematic exhibition presented at the Hammein our Hammer Projects series, one of our biannual Hammer Invitational exhibitions, or in a monographic or thematic exhibition presented at the Hammein a monographic or thematic exhibition presented at the Hammer.

Opening: Anne Collier at Anton Kern In her recent works on view in this exhibition, Anne Collier sources imagery from record covers and comic books, focusing on the ways these materials represent women, who here often seem to exist in hysterical stateIn her recent works on view in this exhibition, Anne Collier sources imagery from record covers and comic books, focusing on the ways these materials represent women, who here often seem to exist in hysterical statein this exhibition, Anne Collier sources imagery from record covers and comic books, focusing on the ways these materials represent women, who here often seem to exist in hysterical statein hysterical states.

Whether a curator is looking to include art in an exhibition, a collector is coming to view a body of work, or a dealer is interested in representing your work, there is a certain art to the visit.

Currently, he was prominently represented in the highly regarded show «Surround Audience: New Museum Triennial 2015» in New York and the exhibition «STADT / BILD (Image of a City)-- Welcome to the Jungle» at the KW Institute for Contemporary Art in Berlin and is currently on view at «Ocean of Images: New Photography 2015» at the MoMA, New York.

After winning the Artes Mundi prize for «work that stimulates thinking about the human condition» in 2010, Israeli filmmaker and artist Yael Bartana presented her latest project at the 2011 Venice Biennale — the first non-Polish artist to represent Poland at the major international art exhibition... And Europe Will Be Stunned, her film trilogy made between 2007 and 2011, will be on view for the first time in Canada in the AGO's Lind Gallery from Jan. 25 to April 1, 2012.

Calle's exhibition «VIEW OF MY LIFE» is one of many projects undertaken with A3 founder Matthias Arndt, and represents a longstanding relationship that began in 1995 with Sophie Calle's first solo exhibition «Les Tombes» with Arndt & Partner, Berlin.

Gunn - Salie is represented by the Goodman Gallery and holds his first solo exhibition titled In the viewing room from 22 Febuary to 29 March 2014 at the Goodman Gallery in JohannesburIn the viewing room from 22 Febuary to 29 March 2014 at the Goodman Gallery in Johannesburin Johannesburg.

Though we're fervently representing in our borough of Brooklyn, Wangechi's span across New York is city - wide: be sure to catch her 2010 film, Shoe Shoe, on view in Metro Pictures» Bad Conscience exhibition, which is up through February 22nd.

Benglis has been represented in Storm King's permanent collection since 1974, when «Nu», a knotted work made that year that is part of a series of characters from the Greek alphabet (and which is on view in this exhibition), was acquired.

On view starting December 8, 2016, this is the artist's first exhibition in the US since his death in 2013 and his sixth with Mitchell - Innes & Nash, who has exclusively represented Caro in New York for 14 years.

Any views, findings, conclusions, or recommendations expressed in this exhibition do not necessarily represent those of the National Endowment for the Humanities.

UNIX Gallery, with art spaces both in New York and Miami (currently on view at the gallery is Ellen de Meijer's exhibition Digital Divide) is famous among the art circles for representing an international group of established and emerging artists.

This ingenious installation is the work of Cuban artist Tania Bruguera, and it represents one of many such pieces currently on view in the main exhibition at the 2015 Venice Biennale, All the World's Futures, organized by curator Okwui Enwezor.

Netherlands - based designer Gabriel Ann Maher is one of the contemporary artists represented in the special exhibition Pathmakers: Women in Art, Craft, and Design, Midcentury and Today, on view at the museum through February 28.

In the 21st century exhibitions such as Moholy - Nagy: Future Present at the Solomon R Guggenheim Museum, once viewed as self - contained events, have come to represent points of both arrival and departure for those wishing to educate themselves about art.

The exhibition is on view simultaneously with Claire Falkenstein: Time Elements at the University of Buffalo Art Galleries (May 6 - July 29, 2018), an institution that preserves the legacy of gallerist Martha Jackson who championed and represented Falkenstein in the 1960s.

The artist, who is also represented by galleries in Chicago, Miami, London and Milan, has a solo exhibition «Sanford Biggers: Subjective Cosmology» on view at the Museum of Contemporary Art Detroit through Jan. 1, 2017.

This exhibition represents the artist's second survey exhibition (her first, Follies, debuted at The Bronx Museum of the Arts in 2003), her first major solo museum exhibition in the Western United States, and is co-organized by the Phoenix Art Museum, where it will be on view in spring 2018.

Inspired by the powerfully spontaneous drawings by Luciano Castelli on view this last November at the special exhibition «From White to White» at the Kaufhaus Jandorf, as well as in the gallery show «Revolving Paintings», we will further explore the theme of black & white with a group show: works by various artists represented by the gallery will introduce different approaches to monochromatic representation in contemporary art, and simultaneously draw a link to the very present medium of film during the Berlinale Film Festival.

The exhibition also represents the first time Manning will be able to view her portraits in person.

Photographers represented include Gordon Parks, Dawoud Bey, Roy DeCarava, and Ernest Withers, whose images were featured in «Women and the Civil Rights Movement,» an exhibition on view at the museum through October.

The exhibition ties these pieces quite well to the few large - scale, later canvases on view, showing the artist's continued interest in the compositional considerations of vastly different subject matter, increasingly represented through realistic brushstrokes and the language of mass - market advertising.

(New York, USA) Adriano Costa, Carla Zaccagnini, Erika Verzutti, Jonathas de Andrade, Runo Lagomarsino and Tamar Guimarães are some of the artists representing Brazil in this group exhibition that, after being on view at the Guggenheim, will travel to another two venues.

Primary Views invites four artists represented in the Monash University Collection to curate a self - contained exhibition from the Collection, according to their own areas of interest, expertise and aesthetic / discursive predilections.

From what I can tell, not having seen this particular retrospective exhibition, T.J. Clark does not find among much of Klee's work that is included in this exhibiton a contemporary hook or key back to the view of modernism that he represented.

To accompany the exhibition, three works by Vermeer in the permanent collection, Officer and Laughing Girl (c. 1657), Girl Interrupted at Her Music (c. 1658 — 59), and Mistress and Maid (c. 1666 — 67), were grouped together in the West Gallery, where they could be viewed along with complementary Frick Collection paintings by the represented artists.