Sentences with phrase «view key exhibitions»

Not exact matches

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

3 The first enlarged bronze key chain, a bird's - eye view of the artist's as - yet - unrealized art school, Fairfield International, was created in 2016 for Gander's solo exhibition The Connectivity Suite (and other places) at Esther Schipper, Berlin.

The exhibition is a rare opportunity to view key early «dithyrambic» works by this important artist.

This exhibition traces the evolution of art through the view of 14 key contemporary artists, who have undertaken racial, cultural and gender differences over the last 4 decades.

As well as an after - hours viewing of Deller's Venice Biennale exhibition, a series of events celebrates English Magic's key themes.

Bridget Carberry was crucial to developing the framework for this online exhibition catalogue, and Emily Robbins and Ana Fox - Hodess played a key role in documenting the works on view.

A trio of exhibitions, on view from June 30 through September 30, 2018, focus on three key chapters in the Civil Rights Movement.

Mickalene Thomas's rejoinder - the crux of her first solo museum exhibition, «Origin of the Universe,» which opened at the Santa Monica Museum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed linens.

«It's not a key,» Enrique Martínez Celaya warns of the text Empires: The Writing, which accompanies his first solo exhibition at Jack Shainman, now on view at the gallery's two venues in Chelsea under the titles Empires: Land and Empires: Sea.

Key's exhibition was organized by P.S. 1 Curatorial Advisor Nick Stillman and is on view from February 11 — April 16, 2007.

View BALTIC's media and press releases for current, forthcoming and recent past exhibitions and key activity.

This unique exhibition will provide a rare opportunity to view old master drawings and modern and contemporary works on paper, highlighting and pairing major works from two key galleries in the Contemporary and Old Master art worlds.

Key works on view on the exhibition include: Andy Warhol (American, 1923 — 1987), Marilyn Monroe (Marilyn), (II.23), AP edition C / Z, 1967, screenprint, 36 x 36 inches, courtesy of Jordan D. Schnitzer and His Family Foundation.

The current exhibition presents Austrian artist Heimo Zobernig, who is viewed as a key figure of the Austrian art scene.

The concurrent exhibition on view at the Walker and MCA Chicago foreground Cunningham's artistic collaborations, focusing on his key concept of «common time,» whereby the elements of his performance apparatus (e.g. dance, music, costumes, décor, and lighting) are created independent of one another, but come together as interdependent, kept under the same constraints.

The painting titled I wouldn't have worn mascara if I knew I was going to be taking a trip down memory lane, 2008, from the collection of the Dallas Museum of Art, bookends The Contemporary Austin exhibition as the earliest work on view, and is the key to a significant transformation in the artist's work.

From the press release: Through select paintings by both artists, this exhibition offers a revealing parallel view of two key Abstract Expressionists.

, Irish Times, October 23 Louise Jury, «Now they're REALLY taking the p ***: urinating model is shortlisted for Turner Prize», London Evening Standard, October 22 Aidan Dunne, «Derry courts controvery as Turner Prize opens offshore for first time», Irish Times, October 22 «Turner Prize exhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - Boakexhibition due to open in Londonderrry», BBC news, October 22 «Turner Prize Exhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - BoakExhibition Unveiled In Derry For City of Culture 2013», Artlyst.com, October 22 Ashoke Nag, «Christie's London evening auctions of post-war classics and Italian sales raises 54,586,900 euros», The Economic Times, October 22 Ashoke Nag, «Collectors from around the world gathers at Sotheby's Frieze Week sale in London», The Economic Times, October 18 Anny Shaw, «The Kids are alright», The Art Newspaper, October 18 Mary M. Lane, «Christie's Sells View of a Space Station for $ 3.8 Million», The Wall Street Journal, October 18 «The ArtLyst Power 100: 2013 Alternative Art Power List Unveiled», Artlyst.com, October 16 «Chistie's Art Cornucopia: Auction Houses as Exhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - BoakExhibition Spaces», Huffington Post, October 13 Colin Gleadell, «London auctions capitalise on Frieze week», The Telegraph, October 8 «The Power 1000 — London's most influential people 2013: Imagineers, Artists and Curators», London Evening Standard, September 19 «Slideshow: See Massimiliano Gioni's Encyclopaedic Palace in 20 Key Works», Blouin Artinfo, August 1 «John Moores Painting Prize 2013 new open for entries», a-n, July 25 «Lynette Yiadom - Boakye», ART post blog, July 16 «Tate Patrons Report 2012 - 2013», Tate, London, pp. 16 - 17 James Hilton, «Who is Lynette Yiadom - Boakye?»

On view at 525 and 533 West 19th Street in New York, this exhibition will focus on the artist's pioneering achievements in polyester resin and present the key forms that he articulated and returned to during this period.

View the Exhibition Catalogue online; click to view fullscreen, and use your left and right arrow keys, or your mouse, to turn the paView the Exhibition Catalogue online; click to view fullscreen, and use your left and right arrow keys, or your mouse, to turn the paview fullscreen, and use your left and right arrow keys, or your mouse, to turn the pages.

A BLACK RUBBER DOG TOY is a key component of all but one piece on view in Haim Steinbach's most recent show, held at Sonnabend Gallery, his first New York solo exhibition in a decade.

For their first exhibition of the year, CHARLIE SMITH LONDON presents a unique opportunity to view the gallery artists and key collaborators in context.

On the other hand, if you see artworks that you absolutely must view in person, you can get key details about the exhibition from our site.

The solo exhibition titled «Stereodynamica» references and one of the key concepts when viewing the work is the artists use of stereoscopy and stereograms.

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the...

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

This also is a key concern among works on display in A Poet * hical Wager, a group exhibition on view in the Mueller Family Gallery that explores the relationship between abstraction and ethics in the work of eleven international artists.

[15] People who wished to see the exhibition would just go to the reception of the hotel and ask for the room key; fewer than 50 people viewed Peyton's charcoal and ink drawings of Napoleon, Marie Antoinette and Queen Elizabeth II.

From what I can tell, not having seen this particular retrospective exhibition, T.J. Clark does not find among much of Klee's work that is included in this exhibiton a contemporary hook or key back to the view of modernism that he represented.