Sentences with phrase «view of a moment in time»

In addition, this narrow view of a moment in time decision for Christ is necessary to be able to «count» conversions, which is the only way to measure our success as a church, organization, or Christian.

Not exact matches

Taking the time to fully analyze your situation in solitude, while focusing on solutions instead of problems, can revitalize your mind and help you focus on where you are headed, how you feel, and more important, how you view failure from that moment on.

Last year I wrote on Suven Life Sciences, also I did some secondary level maths to get a sense of returns an investor could get buying the business at then market cap (~ 2000 INR Crores or 400 Million USD) and exiting in 2024 See Snap shot below The base case CAGR didn't excite but reading management commentary compelled me to take a tracking position in model portfolio Over to this year One thing in AR gave me a Jeff Bezos moment For the first time management was sounding optimistic (this is coming from a management which is very conservative on record) Emphasis mine Management views on past Despite having grown the business every single year across the last five years, our business sustainability has been consistently questioned.

The moment when the founders of the Hebrew race separated themselves from it, and began their migrations was, in view of all that followed from it, a turning - point in history, though at the time there was nothing in it to attract attention.

Their deeper dilemma, in Gregory's view, is that they tend to «undervalue and disregard themselves too much, and so are turned aside from their own judgment in successive moments of time.

Whitehead's view, in contrast, does justice to the strict demands of the concept of identity: two things are only identical when they are exactly the same.7 A person at two different moments of time is not the identical person; he or she should therefore be understood as composed of many different occasions, and as «one person» only by extrapolation.

As for being a waste of time... yeah I realized that the moment you needed to proof text in order to claim some sort of authority for your view.

He said that just when the mass of the people, and the priests, and the Roman soldiers, Herod and Pilate, and the idle ones on the street, the crowd in the gateway, and the newspaper reporters (if there were any such at that time) in short, when all the powers of the moment, however different their sentiments might have been, were agreed upon this view of the matter: that all was lost, hopelessly lost.

Whatever is said in this chapter about that boundary assumes a dynamic, multi-dimensional view of preaching that sees in the preaching moment a confluence of peoples, times, and contexts.

The full implication of this view is that there is no special time or place where the epiphany of the sacred occurs; it occurs everywhere and in every moment: the sacred center is everywhere and sacred time is anytime.

In my changed understanding of the church's central affirmations, Scripture and creeds need not be viewed as metaphysical statements; rather, they are affirmations of the Christian community at a particular moment in timIn my changed understanding of the church's central affirmations, Scripture and creeds need not be viewed as metaphysical statements; rather, they are affirmations of the Christian community at a particular moment in timin time.

In truth, the roots of this becomingless view go as far back as Zeno of Elea, who was probably the first who treated time and motion as a static geometrical line: his view that the allegedly flying arrow is motionless in all points of its trajectory has an obvious affinity with the strange view of some of our contemporaries according to which successive moments exist «tenselessly» on the fourth dimension called «time.&raquIn truth, the roots of this becomingless view go as far back as Zeno of Elea, who was probably the first who treated time and motion as a static geometrical line: his view that the allegedly flying arrow is motionless in all points of its trajectory has an obvious affinity with the strange view of some of our contemporaries according to which successive moments exist «tenselessly» on the fourth dimension called «time.&raquin all points of its trajectory has an obvious affinity with the strange view of some of our contemporaries according to which successive moments exist «tenselessly» on the fourth dimension called «time.»

Once a view of God from a moment in time was set down in a book though, all evolution in both our understanding and our civilization stopped.

However at this current moment in time, from a professional's point of view, you can't blame Alexis for having thoughts about not staying at Arsenal.

From my point of view I have not spent too many moments in the last 18 years worrying about our ability to score — spent most of the time fretting about conceding so I am not concerned or worried about our strike options of Giroud / Welbeck / Sanchez / Walcott and Podolski.

Parents often focus so much time and energy on trying to make their children obey in the small moments of life that they forget to step back and take a panoramic view of how their parenting choices may affect their children's life course.

They've practiced every motion they'll make during the eclipse: Check that the sun is in each telescope's field of view; remove the lens caps at just the right moment, to get as much time watching the corona as possible without frying the delicate instruments; and so on.

Foundation: Weighing up these factors, the foundation upon which infatuation is built is the ideal, for this blissful moment in time, the way you view your object of affection is idealized perfection.

The confined timeframe makes for a good view of Churchill at a very specific moment in time, but genuine historians will probably find much at fault, or much more to be said.

In keeping with the popular social media trend of «Throwback Thursday» (#TBT), we will from time to time take a moment to focus on the classic trailers, posters, and promotional items from some of our favorite Halloween - themed movies, TV shows, and more, continuing today with a flashback viewing of the original trailer for the sixth film in the Halloween franchise, originally titled Halloween 666: The Origin of Michael Myers (1995In keeping with the popular social media trend of «Throwback Thursday» (#TBT), we will from time to time take a moment to focus on the classic trailers, posters, and promotional items from some of our favorite Halloween - themed movies, TV shows, and more, continuing today with a flashback viewing of the original trailer for the sixth film in the Halloween franchise, originally titled Halloween 666: The Origin of Michael Myers (1995in the Halloween franchise, originally titled Halloween 666: The Origin of Michael Myers (1995).

Some of the isolated moments are very fine: a shot of the horse galloping into view along a distant line of Mediterranean beach; a tilting shot of the struggle for survival in the night waters as the ship (with decorous flames in its portholes) starts to go under in the background; great bursts of energy amid a garbled sense of time and space in the horse race sequence.

At its best moments (and there are a couple of great ones in here), The Puffy Chair makes you want to shake some sense into the kids struggling mortally with what appears small - time in the rear - view — but then there's the realization that poetry is woven from these threads of wilfulness and the courage of being naïve in love.

It's the only time we ever get to see things from Myers» point of view as we then spend the rest of the film trying to evade the unrelenting nature of him.Carpenter has a knack for delivering genuine chills but his real skill is in making the ordinary, «safer» moments just as scary.

If awards are a snapshot, preserving the consensus thoughts about cinema at a given time for the sake of posterity, a report from a group of passionate lovers of film about what they believe is great in the present moment, then why should they define that snapshot by the parameters of an industry that views their efforts only in the crudest terms?

In his first English - language film, Chilean director Pablo Larraín (Neruda, the Oscar - nominated No) has given us a bracingly original take on one of the most documented moments in American history, the aftermath of the assassination of John F. Kennedy, but this time solely from the point of view of the First Lady, Jacqueline Bouvier KennedIn his first English - language film, Chilean director Pablo Larraín (Neruda, the Oscar - nominated No) has given us a bracingly original take on one of the most documented moments in American history, the aftermath of the assassination of John F. Kennedy, but this time solely from the point of view of the First Lady, Jacqueline Bouvier Kennedin American history, the aftermath of the assassination of John F. Kennedy, but this time solely from the point of view of the First Lady, Jacqueline Bouvier Kennedy.

Repeated viewings of the comedy — which opens with a scene in which a deer urinates in Sandler's face, and goes downhill from there — has forced the two to get creative in their weekly ruminations, with segments like «Paddy Schwartz Party Time» (parsing out moments from the brief appearances by featured player Patrick Schwarzenegger) and «Steve Buscemi Mystery Tour» (in which they attempt to investigate the never - explained injuries sustained by Buscemi's character).

«The easy - to - understand summaries provide a clear view from a management perspective of where the college currently stands, and the direction that curriculum management is heading and quality assurance, at any single moment in time.

«With so much consumption now happening on the same screen, we are in a moment in time when we are figuring out what the true value proposition is for e-books — not only in terms of buying access to a locked - down file that lives in the ether versus buying a print book, but between paying $ 14.99 for a single e-book title versus $ 8.99 a month for unlimited Netflix viewing.»

ALBANESE: With so much consumption now happening on the same screen, we are in a moment in time when we are figuring out what the true value proposition is for ebooks — not only in terms of buying access to a locked - down file that lives in the ether versus buying a print book, but between paying $ 14.99 for a single ebook title versus $ 8.99 a month for unlimited Netflix viewing.

After lunch finish, the trip continue to visit the highlight site in this tour packages, we will visit the Tanah Lot Temple is a Balinese Hindu temple on the rock located in the middle of sea, this temple is the most visit during sunset time, due the view was unbelievable was amazing, is great moment you don't want to missed.

Great two activities we combine in one day, firstly you will enjoy to trekking the Mount Batur and see the amazing view of Volcano and the sunrise, is impressive moment by spend time in Mount Batur mountain to see the sunrise from the top, our trekking guide will offer you with breakfast (bread and egg).

My travel companion at the time, Kerri, was sitting with me in the doorway of the train to catch a breeze and have a better view; unexpectedly, and in a horrible moment of panic, her bag fell out of her lap and onto the platform just as the train was lurching away from the station.

All of the models are supposed to be comparable to their real world counterparts and the detail of the models are extraordinary when you think about the fact that at any given time multiple models are being generated in multiple battles all over the map that can be viewed instantly at any given moment.

Upon first glance, Dargas» masterly use of color shading and blending, rich with nuances, sharpen the view of the picturesque leaving the impression of a photograph — a moment captured in time.

Illicit indeed, but more importantly, Melgaard's microcosm of rubber sex dolls perched seductively (often spread eagle) on colorful, Jim Drain-esque sculptural furniture and rugs with videos and sound interspersed throughout, is perhaps the first time thus far in the biennial that the work on view and its curatorial agenda feel true to the «moment» as it were, in an attempt to be captured.

The cans, when viewed as the people who collect them to earn money while sleeping on the streets, represent our pivotal moment in society as more and more people find themselves in times of hardship being made to leave their homes.

Viewing becomes a spatial, physical experience that compresses the geologic time implied by the surface details of the stones, a hint of some past process of erosion or eruption, the photographic moment at which each object was recorded and the transitory duration in which the images are presented and seen.

In this moment of art history, where love of contemporary art is at all - time high, it must be every collector's dream to have one — maybe two — works from their collections on view in an exhibiIn this moment of art history, where love of contemporary art is at all - time high, it must be every collector's dream to have one — maybe two — works from their collections on view in an exhibiin an exhibit.

The sensation of looking at memories of high times, friends and unexpected moments is strong when viewing Billy Sullivan's art in the show at Ille Arts.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, BurlingtoOf the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlingtoof Vermont, Burlington.

Pipilotti Rist's Open My Glade (Flatten)(2000 — 17) will be on view in Times Square from 11:57 p.m. to midnight every night throughout January 2017 as part of Midnight Moment, a monthly presentation by the Times Square Advertising Coalition and Times Square Arts.

Curated by Messina and on view Feb. 18 through May 4, these silkscreen collages are presented as individual pieces in separate worlds that together make up what the artist calls «a string of parallel realities, sequential moments in history frozen in time and thus allowed to exist simultaneously.»

Collecting is tempered by its time and a particular point of view, and this new publication showcases master paintings in the Gallery's collection as measured from the present moment.

Because at no given moment can we see all seven paintings from one point of view, time is also a factor in how we encounter them.

There is an examination of the act of viewing an artwork and the moment in time during which an audience member allocates to the digestion of a piece of artwork, and an analysis of the varying approaches of presenting artwork to the public and how being discrete or explicit may affect its delivery.

This project is a part of Midnight Moment, a monthly presentation by the Times Square Advertising Coalition (TSAC) and Times Square Arts, and is presented in partnership with the record - breaking survey exhibition Pipilotti Rist: Pixel Forest, on view at the New Museum through January 15.

It's sobering to consider that an exciting and concise exhibition about a 1950s New Jersey synagogue and its artworks can serve as a periscope through which we can view the New York art world of the time, postwar American architecture, suburban demographic trends and, not incidentally, a moment in the history of the American Jewish community.

Through the artist's visual interpretation we are able to view a snapshot of a moment in time.

It's a viewing machine with a lens that traverses space and time, presenting a conglomerate of problematic images spanning some of history's most iconic moments, allegedly created by a Venetian Roman Catholic priest in the 1960s.

A searing portrait of poverty in the United States, the Fontenelle photographs provide a view of Harlem through the narrative of a specific family at a particular moment in time.