Not exact matches
Liberal Democrat MEP Edward McMillan - Scott made a
film on his
views of Europe,
before the pair debated Britain's role in Europe and calls for a referendum, which they both appeared to support.
The hills are alive... During the first
of many backpacking trips, Gazzaley shot 70 rolls
of film, including this
view of Otago Peninsula on New Zealand's South Island, and experienced a sense
of connectedness with nature that he'd never felt
before.
Featuring interviews with the band and never -
before seen footage, the
film features behind - the - scenes
views of historic moments from the perspective
of the band, their fans, crew and management throughout their sold - out 40th anniversary tour.
Note: Since this
film was made
before widescreen was commonly used, you will see black bars on the left and right side
of the image, if
viewing on a 16x9 TV or video projector.
On a purely narrative level, however, the introduction
of some
of the villains feels somewhat awkward, as the
film has to abandon its point -
of -
view close to Ruth to show what kind
of people they are
before they are set onto a collision course with Ruth and Tony, which doesn't quite feel organic.
Before this
film there were movies that followed the antagonists point
of view, but In Cold Blood makes you sympathize with these two young murderers or in the very least Perry.
Haneke's 1997
film is notorious for delivering one
of the most painful
viewing experiences in contemporary cinema; setting up a standard thriller scenario
before breaking the rules, and twisting the emotional knife at every opportunity.
With the
film giving us even more
of a point -
of - the -
view of these deranged killers, who are later targeted by the sheriff, we still don't condone their actions but they show a bit more vulnerability than
before.
That's quite fitting for a
film about a man that constantly
views and reviews things he's seen
before to make sense
of it all.
This shift from acquiring
films at festivals to using festivals to launch already acquired titles makes perfect sense from a publicity point
of view, particularly for Amazon, which is committed to giving each
of its
films a theatrical release
before they stream on its Prime Video service.
The
film is dated to modern eyes, and the struggles each
of the men deal with are certainly subdued and edited for family
viewing (and therefore, not very realistic), but the simple fact that a
film focused on these problems
before any other
film had done so is something quite extraordinary.
Here in England, when it comes to
film, the national sporting pastime
of football (soccer) has been pretty much regulated to cheap, violent hooliganism feature so the unorthodox blend
of India and Australia and use
of cricket is a refreshing point
of view (I also write this
before the onslaught
of U.S cities being destroyed truly takes hold
of summer).
Silly hype notwithstanding, the doc should be
viewed before tackling the audio commentary track with Carpenter and Debra Hill because, while some minor information is repeated, the doc acts as a concise intro and visual alternative to watching the
film a second time (making a nice buffer between
viewings), and adds the perspectives
of cinematographer Dean Cundey, production designer / editor Tommy Lee Wallace, and actors Adrienne Barbeau and Janet Leigh.
The ride to here has been somewhat uneven — keeping in mind that my
views of each
of the
films seem to differ from the consensus — but this flick certainly couldn't exist without that which has come
before.
As funny as Jay and Silent Bob Strikes Back is, the fact that it requires a small syllabus
of films to
view before screening hampers its accessibility to general audiences.
Immediately after
viewing this
film, in which a woman wakes up every morning with no recollection
of what she did the day
before, I thought what a wonderful notion it might be if I were to wake up and not remember Before I Go to
before, I thought what a wonderful notion it might be if I were to wake up and not remember
Before I Go to
Before I Go to Sleep.
You get real insight into the man, his work and his
views on life, but Marguiles and Ponsoldt have used the source material (the dialogue is overwhelmingly from Lipsky's transcripts) to make a great conversation movie, in the mold
of Richard Linklater's «
Before»
films, that happens to feature the acclaimed novelist.
Everyone from Agnes Varda to Peter Farrelly, from Julie Taymor to Patty Jenkins, from Ben Kingsley to Geena Davis and countless others are interviewed in Be Natural, commenting on the
films of Guy - Blaché after Green provided those
film that still survive (many are in the Library
of Congress, or in the hands
of collectors) to
view, while most admit they had never
before heard
of Alice Guy - Blaché — even savvy filmmaker /
film historian Peter Bogdanovich said he hadn't.
Much like his previous
film on American movies, Scorsese begins on an autobiographical note, the sense
of nostalgic reminiscence foregrounded with memories
of family
viewings of Roberto Rossellini's Paisan,
before affording the movies in question a greater depth
of analysis,
of personal resonance.
The reflective surfaces in the opening half
of the
film gleam like never
before, from the wood cabinet in the gendarmes» office to the glass in the
viewing room at the morgue.
As for the fight with Bill being the fastest, some may
view that as a letdown... but with all the grandeur that has come
before, and the fact that it occurs during the quiet / slow part
of the
film, I think it makes the most sense.
For those
of you who are seeing Phone Booth for the first time on this DVD, DO NOT
view the Special Features menu
before seeing the
film, as it gives away some
of the movie.
No other
film on the list inspired such low expectations from me
before viewing it, but celebrated Irish playwright Martin McDonagh has kick - started the played - out Brit gangster genre with a dose
of existential neurosis, refreshingly languid pacing and ream upon ream
of rapid - fire, ferociously literary dialogue that credits its audience with as much intelligence as its audience.
There are several other
films that I could have included, but perhaps because they were first seen in the hothouse atmosphere
of Film Festival time, I really want to have a calmer
viewing before making a final statement.
It comprises
of discussion questions and notes for teacher reference
before encouraging young people to write their own reviews
of the
film, take part in extension activities and with suggestions for further
viewing.
I'm not being snarky or facetious in the least when I say that I'd rather re-watch the prequel trilogy and the Clone Wars CG
film before even considering another
viewing of TFA.
Stop in to
view the current show «Cambodia: Looking Back on the Future»
before the screening
of the documentary
film...
Of the seven
films on
view here, none have been shown publicly
before.
Participants were also invited to
view the Marion Cajori
film «Joan Mitchell: Portrait
of an Abstract Painter» at the Foundation offices
before visiting the gallery.
Among the many noted works on
view are 13
films by Polke, including eight which have never
before been available; a performance made for West German television that was last seen when it aired in 1972; and a group
of monumental paintings made entirely
of soot on glass that have never been exhibited in the United States.