Sentences with phrase «view of new audiences»

The swap resulted in prints finding their way into loving homes and in view of new audiences across the globe.

Not exact matches

These memes indicate a new audience is migrating to Bitcoin and virtual currencies and could be viewed as another indicator of growth, regardless of your thoughts on the memes themselves.

Our viewing audience spans the entirety of Upstate New York — from the Hudson Valley through the Capital Region to the North Country, and across Central New York, the Southern Tier and Western New York.

I was trying to argue against other ways to jazz up the format - eg, hearing audience views on responses, etc, and come to think of it, scrolling red button / text responses on screen, etc. * warelane... a great many parliamentary democracies have leadership debates: eg Germany, Spain, Portugal, Ireland, Austria, Australia, Greece, New Zealand and no doubt many others.

According to a New York Times review of the film, the «audience's attention is directed to Miss Monroe through frequent and liberal posing of her in full and significant views.»

For those of you who use WordPress for your dating blogs, or any other business or personal sites — they have just released a new tool to view your audience stats.

«Good Time» might give the theater audiences the view that dealing liquid LSD would benefit not some 1960's style hippies but rather the low life elements in New York's outer borough of Queens.

By writing and casting strong roles in films ranging from dark comedies to crime thrillers, Campion has paved the way for women in the film industry and provided audiences with new points of view.

As with many of the Artificial Eye reissues, the standard of the transfer allows a new audience to view the film with a freshness a film like this deserves.

The general view at this year's Toronto Film Festival is that a lot of ambitious new flickers are engaged in a game of one - upmanship in violence and may have outstripped even the audience appetite for mayhem.

Weekend after weekend, the film pulled in new audience thanks to word of mouth and repeat viewings.

Marvel is unlikely to wait for long before unleashing the new incarnation of Spiderman onto the viewing public, especially as it embarks on the process of redefining its character base and targeting new audience members.

After the unveiling of footage and a trailer to the Hall H panel on Saturday, we speculate as to when audiences can expect to view the new material.

On the back of Luca Guadagnino's soon - to - be released remake of the film, an entirely new audience is no doubt sure to discover Argento's original movie for the first time, but for them the viewing experience will almost definitely be on Blu - ray or streaming video.

Withholding monsters from view is nothing new for horror movies; the likes of Ridley Scott's Alien was easily scarier before audiences first laid eyes on the Xenomorph.

Resources will support students in doing the following: - explore the effectiveness of and create questionnaires - understand the difference between primary and secondary research - use the NRS website (secondary research) to investigate print media audiences - gather qualitative and quantitative data - explore mass and niche audiences - conduct audience research, market research and production research - research attitudes and preferences in TV - Use the BARB website (Secondary research) to investigate viewing figures - Gather research to gain data ahead of creating a new media product - present the results of research Differentiation by points.

At the end of the presentation, Musk handed the keys over to five new Model X owners, before bringing his own VIN # 001 onstage for the audience to view.

The Audience Overview includes the number of sessions during a time period, Page Views, Average Session Duration, Bounce Rate, and New Sessions.

At Wattpad we have a very different view of content, which is that the container format isn't as important as the ability to share and connect with audiences through a new form of mobile - first reading entertainment.»

That's what's exciting about getting the guided view tools out there: We have broad audience that is interested in popular material — The Walking Dead, Kick Ass — but the newest issue of Y the Last Man was the number one comic yesterday, and Sandman does really well.

I think all literary genres are expanding their scope to reach new diverse audiences and points of views.

This fall P.S. 1 offers New York audiences an opportunity to view works from the outstanding DG BANK Collection — a collection housed in DG BANK's head office in Frankfurt, Germany and one of the foremost collections of contemporary photography in the world.

«We are delighted to bring this amazing cross-section of works — representing a spectrum of mediums, time periods, and cultures — to New York as a way of introducing new audiences to the treasures that can be viewed at VMFA.&raqNew York as a way of introducing new audiences to the treasures that can be viewed at VMFA.&raqnew audiences to the treasures that can be viewed at VMFA.»

On view June 12, 2016 through Sept. 25, 2016, the exhibition presents a nuanced profile of women working on the East and West Coasts during the 1940s and»50s, providing scholars and audiences with a new perspective on this important chapter in art history.

Dominique Levy's new gallery, where the monochrome is now on view in her inaugural show, also organized the first American presentation of Klein's «Monotone - Silence Symphony», in which a full orchestra, with chorus, hold a single chord for 20 long minutes then rests for another 20, during which the audience is also expected to maintain silence.

Art Brut in America: The Incursion of Jean Dubuffet, currently on view at the American Folk Art Museum in New York, focuses on two events seminal to the introduction of art brut to an American audience.

Through these exemplary contemporary Croatian artists, P.S. 1 will give its audience an opportunity to view the diverse and provocative new face of Eastern European art.

Experiencing this piece under new conditions, notably, without viewing the work as originally conceived as a filmic audience — from a specific set time, beginning to end — contributes to the shift in emphasis of the work as a cinematic deconstruction to a phenomenological experience.

Although one can not predict precisely what Ryoichi will do next, one can be sure of this: His new work will be exciting and will take enormous creative risks; it will be of very high quality with great attention to detail; it will reach a very diverse audience; and most importantly, it will be something that we have not viewed before.

Capturing a first - person point of view, these video essays are made in close collaboration with each artist, giving audiences immersive access to new ways of making and thinking about art.

The exhibition itself is a creative act that repeatedly provides the audience with new ways of viewing art.

This exhibition, in both gallery spaces, offers Toronto audiences an opportunity to view an extensive selection of the artist» s new sculptures -LSB-...]

Currently, he was prominently represented in the highly regarded show «Surround Audience: New Museum Triennial 2015» in New York and the exhibition «STADT / BILD (Image of a City)-- Welcome to the Jungle» at the KW Institute for Contemporary Art in Berlin and is currently on view at «Ocean of Images: New Photography 2015» at the MoMA, New York.

Recent group exhibitions include: Milieu, Bern, CH (2017); Only the Lonely, inCube Arts, New York (2016); China 8: Views of China, NRW Forum, Düsseldorf (2015); Triennial: Surround Audience, New Museum, New York (2015); Unseen Existence: Dialogues with the Environment in Contemporary Arts, HK Arts Centre, HK (2014); Going, going, until I meet the tide, Busan Biennale (2014); The Part In The Story Where A Part Becomes A Part Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013of China, NRW Forum, Düsseldorf (2015); Triennial: Surround Audience, New Museum, New York (2015); Unseen Existence: Dialogues with the Environment in Contemporary Arts, HK Arts Centre, HK (2014); Going, going, until I meet the tide, Busan Biennale (2014); The Part In The Story Where A Part Becomes A Part Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013Of Something Else, Witte de With Centre for Contemporary Art, Rotterdam (2014); Apocalypse Postponed, Absolut at Art Basel Hong Kong (2014); and Where Narrative Stops, Wilkinson Gallery», London (2013).

In keeping with that vision, the competition encourages a new generation of curators to use digital tools to bring new views and ideas to global audiences.

This exhibition, in both gallery spaces, offers Toronto audiences an opportunity to view an extensive selection of the artist» s new sculptures in conjunction with a number of previous works.

New exhibitions introduced audiences to younger painters such as Josephine Halvorson and re-introduced masters like Willem de Kooning, whose retrospective at the Museum of Modern Art remains on view until January 9.

Kara Walker has stunned her audience once again in her new show, «The most Astounding and Important Painting show of the fall Art Show viewing season!»

Occupying the entirety of the museum's east galleries, First Light combines audience favorites with new acquisitions, many on view at the ICA for the first time.

Begun in 1974, the work is situated within an old extinct volcano that he has physically altered through the addition of tunnels and observation chambers, to allow the audience new ways of viewing, and ultimately experiencing, the sky, geology, and space.

It brings together audience favorites as well as new acquisitions, many of which are on view at the ICA for the first time.

2011 Images of the Mind, Deutches Hygiene - Museum, Dresden DE; Moravian Gallery, Brno, CZ The View from a Volcano: The Kitchen's Soho Years 1971 - 86, The Kitchen, New York, US The Quintet of the Astonished, Everson Museum, Syracuse, US G - d Only Knows Who the Audience Is, CCA Wattis Institute for Contemporary Arts, San Francisco, US Real Virtuality, The Museum of the Moving Image, Astoria, New York, US Passion in Venice, Museum of Biblical Art, New York, US Open Ears 2011, CAFKA, Open Ears Festival, Kitchner, Ontario, CA Influential Element: Exploring the Impact of Water, Long Beach Museum of Art, US Film Fridays Series (Screening), The Warsity Center for the Arts, Southern Illinois, US The Artist's Museum, Museum of Contemporary Art, Los Angeles, US Exchange Evolution, Long Beach Museum of Art, US Videosphere: A New Generation, Albright - Knox Art Gallery, Buffalo, New York, US Time and Place, Kunsthalle Detroit, Michigan, US Watch This!

One such re-emerging artist is the Icelandic painter Erró, currently the subject of a solo show at Galerie Perrotin (on view through April 23) that spectacularly reacquaints the New York art audience to this early adept of Pop Art appropriation.

In 1967 he took up the post of art critic for the New Yorker, which gave him a vastly increased audience for his views, several of which were critical of the arts establishment, as well as certain twentieth century painters - including Frank Stella (b. 1936), inventor of Hard Edge Painting.

His distinct, almost seismic body of work has already captivated the audience in Europe and Nort America and now he is making his debut in Asia with a new series of oil on canvas paintings that will be on view at Simon Lee Gallery in Hong Kong.

The exhibition offers a rare opportunity for European audiences to view O'Keeffe's work in such depth and what better moment to celebrate her influential career than 100 years after her debut andcoinciding with the opening of the new Tate Modern.»

DT: You've said that when viewing your work, you want your audience to «completely lose [themselves] within these labyrinthine experiences, only to discover a new sense of self and emerge reborn.»

Pettibone's take on appropriation is often more head - on, blatantly pinching imagery from other works of art that he admired in order to highlight how most audiences outside of New York view art — through thumbnail print reproductions.

Now with prayer's pronounced visibility in the City of Light, as well as acclaim for her work on view at New York's Museum of Modern Art, the Whitney Museum of American Art, Kunsthaus Zürich and the Moderna Museet in Stockholm, Prager is reaching an even wider international audience.

In this program, audience members are invited to engage with artworks, educators, and each other as they consider how conversation shapes the viewing of classics from the Guggenheim collection in New Harmony: Abstraction Between the Wars, 1919 — 1939.