Personally, I think Maass»
view of writers as cattle is insulting and ridiculous, but if I tell myself that he's representative of all of Them, then clearly I'm on the side of Right by self - publishing.
Not exact matches
You acquire the skill that is indispensable to all artists and entrepreneurs — the ability to switch back and forth in your imagination from your own point
of view as writer / painter / seller to the point
of view of your reader / gallery - goer / customer.
A good
writer views his or her work
as a business, one that is worth investing in — and part
of that investment involves joining professional organizations.
The extent
of her contributions
as producer -
writer - director, for which she's gained respect within the industry, is still unknown to the general public — not to mention her talent for sketch comedy, which is on
view in her movies.
Also, I couldn't quite get this into words
as I was writing before, so: I am believe that I am correct in my
view of Scripture
as it has been handed down to me from teachers, preachers,
writers and others; I believe that I am correct in my beliefs about who God is, and about His self - revelation, in the same way that all people believe that the opinions they hold are true.
The
writer takes a purposefully negative
view of Christianity,
as do many
of the comments, here.
Because
of the common material in the first three gospels and because the
writers look at Jesus from the same point
of view, these gospels are known
as the «synoptic» gospels.
It is the
writer's
view that Jesus did hold to some aspects
of the apocalyptic expectations
of his time and may have thought
of himself
as the heavenly being sent by God to usher in a new order.
Yet all fiction
writers (and playwrights and filmmakers, for that matter) must make similar imaginative leaps, and will be judged —
as Styron has been judged — by how convincingly they portray the characters whose points
of view they've done their best to assume.
As one Roman Catholic
writer was at pains to point out for the benefit
of the pope in
view of Khomeini's approach, the church does not live in the Middle Ages, and Muslims ought to be told so.
The apparent reckless abandon with which a Muslim leader could call for the death
of a
writer offends not just our notions
of due process or even the boundaries
of state jurisdiction but our
view of this life
as our hallowed destiny.
It is fashionable these days for Scripture scholars to look for substantive differences
of conviction between biblical
writers, but this is in my
view an inquiry
as shallow and stultifying
as it is unfruitful.
As both Andreopoulos and Nes observe, Eastern writers viewed the transfiguration narrative as a model of our own spiritual ascent toward God, a process by which our spiritual senses gradually awaken to a perception of the divine beaut
As both Andreopoulos and Nes observe, Eastern
writers viewed the transfiguration narrative
as a model of our own spiritual ascent toward God, a process by which our spiritual senses gradually awaken to a perception of the divine beaut
as a model
of our own spiritual ascent toward God, a process by which our spiritual senses gradually awaken to a perception
of the divine beauty.
The
writers saw themselves
as ethnographers, in James P. Spradley's definition
of the term: «The purpose
of ethnography is to grasp the native's point
of view, his relation to life, to realize his vision
of his world» (The Ethnographic Interview).
It is, in particular, the second
of evangelicalism's two tenets, i. e., Biblical authority, that sets evangelicals off from their fellow Christians.8 Over against those wanting to make tradition co-normative with Scripture; over against those wanting to update Christianity by conforming it to the current philosophical trends; over against those who
view Biblical authority selectively and dissent from what they find unreasonable; over against those who would understand Biblical authority primarily in terms
of its
writers» religious sensitivity or their proximity to the primal originating events
of the faith; over against those who would consider Biblical authority subjectively, stressing the effect on the reader, not the quality
of the source — over against all these, evangelicals believe the Biblical text
as written to be totally authoritative in all that it affirms.
It has always been an insoluble problem for harmonists and
writers of the life
of Christ; and it is clear from the way Matthew — and perhaps John — and even Luke used the materials
of the Gospel
of Mark that they, who were its earliest editors and commentators, did not
view the Marcan order
as chronological or final and unalterable — save in one section, the passion narrative, though even here they did not hesitate to make some changes in order.
The most retrogressive aspects
of contemporary society are religions leaders who have zero (ZERO) influence over extremists whose unending violence proceeds unchecked under their own banners, whose churches routinely abandon their principle mandates — the poor, infirmed, jailed, the hungry — to
writers who
view the thirst
of people without spiritual homes
as «cop outs».
Here we see unknown
writers in the hills
of ancient Judah, seated in simple homes that from the point
of view of our present - day luxury might be regarded
as little better than hovels, surrounded with furnishings more bare and austere than those
of a medieval monastery, equipped with simple reed pens and rolls
of papyrus, or perhaps with broken sherds
of old pots,
as they slowly indite in awkward, ancient Hebrew characters, words that have run like fire and are potent at this distant day.
His
view is that Paul basically gave himself free reign here at the start
of his teachings to the gentiles (see also 1:1 a: «Paulos, apostolos ouk ap anthroopoon, oude di anthroopon, alla dia Iesou Christou, kia Theou patros...») and then started preaching his own theology heavily influenced by his own biases and preferences — not that any
of the
writers were ever completely exempt from it
of course, but still the
writer felt Paul was quite fundamentalistic at times about certain things he had some clear opinions about, e.g. about relationships and women's position in the church etc, which he then propagated
as part
of the gospel.
As part
of the Rally to Restore Unity, I asked some
of my favorite
writers and thinkers to respond to this prompt: «In three to five sentences, tell us about a meaningful relationship you've maintained with a fellow Christian who doesn't necessarily share your theological or political
views.»
As for Jefferson, Whitehead says he shared a high view of Christianity, which his statement evidences: «I tremble for my country, when I reflect that God is just,» The writer concludes that to call them «true deists is as erroneous as to call Karl Barth an evangelical Christian» (The Separation Illusion [Mott Media, 1977], pp. 20 - 21
As for Jefferson, Whitehead says he shared a high
view of Christianity, which his statement evidences: «I tremble for my country, when I reflect that God is just,» The
writer concludes that to call them «true deists is
as erroneous as to call Karl Barth an evangelical Christian» (The Separation Illusion [Mott Media, 1977], pp. 20 - 21
as erroneous
as to call Karl Barth an evangelical Christian» (The Separation Illusion [Mott Media, 1977], pp. 20 - 21
as to call Karl Barth an evangelical Christian» (The Separation Illusion [Mott Media, 1977], pp. 20 - 21).
Broadcast by tweets from influential theologians / pastors such
as John Piper bidding «Farewell, Rob Bell,» the article's
writer is convinced that Bell can no longer claim the title
of «Christian» because he suspects Bell
of universalism (this decision being made, it seems, simply by
viewing the video above and reading the publisher's summary rather than, you know, reading the book first).
It is equally easy and false to take a docetic
view of revelation: to suppose that the content
of the scriptures, for example, is, just simply, the thoughts
of God, the human
writers contributing no more than a pen for God to write them down with; or to imagine that a person or a group
of people or an institution can,
as it were, throw a switch from time to time and become a transmitter
of revelation from an external divine source: a group
of bishops, for instance, when assembled in council, or a pope when defining a dogma ex cathedra.
In an interview with Harry Cook, the religion
writer for the Detroit Free Press, Smith articulated the theology
of supersession
as warrant for his
views:
However, this
writer believes that
as abortion is a bell - weather issue regarding one's
views on the sanctity
of life, so trapping helps us refine our positions regarding environmental ethics and policy.
(It is also interesting that Acton apparently does not share the editorial
writer's
view of Pope Gelasius
as one
of the «critical moments» in the emergence
of democratic thought; I have come across no mention
of Gelasius in any
of Acton's very erudite writings on this subject.)
I genuinely was interested in this subject because
of late it has somewhat been playing on my mind and so sought to discover the truth on the matter and so sought out discussions and literature by christian
writers that I might examine their different stances on the issue and try to find a moral cross-section
as I think is appropriate for all questions since the ranging
views are like politics ranging from far left wing to far right wing
views.
As this
view is variously expressed by different
writers, we find in it traces
of Christian mysticism,
of transcendental idealism,
of vedantism, and
of the modern psychology
of the subliminal self.
Charlie Hopper, principal /
writer of ad agency Young & Laramore, shares
views on restaurant marketing at SellingEating.com,
as well
as in recently published books «Nuggets, Nibbles, Morsels, Crumbs: Selected Restaurant Marketing Columns from Food & Drink International,» and «Selling Eating: Restaurant Marketing Beyond the Word Delicious.»
Charlie Hopper, principal /
writer of ad agency Young & Laramore, shares
views on restaurant marketing at SellingEating.com,
as well
as recently publish books Nuggets, Nibbles, Morsels, Crumbs: Selected Restaurant Marketing Columns from Food & Drink International magazine, and Selling Eating: Restaurant Marketing Beyond the Word Delicious.
Charlie Hopper, principal /
writer of ad agency Young & Laramore, shares
views on restaurant marketing at SellingEating.com,
as well
as recently publish books Nuggets, Nibbles, Morsels, Crumbs: Selected Restaurant Marketing Columns from Food & Drink magazine, and Selling Eating: Restaurant Marketing Beyond the Word Delicious.
Stats sometimes neglect possibilities but i beg to differ from the
writer's
view in
as much
as we are not sitting at the top
of the league.
As the 2017/18 season is gearing towards its first Manchester derby - the fixture this whole title race is almost entirely pivoted on, I decided to speak to Manchester City fan and freelance football
writer Stephen Tudor to get his thoughts on how the game is
viewed among the blues
of Manchester and what Sunday's 175th encounter between the two clubs could mean to the Northern Powerhouse
of Manchester and the Premier League in general.
Our Muddy Boots is a Denver - based parenting blog featuring
writer Jennifer Andersen's point
of view on parenting,
as well
as plenty
of recommendations for family fun in the Denver area.
Disclaimer: This piece is the opinion
of one
writer and does not reflect the
views of YourTango
as a whole.
Don't make the mistake
of viewing companies simply
as writers of checks.
We tend to
view the end
of life
as a medical problem, but too often neglect the life we have left, says the surgeon and New Yorker
writer
Geneticist and
writer Rutherford takes a sweeping new
view of the human evolution story, using the latest science
of DNA
as the central guide.
Then there are other scientists I go back to for comments on other people's research or to get a
view of what's going on in the field; they're people who have a sense
of where the field is going and what I,
as a science
writer, can write about effectively in my articles.
But
as a health
writer and health coach, I constantly encounter the opposite point -
of -
view: study after study shows coffee is good for you.
It's a topic a number
of the other
writers on the 30 Dates Blog have already addressed
as part
of Body Confidence week, and rather than repeat their
views (which I share), I wanted to look to the final pressure affecting self - modification.
Rosalind is co-host
of The Divorce
View Talk Show and Podcast, an Advisor at Parental Wisdom, a regular contributor to the Huffington Post
as well
as a Contributing
Writer for KidzEdge Magazine and Pop Expert.
Deniz Gamze Ergüven, who makes her feature debut
as writer - director after a couple
of short films, tells the story exclusively from the girls» point
of view — both emotionally,
as they have all our sympathy, and physically,
as almost nothing happens that one
of them could not be seeing.
But again, if
viewed as solely in the context
of the sports world,
writer / director / co-producer Cameron Crowe («Say Anything...» / «Singles» / «Vanilla Sky») keeps it real, energetic and right on the money.
A team
of women
writers and producers,
as well
as directors including Nicole Holofcener, Allison Anders and Susan Seidelman, helped ensure that the female point
of view was presented accurately and with a sense
of fun.
His legacy
as an upstart graffiti artist, clothing designer, painter and musician is on
view in this informative and perfectly rendered (director /
writer Sara Driver) retelling
of his early years.
With Krieps on board, it also somehow feels like the Hitchcock movie Audrey Hepburn didn't get to make but clearly channeled through the unique mind
of Anderson, a film - savvy
writer - director responsible for such fever dreams
as Boogie Nights, Magnolia, Inherent Vice, and
of course There Will Be Blood, his previous adventure with Day - Lewis that also felt like a movie stitched together out
of something not easily explained on first
viewing.
But the
writer - director never finds a coherent point
of view (or a way out
of Strindberg's three - wall play structure), and Miss Julie ends up merely a whirlwind
of moods without a center,
as changeable and
as random
as a TV flipping channels.
As I stated before the director does a good job with
writer Billy Ray's screenplay adaptation to show every point
of view from all the characters perspective that includes the American crew, the Somali pirates and eventually the US Navy and SEAL teams.
The material here more closely resembles his efforts on «Scott Pilgrim vs. the World» than «Project X,» at least in the sense that he's lending a sensitive or sympathetic edge to all
of the characters» shenanigans, and it proves that he's got a voice
as a
writer that articulates honestly the point
of view of young characters in a pop - culture - saturated society.