Sentences with phrase «view on contemporary art»

Afrique Capitales, conceptualised by leading curator Simon Njami, takes a stance for a decentralised view on contemporary art.
Each edition of the Trienal proposes a distinct view on contemporary art and promotes the combination of old and new graphic processes, as well as the use of technology in contemporary art.
Participants presented some of the most dynamic recent works from their roster of represented artists, offering an informed view on contemporary art making.
«Our students will benefit from her experience, her views on contemporary art and community engagement, and her West Coast perspective.
The rich assemblage of reviews is highly revealing, with its juxtaposition of hostile and favourable notices... The juxtaposition of these reviews with detailed information about the exhibitions offers valuable insights into educated and popular views on contemporary art throughout the period... This book will serve as a text - book, as an invaluable resource for scholars and as a rich source of browsing.»
Another important event would occur in 1961, when Canaday's «insulting» views on contemporary art — he regarded the Abstract Expressionists as fakes — were attacked in a letter signed by a number of artists and cognoscenti who defended it.
In old age, his views on the contemporary art world were trenchant: Damien Hirst was dismissed as «a brilliant businessman», and Tracey Emin «isn't an artist either».

Not exact matches

However, his work was interrupted by the Korean War, for which he did two years service in Germany; his time there was mainly spent putting on Soldier Shows, which, as he would later remark, gave him his introduction to show business.While working on Venice, a 28 - minute documentary that juxtaposed contemporary views of the city with paintings by the masters, Ivory was introduced to art from India's golden age.
The Pikes Peak Prep (PPP) high school art class visited the Gallery of Contemporary art at UCCS on Friday March 2nd to view the life work of proffessor Louis Cicitello.
The hotel is located in the heart of the business and commercial district of the city with easy access to international corporations and government offices.As the tallest hotel in Dalian, we have 508 elegantly appointed guest rooms, and each has a view of the city.Our contemporary guestrooms have 42 h Philips LCD televisions and BOSE entertainment sound systems with iPod docking stations.High speed wireless internet services are in all rooms and public areas.The state - of - the - art Club InterContinental, located on the 46th floor with a panorama Our six diverse restaurants and bars offer dramatic dining experiences — all with stunning facilities and superb cuisines.
Opened in August 2013, Park Hyatt Siem Reap is located on Sivutha Boulevard, a minute walk away from the French Colonial Quarters, the Old Market and Pub streets.Only 7 km from Siem Reap International Airport.It takes 15 minutes by car to reach the UNESCO World Heritage Site of Angkor Wat and.The Angkor National Museum is a 2 - minute tuk - tuk (rickshaw) ride away.Park Hyatt Siem Reap, 5 - star hotel in the centre of downtown Siem Reap.Offering the best in contemporary luxury.Featuring 108 rooms and suites spread over 4 floors provide a warm and pleasant home away from home.Offering views of downtown Siem Reap or the hotel courtyard, each air - conditioned room features Khmer - inspired contemporary art, custom furniture and summery decor.
Guest suites have a trendy design and contemporary styling with a mix of pale and warm toned interiors, drapes and fabrics of vibrant colour, attractive wall - hung art, smart furnishings cleverly spaced on cool tiled flooring and modern amenities to take care of your comfort; features include a private furnished balcony for most suites with sea or marina view, air - conditioning, a private bathroom with hair dryer and amenities, living room with TV (international channels) and DVD player on request, DVD library at reception, sofa bed / armchair, a bedroom (s) with twin beds, writing desk and chair, telephone, night curtain, a kitchenette with 2 - ring hob, microwave, fridge, coffee machine, kettle, toaster, plates & cutlery and table with 4 chairs, iron and board, and baby amenities.
Nora Griffin, Becky Brown, Dennis Kardon, Carrie Moyer, Raphael Rubinstein, and Jason Stopa discuss The Forever Now: Contemporary Painting in an Atemporal World at the Museum of Modern Art (MoMA), New York, on view through April 5, 2015.
Five decades of the artist's work will go on view at the Museum of Contemporary Art Chicago beginning February 24.
The piece is striking, sly, and layered — and for sale as part of a 65 - work benefit show for the storied Foundation for Contemporary Arts that is on view at Zwirner through January 28.
Brian Dupont reviews The Forever Now: Contemporary Painting in an Atemporal World at the Museum of Modern Art (MoMA), New York, on view through April 5, 2015.
«700 Nimes Road,» an exhibition of photographs shot at the former home of the late actress Elizabeth Taylor, is on view through May 8 at the Museum of Contemporary Art, Los Angeles.
Today's show: «Splitting, Cutting, Writing, Drawing, Eating... Gordon Matta - Clark» is on view at the Serralves Museum of Contemporary Art in Porto, Portugal, through Sunday, September 3.
Frieze London is one of the only fairs to focus only on contemporary art whilst Frieze Masters gives a unique view on the relationship between old and new art.
Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.
The Madison Museum of Contemporary Art is pleased to present a solo exhibition of work by José Carlos Teixeira, on view in the Imprint Gallery January 13 through May 20.
5th floor, Gallery of Contemporary Art Two contemporary art exhibitions dedicated to the topic of home are on view at the KumuContemporary Art Two contemporary art exhibitions dedicated to the topic of home are on view at the Kumu Art MuseArt Two contemporary art exhibitions dedicated to the topic of home are on view at the Kumucontemporary art exhibitions dedicated to the topic of home are on view at the Kumu Art Museart exhibitions dedicated to the topic of home are on view at the Kumu Art MuseArt Museum.
On the ride home from Mass Moca, I had a conversation with Mike Weins, one of my senior art students from Castleton State College, over the border in Vermont, about the strangeness of viewing a contemporary art show (the late Sol Lewitt's wall drawings) that was scheduled to last for the next 25 years.
Julia Heyward Conscious Knocks Unconscious CCA Wattis Institute for Contemporary Arts 360 Kansas Street, San Francisco, CA 94103 May 5 — June 13, 2015 Screening: June 15, 7:15 pm Now on view at the CCA...
Meanwhile, his 35 - year retrospective, «Kerry James Marshall: Mastry,» is on view at the Museum of Contemporary Art, Los Angeles, through July 3.
Currently, I have 20 works (paintings, screen prints, and collages) on view at the Southeastern Louisiana University Contemporary Art Gallery, in an exhibition entitled, A Room of Her Own.
(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)
At Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Francisco.
Apsara DiQuinzio, our Curator of Modern and Contemporary Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201Art, and Phyllis C. Wattis, MATRIX Curator, has a number of wonderful small - scale MATRIX shows in the works, and we are doing several borrowed solo exhibitions that are emblematic of the kind of art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 201art that we love, such as a survey of Ana Mendieta's films [Covered in Time and History: The Films of Ana Mendieta, on view November 9, 2016, through February 12, 2017].
The Brood was first on view at The Rose Art Museum of Brandeis University in Waltham, Massachusetts and then traveled to the Contemporary Art Museum St. Louis.
Tompkins is featured in WOMEN Words, Phrases, and Stories, on view at The FLAG Art Foundation through May 14, and Black Sheep Feminism: The Art of Sexual Politics, curated by Gingeras, recently on view at Dallas Contemporary.
The most influential survey of the state of contemporary art in the United States, the next Biennial goes on view at the beginning of March 2014 and will be the last Biennial to take place in the museum's historic Marcel Breuer - designed building on Madison Avenue in New York City.
On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collectionOn view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collectionon The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.
«This image comments upon notions of idealized beach scenes with a dead - pan and subtle, but sweetly satirical play on the notion of a «view,»» said Dianne Vanderlip, esteemed curator of the ART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art MuseART hotel, who previously served as the founding curator of modern and contemporary art at the Denver Art Museart at the Denver Art Museart at the Denver Art MuseArt MuseArt Museum.
Rashwan Abdelbaki, a 2017 Affiliated Fellow, has work in (Dis) Figured, a three - person exhibition at Montoro12 Contemporary Art in Rome, on view until May 15.
The artist currently has three solo exhibitions on view at East Coast museums: «Views of Main Street» at the Studio Museum in Harlem, through June 26, 2016; «The Black Show» at the Institute of Contemporary Art, Philadelphia, through August 14, 2016; and «Landscape Paintings» at MoMA PS1, through August 29, 2016.
Her solo exhibition, Margaret Bowland: Painting The Rose Red, is currently on view at Contemporary Art Museum (CAM) Raleigh in North Carolina.
FLAGS HAVE PROVEN to be a powerful medium in contemporary art, from David Hammons's «African American Flag» (1990), which sold at Phillips auction for more than $ 2 million, to Dread Scott's «A Man Was Lynched by Police Yesterday» (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto's «Desunited States of Africa» (2010) flag on view last month at the 1:54 Contemporary African Art Fair in Red Hoocontemporary art, from David Hammons's «African American Flag» (1990), which sold at Phillips auction for more than $ 2 million, to Dread Scott's «A Man Was Lynched by Police Yesterday» (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto's «Desunited States of Africa» (2010) flag on view last month at the 1:54 Contemporary African Art Fair in Red Hook, Brooklart, from David Hammons's «African American Flag» (1990), which sold at Phillips auction for more than $ 2 million, to Dread Scott's «A Man Was Lynched by Police Yesterday» (2015) displayed last summer at Jack Shainman Gallery, and Nu Barreto's «Desunited States of Africa» (2010) flag on view last month at the 1:54 Contemporary African Art Fair in Red HooContemporary African Art Fair in Red Hook, BrooklArt Fair in Red Hook, Brooklyn.
The works of Josef and Anni Albers have been featured both together and separately in exhibitions worldwide, most recently including A Beautiful Confluence: Anni and Josef Albers and the Latin American World, Mudec, Museo delle Culture, Milan, 2015 - 2016; and Leap Before You Look: Black Mountain College 1933 - 1957 at the Institute of Contemporary Art, Boston in 2015 (traveled to the Hammer Museum, Los Angeles and will be on view at the Wexner Center for the Arts, Columbus, Ohio, from September 17, 2016 — January 1, 2017).
2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan
Exhibition on view at three locations: Museum of Contemporary Art Santa Barbara 653 Paseo Nuevo Upper Arts Terrace Santa Barbara, CA 93101
San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the relationship between cultural institutions and black artists.
Jeffrey Gibson is currently on view in the Nerman Museum of Contemporary Art's Convene, here's so... Read More
In Los Angeles, William Pope.L's largest - ever museum presentation is on view at the Museum of Contemporary Art, Los Angeles.
I write to offer a brief response to a recently - posted review of Picture This: Contemporary Photography and India (Philadelphia Museum of Art, on view through April 3, 2016).
P.S. 1 Contemporary Art Center is pleased to present The Gold Standard, on view in the Kunsthalle from October 29, 2006 through January 15, 2007.
Work by Zanele Muholi is included in the group exhibition, Contemporary Art / South Africa, at the Yale University Art Gallery, on view through September 14, 2014.
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Jim Dine's Glyptotek Drawings, now on view at the Morgan Library, is a little conservative by today's contemporary art standards.
Women of Abstract Expressionism, organized by the Denver Art Museum, is making its East Coast debut, and Fired Up: Contemporary Glass by Women Artists from the Toledo Museum of Art will be on view exclusively at the Mint.
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