The nineteenth - century scientific
view presented nature (reality) as a mindless machine composed of Newtonian particles operating according to mathematical laws.
Not exact matches
It was the
nature of the affront that those properly relegated to the past were insisting on being
present and extending themselves into the future, all the while denying the Christian
view of both
present (kairos) and future (parousia).
All that Bergson asserts — and we shall see that in many of his texts Whitehead implicitly adopts the same
view — is that this difference, real as it is, is nevertheless only that of degree, not that of
nature, for one simple reason: that the past is always totally immanent in the
present, even though in different degrees of vividness.
Most of the Anglo - Catholic clergy who stayed in their ghetto did so because of their refusal to leave their people behind: asone Anglican priest who had attempted to take his Parish to Rome and had been repulsed by his local Catholic bishop put it to me, the essential was that «Rome has got to have a more creative
view of the corporate
nature of our
present existence».
In
presenting this point of
view I am not discussing the untenable position of biblical literalism which holds that man's
nature is corrupted by the sin of a generic ancestor, Adam.
In
view of what has been said over and over again in this
present work about the corporate
nature of the preaching process, questions are primarily in the «we» form and can be shared with the parish or congregation.
To be more pointed, a psychotherapeutic reading of Shakespeare would be hard to challenge in court, but
presenting Shakespeare's
view of human
nature in terms of biblical realism would almost certainly be considered a violation of the establishment clause.
Whitehead
presented a modern version of the
view with his theory of the order of
nature and of «balanced complexity» (PR 127 - 67 / 83 - 109, 424E / 278).
, That Rylaarsdam's criticism is in part, at least, based on a misunderstanding of Buber's position and a difference in Rylaarsdam's own a priori assumptions is shown by his further statements that «Because of his individual and personal emphasis the notion of an objective revelation of God in
nature and history involving the whole community of Israel in the real event of the Exodus does not fit well for him,» that Buber's
view of revelation is «essentially mystical and nonhistorical,» and that «the realistic disclosure of Yahweh as the Lord of
nature and of history recedes into the background because of an overconcern with the experience of personal relation» — criticisms which are all far wide of the mark, as is shown by the
present chapter.)
If you postulate that life and mind were brand new principles which began to appear at some time and were not at all
present earlier, you have an epigenetic evolutionary
view; if, by contrast, you find the rudiments
present in all
nature universally, this is a preformistic
view.
But, it may be asked, what has this discussion of
views of history and of the relation of history and
nature got to do with the subject of the
present chapter?
My approach is to
present a Whiteheadian
view of three fundamental parts of any philosophy of religion: the
nature of the world, the
nature of God and the
nature of man.
The very
nature of God
presented in scripture challenges the traditional
view that homosexuality is inherently sinful.
Because the crisis of decision in the
present moment gives man his essential character, he can not console or justify himself by
viewing his sin as a weakness which forms no part of his true
nature, or as a mistake which is an exception to be outweighed by appealing to his normal self.
What he
presents is the
view of a planetarian community of
nature and humanity, of humans among themselves, of humanity and God; it is (national) citizenship, co-citizenship and citizenship of the Earth.23 Against the type of globalization radiating from the West he can say: «The West appears to us, today, more and more like a tragic accident in the global process of humanity.
In Jesus» own recorded words, this emphasis appears in the spiritual
nature and
present accessibility of the kingdom of God an emphasis that, in
view of the postponed hopes of Jewish apocalypticism, is very significant.
I have thus far
presented arguments for concluding that God is a society, and I have indicated how this
view affects the process conception of the
nature of God's purpose and freedom.
Merleau - Ponty's appreciation of Whitehead's
views of the immanence and transcendence of
nature, temporal duration, the insertion of time in
nature as opposed to reserving it for a disconnected realm of subjectivity and the Gestalt structure of
present and past, all find a home in The Visible and the Invisible (see especially VIV 184 -185,190-191,194-195).
Dr. Cobb
presents the process theology
view that the exclusion of God in our universal experience is contrary to that very experience, that God plays a role in human life and in the whole of history and
nature.
In the Newtonian
view, which prevailed until the last century,
nature was essentially static, with all things presumed to have been created in their
present forms.
Nevertheless, the layman's common - sense
view of reality is baffled by such conundrums as the
nature of time and space, the reality of human freedom, quantum jumps in physics, or the claim of modern science that colors are not really
present in the objects of perception but only in the mind of the beholder.
In contrast, scientific discovery
presents an opposing
view of
Nature as being devoid of any conscious activity.
FC Barcelona announce special «tifo» banner for Copa del Rey final FC Barcelona At the presentation of the e-book which takes a take a look at one in all Catalonia's most well - known writers and journalists from trendy occasions and his relationship with the Club, Bartomeu went on to spotlight simply how related in the
present day lots of Montalbán's
views on the consultant
nature of Barça nonetheless are.
The anthropologist Richard Wrangham is one of several scientists at Harvard who
present a much darker
view of human
nature than Fry does.
Though people had been
present for thousands of years in the area that was to become the park, native American practices of hunting and planned burning were anathema to a
view of
nature as sacrosanct from human involvement.
Contrary to the poetic
nature of «righting past wrongs» that some attribute to the de-extinction of passenger pigeons, I
view the de-extinction of the passenger pigeon as a project seeded in our
present and future; it is a pivotal exercise in thought stressing the recognition that we are the drivers of change on this planet and that we have the cognitive ability to take responsibility for the direction of that change.
«The commercial opens on a time - lapse
view of a world reclaimed by
nature after a mysterious cataclysm, leading up to the era
presented in Horizon Zero Dawn,» Sony says.
Analyse how language is used in text A and text B to
present views about the
nature of language change.
«Analyse how language is used in text A and text B to
present views about the
nature of language change, diversity and variation.
This tour
presents you with surprises, adventure, wonders, and amazing
views of Belizean
nature.
The spectacular walk weaves its way through the National Park which is full of tall forests, coastal heathlands, wild rocky shores and windswept cliff tops
presenting amazing
views -
nature truly unfolds at every step.
Golden Tulip Bay
View Hotel Bali
presents all
nature beautifulness a comfortable feeling to all tourists who come for holidays.
Each of their projects on
view presents compelling conceptual dialogues about humanity's relationship with
nature, the built environment, place, and identity.
Eco-Visionaries is an art exhibition that
presents alternative
views and creative solutions for mankind's and societies relations to
nature and the global enviromental problems that we are facing.
The artworks in the Eco-Visionaries exhibition
present alternative
views and ideas on humans» relation to
nature ecologies, social ecologies, and mental ecologies - systems that are inextricably linked and affect each other.
Intensified by the subtle smell of oil paint and the presence of decomposing corn sculptures, its corporeal and abject
nature creates a thought - provoking
viewing experience that aims to destabilise the codified conditions of display
present within the initial painting.
On
view September 30, 2016, through March 5, 2017, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker
presents seminal works by 18 artists, including Thomas Demand, Thomas Struth, Hiroshi Sugimoto, and Jeff Wall, who in the last two decades have created pictures that expand our understanding of the
nature of photography and greatly enhance the Gallery's holdings of contemporary photography.
Francis Alÿs: A Story of Deception, a two - part exhibition on
view at MoMA PS1 and The Museum of Modern Art,
presents a range of work from the mid-1990s to today by the artist Francis Alÿs (Belgian, b. 1959), who uses allegorical methods to explore the cyclical
nature of change in modernizing societies, the urban landscape, and patterns of economic progress.
As in
Nature is
presented in the Lunder Center at Stone Hill and is on
view July 1 — October 9.
Together, these structures
present a unique opportunity for the audience to
view and understand the serial
nature of Sol LeWitt's work.
In The Hall of Disappearing, a solo show of new sculptural works, Kendler
presents a counterpoint to the
view of
nature as something to be possessed.
The Fenimore Art Museum
presents The Hudson River School:
Nature and the American Vision an exhibition on
view June 29 — September 29, 2013, showcasing over forty - five important 19th century landscape paintings by Hudson River School artists.
«The art of verdancy, or greenery,
presents an idealized
view of
nature in perfect harmony, a metaphor that premodern Christians equated with paradise in heaven but which also aligned with renewed interests in classical philosophy and developments in science at the time,» explains Bryan C. Keene, assistant curator of manuscripts and co-curator of the exhibition.
In collaboration with curator Miwako Tezuka, director of Japan Society Gallery, Mariko Mori has designed the upcoming exhibition to invite us to a journey through immersive environments, which reflects prehistoric
view on the birth of the life force; the
present - day rupture of humankind from
nature; and the potential for the reemergence of creative energy.
Subverting traditional landscape painting, my recent work
presents cropped
views of conservatory biomes, where «
nature» is an idealized version of the real thing.
Enlightened Earth, on
view through November 5 at Main Line Art Center in Haverford, explores
nature and our complex relationship to its past,
present, and feature, through works that engage the photographic medium and digital media by Mark Dorf (New York), Julianna Foster (Philadelphia), and Nick Pedersen (Burlington, NJ).
On
view through June 19, The Hudson River School:
Nature and the American Vision
presents 45 landscape paintings on loan from the New York Historical Society, which is undergoing renovations.
Due to the complexities involved in
presenting and traveling exhibitions of this
nature, Dark / Light will create a rare opportunity to
view important work which finds few venues for presentation.
He specialised in ideal - landscapes, a traditional form of landscape painting that aims to
present an idyllic
view of
nature which is even more beautiful and harmonious than
nature itself.
Claude Lorrain, French artist best known for, and one of the greatest masters of, ideal landscape painting, an art form that seeks to
present a
view of
nature more beautiful and harmonious than
nature......