The series on
view presents shapes in simple forms in solid basic colors.
Not exact matches
Judging from the agenda then apparent in the minds of young evangelicals and charismatics, I
viewed the completed
shape of the awakening as including new levels of theological and spiritual depth, a reinvigoration of the ecumenical impulse, and a return to the balance of nurture, evangelism and social transformation
present in the original evangelicalism of the 18th and 19th centuries.
Another example was alluded to before: the fact that our world seems to have taken
shape over a period of many billions of years, rather than having been created in essentially its
present form a few thousand years ago, provides evidence against the
view that the creation of our world required omnipotent coercive power; this fact is much more consistent with the
view that the divine creative power is solely the power of persuasion, the kind of power we can experience working in our own lives.
However, while this basic interrelationality is the foundation for a process
view of original sin, it requires expansion into the peculiarity not simply of subjectivity, but of intersubjectivity at the level of social institutions that organize the
shaping influence of the past upon the
present.
I hope that resident leftie might share my
view that out of the ashes of our
present economic mess there could rise a Phoenix in the
shape of a new order, based on fairness.
Well, from a mathematical point of
view, kiki and the spiky
shape both have «sharp» components that are not so pronounced in bouba; similar sharp components are
present in the tongue and hand motions needed to make the kiki sound or draw the kiki picture.
While the nations of the world tussled with the official documents and the statements and proclamations, a vigorous initiative to formulate Peoples» Sustainability Treaties begun to take
shape that
presents an alternative, grass - roots
view of peoples aspirational pathways to sustainable futures.
The new green paper will have a big impact on the future of online safety and how schools approach this vital area of safeguarding, so these sessions
present a fantastic opportunity for teachers to share their
views and help
shape government policy.
While the nations of the world tussled with the official documents and the statements and proclamations at the Rio +20 Summit, a vigorous Peoples» Sustainability Treaties movement had begun to take
shape —
presenting an alternative, grass - roots
view of what people think sustainable development might look like.
BACKGROUND: While the nations of the world tussled with the official documents and the statements and proclamations at the Rio +20 Summit, a vigorous Peoples» Sustainability Treaties movement had begun to take
shape —
presenting an alternative, grass - roots
view of what people think sustainable development might look like.
The front
view proudly
presents a hexagonal -
shaped grille, a key element of Hyundai's design signature, enhanced by available high - efficiency LED twin - projector headlights, LED headlight accents and integrated LED Daytime Running Lights (DRLs).»
Their topic for debate will be «The Future of the Mountains» and the experts will each
present their
view as to how that future might be
shaped.
As you might guess if you've
viewed my version of this list from 2012 or 2013, I'm a big fan of cases that
present different
shapes and / or dimensions from the norm, especially if those cases come as a standard SKU.
Fernandez has calibrated the two series on
view to offer suggestions about how history is
presented and how one can inform or
shape one's own history and the histories of others.
And her critical perspective is one that to a large degree
shapes this spare - looking show, which takes a textured
view of the political past — a past that is acquiring renewed weight in the immediate
present when the civil rights gains, including feminist gains, of the past half - century appear to be up for grabs.
If these fractures remedy transparent mediation with immediate obstruction, the various interference patterns and suprematist graphics populating the multiple screens and projections do the same:
shapes open like curtains or obstruct a
view of the video's narrative, making certain images more
present through their «redaction» (Huffman's term for this effect).
Courtesy Karma International, Zurich and Los Angeles © Sylvie Fleury The exhibition spans art in multiple media, from the Renaissance to the
present day, with paintings, sculptures, installations, prints and watercolours, photographs, films, costumes and armour by some sixty artists: two hundred pieces testifying the many ways artists have
viewed, commented and
shaped the world of fashion through the centuries.
Bringing together pictures taken across the world of friends and strangers, as well as the natural and built environment, the
present exhibition addresses one of the main questions explored in Tillmans's recent practice: as photography becomes increasingly ubiquitous, and as ever higher resolution yields unprecedented
views of our surroundings, how do pictures continue to
shape our knowledge of the world?
The works of three American Indian photographers are
presented in dialogue with historical images that romanticized tribal life and helped
shape views of Native Americans.
The Solomon R. Guggenheim Museum
presents the THE HUGO BOSS PRIZE 2012 winner Danh Vo in an exhibition on
view March 15 — May 27, 2013, whose work illuminates the entwined strands of private experience and collective history that
shape our sense of self, is the ninth artist to win the prestigious biennial award, established in 1996 by HUGO BOSS and the Solomon R. Guggenheim Foundation.
In
Views of Main Street, the artist's use of tattered furniture — Couch (2012), Chair (2003), and Untitled (2011), an oddly
shaped maroon carpet,
presented on a wall as a cross between painting and sculpture — illustrates most forcibly the artist's fifteen - year fascination with the effects of inequality.
Lately, she says, she's «been thinking about the many ways in which one can
view the same object, and how far one idea or one
shape can be stretched, simply through how it is
presented»; her new show accordingly runs variations on a fixed subject via a set of «inverted landscape» paintings (plus some 15 drawings), in irradiated hues, where space seems to twist itself inside out.
Franklin Parrasch Gallery is pleased to
present the first New York show of
shaped, monochromatic paintings from 1965 - 66 by Ronald Davis — including four iconic examples that have not been on public
view since the 1960's.
«Dating from the 1970s to the
present, the works on
view focus on the use of language as a material in art, the vulnerability of the human body, and the ability of artworks to
shape - shift, taking on the character of architecture, décor, or found objects,» according to the press release.
Works being
presented for the first time at the Hayward Gallery include a specially commissioned bell by Steven Claydon, cast at the Whitechapel Bell Foundry, which will chime 21 times a day; a new outdoor installation by Keith Wilson, a new film The Empty Plan by Anja Kirschner & David Panos; a new chapter in Charles Avery's epic island - fiction in the
shape of large scale drawing Untitled (
View of the Port at Onomatopoeia); a new episode from Nathaniel Mellors» Monty Python - meets - Pasolini «soap opera», Ourhouse and a large canvas bear's body by Brian Griffiths — the head of which was shown at Nottingham.
At play is the artist's interest in the way
viewing is mechanically
shaped as well as the theme of doubling, which
presented itself throughout Charlesworth's career as she continued to revisit iconography and objects, often with sly variations.
«The eyes of the Fair are on the future — not in the sense of peering toward the unknown nor attempting to foretell the events of tomorrow and the
shape of things to come, but in the sense of
presenting a new and clearer
view of today in preparation for tomorrow; a
view of the forces and ideas that prevail as well as the machines.
In fact, lawyers with either a commercial arbitration or a public international law background — the two approaches that most actively
shape international investment law and arbitration at
present — stress such a limited function of arbitration, while having divergent
views on what the rule of law may mean in this context.