Sentences with phrase «view to the public between»

Seven teams comprising 34 architecture, urban design, landscape architecture, retail design, video arts and graphic design firms presented nine projects, which will be on view to the public between December 20 and February 2.

Not exact matches

A simmering dispute between Dauman and Redstone, who has so far successfully fought off legal claims about his competency, broke into public view last week when he fired Dauman and Abrams from the trust and told Viacom executives he opposed the company's plan to sell a stake in the Paramount Pictures division.

An important and useful element of the thinking at the time was the replacement of the earlier «control theory» approach to policy (i.e. the belief that the central point was to find an appropriate spot on the Phillips curve and to stay there), towards a «game theoretic» view, in which the critical issues related to behaviour — the interaction between the monetary authorities and the public.

Between January and September of 2003, after conducting seven different polls, researchers found that the answer was yes: «A substantial portion of the public had a number of misperceptions that were demonstrably false, or were at odds with the dominant view in the intelligence community... [These misperceptions] have played a key role in generating and maintaining approval for the decision to go to war»

Furthermore, despite the emphasis by such theologians as Augustine, Calvin, Jonathan Edwards, and Reinhold Niebuhr (with whom Schlesinger enjoyed a personal association) on the need to distinguish between divine and human authority, it is a gross distortion of all of their views for Schlesinger to impute to them the kind of relativism which makes the existence of God and the reality of revelation (the basis of all western religious traditions) so utterly irrelevant for public life.

A woman who worked for a local county agency and whose job required her to drive between different locations throughout the day was prohibited from pumping in her unmarked, county - issued car — even if she covered up and completely screened the inside from public view.

Then David turns to Professor Simon Szreter — social historian and founder of «History & Policy» — to discuss how academics are trying to find ways of restoring the public's faith in politics, and bridge the gap between the politicians» narrow view of the world and how the voters see it.

The two great points of difference between a democracy and a republic are: first, the delegation of the government, in the latter, to a small number of citizens elected by the The effect of the first difference is, on the one hand, to refine and enlarge the public views, by passing them through the medium of a chosen body of citizens, whose wisdom may best discern the true interest of their country, and whose patriotism and love of justice will be least likely to sacrifice it to temporary or partial considerations.

However, their main campaign advantage is that the public is generally sympathetic to the view that abortion is not a value neutral choice between one outcome and another, but rather an outcome failure with potentially harmful long - term consequences.

«The gap between Cuomo and Paladino has widened as Paladino is increasingly viewed negatively by New York voters,» says Dr. Lee M. Miringoff, Director of The Marist College Institute for Public Opinion, «Carl Paladino may have wanted to run for governor in the worst possible way, and judging from these numbers, that may be exactly what he has done.»

The hostilities between the mayor and the governor have only escalated in the last year over a variety of concerns, including mayoral control of New York City schools and proposed cuts in funding to the City University of New York, tumbling into public view with a rare intensity, even for two jobs that are often in conlfict.

Journalists and the public like to view politics as a black and white battle of convictions, when in truth it is necessarily a process of compromise between individuals and interests.

While public forums and town hall meetings have been held to discuss the report, and the proposal has been both criticized and defended in the media, missing is a direct exchange between opposing views, with opportunities for challenge and rebuttal.

The line between the two can be difficult to draw but in my view the successful drawing of that line is central to the public acceptability of these allowances.

It illustrates the strength of connection between political affiliation and opinion, and it shows issues for which other factors — such as educational attainment, knowledge about science, religious affiliation or demographic characteristics — are strongly tied to the public's views.

«By building a strong connection between the entertainment and science communities, we're hoping to provide an important service to both Hollywood and the viewing public,» said NAS President Ralph Cicerone.

A weekly column, Astronomically Speaking, filled local newspapers between 2002 and 2009, thousands pass through the York University Observatory annually, weekly public viewings continue to this day, and astronomy - related coursework continues to be offered at York University — these accomplishments and much more are only a small fraction of Delaney's outreach successes.

Though obvious from start to finish - it's little more than a Public Service Announcement - there are a few moments in this that are thought - provoking: how these starlets balance their «jobs» and personal relationships (Silguero's boyfriend is clearly bothered by her sleeping with so many other people), how they regard each other (none of them likes Belle Knox, the famous Duke student who turned to porn) and especially how they view the difference between «on - screen performing» and «real - life romance» (I found the scene of the one girl awkwardly trying to get a male waiter's number to be completely adorable).

What Refn's referring to is the way that every step of the production process - from pre - to post — is now broadcast via social media; directors, stars, journalists, and everyone in - between are informing their potential viewing public of how a piece of art is made.

«The divide between «refugees welcome» and «refugees not welcome» seems to be a global phenomenon in which refugees are viewed as outsiders and the public education system is understood as primarily serving national citizens.»

With enrollment projected to grow between 20 and 40 percent over the next 20 years, charter schools have established themselves as a fixture in the U.S. public education system and can no longer be viewed as an experiment or pilot reform.

By codifying the provisions of Executive Order 39 and directing the Office of Policy and Management to facilitate the sharing of executive branch agency data between agencies and the public, along with operating and maintaining «an online repository for the publication of open data by executive branch agencies,» H.B. 5172 helps improve inter-agency communication, present a more holistic view of state data, and increase the effectiveness of data to governmental and non-governmental stakeholders by preventing agencies from being data «siloes.»

As a parent writing to President Obama explained, in a letter posted at the Washington Post blog of Valerie Strauss, «We have something very important in common: daughters in the seventh grade... Like my daughter Eva, Sasha appears to be a funny, smart, loving girl... There is, however, one important difference between them: Sasha attends private school, while Eva goes to public school... Sasha does not have to take Washington's standardized test, the D.C. CAS, which means you don't get a parent's - eye view of the annual high - stakes tests taken by most of America's children.»

Sen. Al Franken's elicitation of her lack of understanding between growth and proficiency, her disdain for gun - free school zones (in front of a Newtown representative, no less), her view of sexual assault on campuses, her refusal to assure Sen. Tim Kaine that she would hold all schools that receive public funds — traditional, public charter, private, parochial — to the same standards of accountability: Shall we count the ways she equivocated on civil rights, equity, safety and basic comprehension of pressing educational matters?

Last fall, the NAACP called for a moratorium on the expansion of school choice in the United States, viewing the charter sector as a threat to our hallowed system of public education — as though it's ever been what it claims to be for Black students and families — and drawing an inexplicable line in the sand between two parts of itself.

The following pages describe DOT's point of view on the links between Open Government and public engagement (Chapter 1); approach to developing the fourth Open Government Plan (Chapter 2); initiatives and activities, including our flagship initiative (Chapter 3); and retrospective review of our previous Open Government Plans (Chapter 4).

On Wednesday, July 31, the Golden Gate National Parks Conservancy will showcase its proposal for the Presidio Exchange (PX)-- an open - platform cultural center in this world - class location that will maintain the prime views of the Golden Gate Bridge, forge a new pedestrian link between the Presidio Main Post and the waterfront, and engage the public in a dynamic and ever - evolving series of public programs — from art installations to «hackathons», film festivals to green - tech expositions, dance performances to history lectures.

The street is mostly closed to private cars, with public transport given priority and has virtually no buildings on the south side, allowing panoramic views of the Old Town, Edinburgh Castle, and the valley between.

Though this encouraged museums to bring their work to broad public view, institutions that complied usually did so without contesting the divide between those at the center (including the vanguard) and those on its periphery (including the autodidact)

The July meeting of No Looking After the Internet will respond to Jason Lazarus» current solo exhibition at Gallery TPW, examining recurring tensions between public and private viewing.

The exhibition is based on a series of inversions and infiltrations: from transposing how the work of art is viewed in a collector's private home into a public space to physically shifting and personalizing the sometimes passive viewing experience of a museum; from recreating aspects of the domestic interior to choosing artworks that speak about the psychic interior to new works that intentionally blur the relationship between abstraction and décor.

During the spring 2016 semester, the Brooklyn campus library's Alumni Reading Room will be open to the public to view Sol LeWitt's Wall Drawing # 990 on March 18, April 1, and May 6, between 10 AM to 5 PM (admission is free).

As visitors to Majeed's show, we similarly require a broad view to understand how Post Black Folk Art canvases this spectrum between the particular and the public.

The largest stretched painting in the room is what first confronts you as you enter the gallery, yet as you walk towards the center of the room to view the show in its entirety, the show title, functioning like bookends, is broken up between the two alcoves acting to hold us — the public situated in a public university in the capitol of the Land of Lincoln.

Equity Gallery is pleased to announce Between Here and Our Destination, a solo exhibition by Rhys Hecox, on view from June 23 to July 30, 2016, with a public opening reception on Thursday, June 23, 6 - 8 pm.

This collaboration between the DESTE Foundation and the Museum of Cycladic Art is part of the latter's «Young Views» program, which aims at launching a dialogue with a younger generation, keeping the public up to date with the latest developments in contemporary cultural production, and ensuring the dynamic presence of a space for the exchange of ideas.

This collaboration between the DESTE and the Museum of Cycladic Art falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ideas.

The evolving installation Pleasure Principle, by Katya Grokhovsky, on view in + / - Project Space, culminated in an interactive public performance, in which the audience was given permission to touch, hold and caress the objects from the installation, transcending boundaries between the art and the observer.

Tuesday, April 19 Metropolitan West 639 West 46th Street (between 11th & 12th Avenues) 6:30 pm Cocktails, Artist Projects & Silent Auction Viewing 8:00 pm Dinner 9:30 pm After Party, Dessert & Dancing With special thanks to our Benefit Co-Chairs Erin & Matthew D. Bass Jill & Peter Kraus Elin & Michael Nierenberg Elizabeth & Richard Pepperman Ugo Rondinone Cynthia Rowley & Bill Powers Patty & Howard Silverstein Hank Willis Thomas Artist Projects by Davide Balula Xavier Cha Nathalie Pozzi & Eric Zimmerman Hank Willis Thomas Benefit Edition by Artie Vierkant Support of the Spring Benefit enables Public Art Fund to continue bringing dynamic contemporary art to the broadest possible audience, for free!

, China Art Objects Galleries, Los Angeles, California, US Blickachsen 4 / Axes of View 4 (Sculpturen im Kurpark), Galerie Scheffel, Bad Homburg v.d. Höhe, DE Dia: Beacon, Dia, Beacon, New York, US Arttranspennine03, Arttranspenine, North of England, UK Corso Terracciano 56, Alfonso Artiaco, Naples, IT De Collectie, Luc Deleu, Museum of Contemporary Art Antwerp, BE The Snow Show: Venice, UNESCO Regional Bureau for Science in Europe (ROSTE), Venice, IT Utopia Station Lab / Museum in Progress, Venice Biennale, Venice, IT Sink or Swim, Premier La Ciudad Radiante (La Città Radiosa), Fundación Bancaja, Valencia, IT Dust Memories, Swiss Institute - Contemporary Art, IT Independence, South London Gallery, London, UK Look & Feel Art Landscape Nature, De Verbeelding, Zeevolde, NL Telling A Work Of Art, Andrew Jensen Gallery, Aukland; New Zealand: Dunnedin Public Art Gallery, Dunnedin, Otago Settlers Museum, Dunnedin, NZSAFN, SAFN, Reykjavík, IS Histoires Contemporaines, Institute d'Art Contemporain, Villeurbanne, FR Artists» Gifts, Museum of Contemporary Art, Los Angeles, California, US Definitely Provisional (a library), Whitechapel Project Space, London, UK Stop & Go, Frac Nord - Pas de Calais, Dunkerque, FR The Distance Between Me & You, Lisson Gallery, London, UK Nomades & Bibliophiles, Koldo Mixelena Kulturunea, San Sebastian, ES In Full View, Andrea Rosen Gallery, New York, US Image and Writing in Works of the Collection of the Serralves Foundation, Serralves Foundation, Porto, PT Definitely Provisional (a library), Whitechapel Project Space, London, UK Selections from the Lewitt Collection, New Britain Museum of American Art, Conneticut, US Pictures, Patents, Monkeys, and More... on Collecting, Institute of Contemporary Art, University of Pennsylvania, US SEETHE, Catriona Jeffries Gallery, Vancouver, CA Trickfilm, Buchmann Galerie Köln, Koln, DE Look & Feel Kunst Landschap Natuur, Dag van de Verbeelding, De Verbeelding, Zeewolde, NL Utopia Station Poster Project, Haus der Kunst, Munich, DE Surface Charge, Anderson Gallery, Virginia Commonwealth University, Richmond, Virginia, US Temporal Surfaces, Vancouver Art Gallery, Vancouver, CA Artists» Books, Outside of a Dog, Baltic The Center for Contemporary Art, Gateshead, UK Incommunicado, Sainsbury Center for Visual Arts University of East Anglia, Norwich, UK Wittgenstein: Family Likenesses, Institute of Visual Culture with Wittgenstein Archive, Cambridge, UK The Snow Show / New York, Scandinavia House, New York, US Muhka - een keuze, Muhka, Antwerpen, BE Frieze Art Fair, Regent's Park, London, UK Zahlen - Zeit - Zeichen / Numbers - Time - Signs, Galerie Dorothea van der Koelen, Mainz, DE «Art Is Very...» Attributed To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, To Lawrence..., Kent Institute of Art & Design, Zandra Rhodes Gallery, Rochester, UK Argosfestival 2003, A First Quarter screening, Brussels, DE Partners, Haus der Kunst, Munich, DE Ned Sublette / Songs I wrote with Lawrence Weiner, Bowery Poetry Club, New York, US Une Maison - Une Collection (Collection FRAC Bourgogne), Atelier Cantoisel, Joigny, FR Postcards From the Edge, Galerie Lelong, New York, US The RxArt Ball, Dolce & Gabanna Showroom, New York, US RCA Secret, Gulbenkian Galleries, Royal College of Art, London, UK La Nuit Americaine, Yvon Lambert, New York, US Elephant Juice (sexo entre amigos), Kurimanzutto, MX Ready to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, to Shoot / Videogalerie Schum, Kunsthalle Düsseldorf, Dusseldorf, DE; travelled to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, to Casino Luxembourg, LU, Museu Serralves, PT The Boat Show, Wynick / Tuck, Toronto, CA; travelled to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, to Richard Salmon Gallery, London, UK; Hatton Gallery, Newcastle University, UK

It is, in fact, this playfully schizophrenic viewing experience, the upending of the «fact» of photography and human perception, and the gap between the authority of the archive and the responsibility of the public to question that authority, in which Walid Raad confidently situates his work.

Each artist will be in residence in Philadelphia and will hold public viewings and open rehearsals of works in progress, in an effort to foster close engagement between the artists and the local community.

As if to prove my point, in attempting to make sense of the show's title, Relics (because the work itself does not imply historical artifact or remains), I discovered that the title piece was tucked away, out of the public's view, and inside of the gallery director's office, further underscoring the disparity between title and object.

Neto uses space to explore volume and gravity, creating installations that break down barriers between works and the general public — challenging traditional pre-conceived ideas on how art should be viewed.

On view to the public during the Brewery Artwalk 4 - 29 to 4 - 30 or by appointment between March 21st and April 30th.

Arrive early between 5 — 6 pm to view the Contemporary and MATRIX galleries, and attend a public reception.

Cooper Union students are protesting the school's decision to charge undergraduate tuition for the first time in 150 years, and they're doing so out of the public's view, between the walls of president Jamshed Bharucha's office.

Since INPO documents were private between INPO and the licensed Operator of the plant, and since the NRC would then refuse to duplicate the efforts, this MOA effectively sealed out of public view any safety information.

He assumes to know the truth, and beleives that the difference between his view and the public's can be explained by some kind of psychological mechanism.

Thus politics itself — on Monbiot's view — isn't really something that involves creating a relationship of trust or agreement between decision - makers and the public, such that the former can claim to have been given a mandate by the latter; the consequences of the decision are too grave to be left to the hoi - polloi.