Sentences with phrase «view videos and photographs»

In 2012, Lytro introduced a camera that's very pivotal in virtual reality, offering a photographic technology that allows users to view videos and photographs from different angles.

Not exact matches

But anyone can view the 100,000 photographs and 1,000 hours of video that covers around 3,200 kilometers of U.S. coastline via the Coastal and Marine Geology Video and Photograph Povideo that covers around 3,200 kilometers of U.S. coastline via the Coastal and Marine Geology Video and Photograph PoVideo and Photograph Portal.

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Gold membership features: • There are advanced search features, so you can narrow down the list and increase the chances of finding the right match in your case; • You can look at any other profile on the site, when you want and which one you want; • You can receive messages from others, reply to these messages, or initiate new messages; • You can see full - size photos and video, plus to leave any comments for the ones you like; • You can watch any webcam you like, without any limits; • You can send friend requests and flits to the people you like; • You can create a hotlist that can hold up to 1000 members; • Customer support is provided with priority, via phone, and via e-mail, if you want, with an answer received in approximately 12 hours; • You can see when there is a contest of photographs, and you can participate by commenting, viewing and liking your favorite photos; • You can upload photos and videos to your own profile; • You will enjoy access to the available groups and blogs; • You can use chat rooms or IMs of the members to communicate in real time with them;

2.4 Our website is also a multi-user online service provided by us and a place for you primarily to create your own community about movies and more, post links and exchange views with other users in the FilmOn3d («FilmOn3d») section of our website on whatever subject you choose (subject to the restrictions contained in these terms) and post personal information about yourself and material of your choosing including, photographs, video clips, create a graphical representation of your body (such representation being called an «Avatar»), post music and user generated content by email, or on MP3 files via our website on the Internet (the «Content»).

In addition, users of the free image - recognition app Blippar are able to view this video by simply pointing their phone at print and poster advertisements of the car, instantly bringing 2D photographs to life.

Plugging the small Fire TV box into your HDTV allows for you to instantly enjoy access to services like: Netflix, Prime Instant Video, Demand 5, Spotify, Sky News, Curzon Home Cinema, YouTube, as well as low - cost video rentals (not to mention giving you the ability to share your photographs, music and games to anybody in view of the Video, Demand 5, Spotify, Sky News, Curzon Home Cinema, YouTube, as well as low - cost video rentals (not to mention giving you the ability to share your photographs, music and games to anybody in view of the video rentals (not to mention giving you the ability to share your photographs, music and games to anybody in view of the set).

Video and photographs also pop on this display, and for these uses, the increased viewing angle can be very useful.

Also on view are a selection of Barney's storyboards for his films and videos — composed of sketches, photographs, clippings, and books — used to map out the narrative structure of his projects.

Lorna Simpson is known for working in a wide range of mediums including photograph - and - text works, videos, drawings, collage and paintings that confront and challenge conventional views of culture, representation and memory.

The exhibition, previously on view at Aspen Art Museum, features photographs, films, and video.

Crafting Meaningful Joan Mitchell - Inspired Lessons Thurs March 19, 6:30 - 9:30 pm (a light dinner will be served) Facilitated by Laura Morris, Joan Mitchell Foundation Archivist Natalie Beall, Joan Mitchell Foundation Artist - Teacher Maia Palileo, Joan Mitchell Foundation Artist - Teacher Participants will learn about Joan Mitchell's painting process and view archival photographs and video of the artist.

On view are photographs, industry artifacts and videos.

The interpretation of his experiences in creating his interventions and the intimate manner of viewing these spaces are documented in his photographs, video works and collages.

Working across diverse media, including painting, photographs, mixed media, video, these artists pursue the addiction of art from varying and unique points of view.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Detail view of installation at Galerie Lelong, New York, 2015 Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands Fotomuseum, Rotterdam

Also on view are documentary photographs by Hans Namuth and Tony Vaccaro, as well as the video produced by Gordon Hyatt, «What I Did On My Vacation,» which documents a series of Happenings staged by Allan Kaprow across the Hamptons in 1966.

Her solo show at Max Hetzler titled «Bet Your Sweet Life» features Scale of Things (to come)(2010) an interactive staircase made of metal chains and tubes which will offer a view of the gallery space from above, the video No Head Man (2009), photographs, collages and different series of small spray - drawings and large scale drawings from the series Hurricane and Other Catastrophes.

Through installations, paintings, sculpture, photographs, video, and audio, the 22 featured artists arrive at humor from many different points of view.

Works on view ranged from video art and sculpture to works on paper and mixed media, paintings and photographs.

Since the beginning of her career in the mid-1980s, Lorna Simpson has been well known for her conceptual photographs and videos that challenge historical and preconceived views of racial and sexual identity.

Michael Stevenson, Signs and Wonders, Installation view, Kunsthal Charlottenborg, Copenhagen, 2015, zink chromate conversion coating on steel, aluminium, stretch fabric, screen printed aviation fabric, airline blankets, books, documents, HD video, dimensions variable, photograph Anders Sune Berg

On view through January 17, 2016 and curated by Alex Gartenfeld, the exhibition includes the first complete presentation of photographs from the artist's ongoing series Black Box Collision A, as well as 12 posters from Ebner's collaborative project with David Reinfurt, A HUDSON YARD; and the title video, A PUBLIC CHARACTER, edited by Erika Vogt and scored by Alex Waterman, among other highlights.

While her legendary status and influence on artists of all generations means Schneemann (born in 1939) continues to be a central canonical figure, it is shocking that «Water Light / Water Needle» — a modest collection of photographs, drawings, and a single video work currently on view at Hales Gallery — is her first solo exhibition in London.

Coming from a conceptual point of view is Bruce Nauman, with his photographs, video works, drawings, neon pieces, prints and performances.

On view concurrently in ICA Miami's second floor galleries during Art Basel Miami Beach, Shannon Ebner: A Public Character offers a comprehensive presentation of over 50 photographs, new sculpture, installation, and video, demonstrating the artist's efforts to build a catalogue of images, and to locate them at the intersection of the poetic, graphic, and photographic.

Also on view will be a video work and large - scale photographs of the interior of cardboard boxes, installed as virtual extensions of the environment.

Ranging from photographs, video, film installations, and feature films for the cinema, American artist Amie Siegel's work has been exhibited in solo exhibitions including Amie Siegel: Provenance, currently on view at the Metropolitan Museum of Art and at the University of Michigan Museum of Art, Ann Arbor, as well as recent solo and group exhibitions including Utopia for Sale?

The second exhibition, «Still / Moving: Photographs and Video Art from the DeWoody Collection,» opened on February 7 and remains on view through May 15, 2016.

Installation view of STANZA at the Studio Museum in Harlem, 2016, video, monitors, photographs, screenprints, and windshields.

For the first time, more than twenty video and film installations, photographs and other selected work will be on view in a larger context.

In addition to photographs and a video on view at LAXART, Ebner will present an outdoor sculpture in an empty lot in Culver City.

On view at Kunsthalle Basel are «Sculpture Project Echo» (2009), a series of color photographs related to the «Echo» - installation; the video work «Conversations in the Studio 3» (2010); two installations of sculptural works using crowd - control barriers titled «Double Monuments for Flavin and Tatlin» (2010) and «Blackout» (2007 - 2010); the ongoing «World Time» series (2008 --RRB-, photographs of clocks on public buildings in different cities of the world; the photographic series «THe Hetley Suite» (2008); the two early video works «Ocularis» (1999) and «Double Empire» (2000).

On view are over 200 works, ranging from photographs, prints, and sculptures to video, installations, paintings, and books.

This may seem a mouthful, but really what it means is that the viewing experience is unlike any you've ever encountered; between the 3 - channel video installation, the photographs, and the apps, the images Syms presents and the way in which they are revealed asks us to reconsider our relationship to media such that we become acutely aware of the presence of our own bodies in time and space.

The platform features zoomable photographs of «A Subtlety» including the molasses sculptures of little boys, a 360 degree view of the installation, explanatory text, images of Walker's sketches and models showing her creative process, and a Creative Time video about how the work was conceived and fabricated that features Walker and the team that helped build and install the sculpture.

Ranging from photographs, video, film installations, and feature films for the cinema, American artist Amie Siegel's work has been exhibited in solo exhibitions including Amie Siegel: Provenance, currently on view at the Metropolitan Museum of Art, New York, as well as in recent solo and group exhibitions including Utopia for Sale?

Terrains of the Body, on view at London's Whitechapel Gallery, consists of photographs and a video work on loan from the National Museum of Women in the Arts.

Those works — along with many others, like the 1969 photographs Minter took of her alcoholic and pill - addicted mother, or I'm Not Much But I'm All I Think About, a 2011 video in which the letters M and E, along with a pair of silver M&M's, are repeatedly dropped into an oozing mixture of vodka and silver food coloring — are currently on view at the Brooklyn Museum, in «Marilyn Minter: Pretty / Dirty,» a retrospective that originated at the Contemporary Arts Museum Houston.

On view are photographs and video works by Debra Bloomfield, Suda House, Kapulani Landgraf, Tracy Moffatt, Kenda North and Bruna Stude.

Sculptures, photographs, and current video works also are on view.

Alongside the drawings, paintings, photographs, sculptures, installations, videos, and performances on view are several site - specific works.

Videos, photographs and installations by contemporary artists from our collection and the Emanuel Hoffmann Foundation are on view at Kunstmuseum Basel Gegenwart.

Nearly all of the other exhibitions, though, have a film or audio component: Jackie Nickerson's exhibition includes four very quiet films, similar yet different from her photographs; Robin Rhode (who is also in New Slideshow) has a selection of three video works on view in relation to his compatriot Zanele Muholi, whose exhibition does not include film / video but audio of the various participants in her Faces and Phases series telling their stories as black South African lesbians.

Other works on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four - year long animation project reflecting on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.

The diversity of approaches in the exhibition — drawings, watercolours, prints, paintings, texts, videos, performance, and photographs — attests to the expanded view of landscape for today's artists.

The catalogue features an extended interview with the artist, and includes full - page reproductions of all seventeen photographs in the series Hedonic Reversal, as well as installation views of the large - scale Hedonic Reversal installation and El Sisifo, a three - channel video projection.

While this exhibition may reinforce the impression of a place where conflict can overwhelm daily life, the photographs and videos in this exhibition also offer a richer and more nuanced view.

Her expansive series «HFT the Gardener» (2014 — 15)-- selections of which are currently on view in a group show at the Kunstpalais in Erlangen, Germany — is a collection of botanical drawings, watercolor paintings, videos, photographs, and glitch art, all the supposed creative production of one «Hillel Fischer Traumberg,» a London day - trader turned plant - propagating outsider artist.