Sentences with phrase «viewed as a conceptual artist»

Not exact matches

Featuring artists as solo exhibitors, and also in the context of conceptual group exhibitions, Brunswick Street Gallery offers a completely unique viewing experience of work from contemporary emerging artists.

Currently on view at the Mary Boone Gallery in both the Fifth Avenue and Chelsea locations as well as with Team Gallery in New York are works by premiere French conceptual artist Pierre Bismuth titled «One Size Fits All.»

Both exhibitions subscribe to a broadened conceptually - geared view of drawing: drawing is not understood as a secondary medium to the work of the artists a mere preparatory sketch, but as hierarchically equal and autonomous media within which the conceptual and creative basis of an artistic position is articulated.

May 2, 2018 — Middle Eastern and Mediterranean Landscapes by Renowned Hartford Artist at Wadsworth Atheneum March 22, 2018 — Herbert Ferber Retrospective On View Now at Wadsworth Atheneum Dec. 15, 2017 — Edward Gorey's Illustrations and Art Collection Unite in Unprecedented Exhibition at Wadsworth Atheneum Sept. 28, 2017 — MATRIX 178 Premiers Sam Messer's Newly - Completed Animation «Denis the Pirate» at Wadsworth Atheneum Museum of Art Sept. 19, 2017 — More Than 100 Objects Illuminate Groundbreaking Art Collection of Financier J. Pierpont Morgan Aug. 29, 2017 — Scandinavian Landscapes at Wadsworth Atheneum May 31, 2017 — Mika Tajima Contemplates Technology and Contemporary Life in MATRIX 177 May 18, 2017 — Highlights, Rediscoveries of American Design Trends On View in Exhibition at Wadsworth Atheneum Museum of Art April 18, 2017 — MoMA Paintings by Warhol, Lichtenstein Featured in Pop Art Exhibition at Wadsworth Atheneum Museum of Art Feb. 2, 2017 — Brazilian Conceptual Artist Valeska Soares Featured in Wadsworth Atheneum's 176th MATRIX Exhibition Jan. 20, 2017 — Wadsworth Atheneum Appoints Brandy S. Culp as Richard Koopman Curator of American Decorative Arts Jan. 6, 2017 — UPDATED — Japanese Masterpieces Reunited for First Time in More Than a Century at Wadsworth Atheneum

Mr. Sharif was best known as a Conceptual artist, but his command of color is on full view in a large - scale work made with pieces of painted cotton rope, titled simply «Colours» (2016).

These procedures suggest an affinity with conceptual art, but Martin also views them, and other aspects of his artmaking, as in keeping with Leonardo's advice to the artist to «look at certain walls stained with damp or at stones of uneven colour» so that «the spirit [will be] quickened to new inventions.»

Highly engaged with international art movements such as cubism, abstract expressionism, arte povera, and conceptual art — but also having studied and lived in Europe and the United States — an older generation of the artists on view pioneered modern art in Cyprus, through a dialogue within local traditions.

«Art and China after 1989» focuses on and highlights the conceptual and artistic achievements of 71 artists and collectives, of whom nearly 150 significant works — on loan from private and public collections across Asia, Europe, the Middle East, and the United States, as well as from the Guggenheim's collection — are on view in the New York's iconic museum.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

The Financial Times recently published an overview of the artist's circuitous career, featuring each of the series on view at Frieze and naming American conceptual artists, particularly Ed Ruscha, and Land art as her major influences.

These artists choose to work with clay for its technical, conceptual, and metaphoric possibilities and capitalize on clay's versatility along with the countless glazes and firing techniques available — often viewing the clay, glaze, or kiln as a collaborator in their process.

at Elga Wimmer PCC sets forth an epic manifesto of sorts regarding the mind, body, individuality and nature as viewed through the eyes of Nicola L, who has been active as a conceptual artist since the 1960s.

Just as we come from across national, cultural, material and conceptual boundaries our student body includes recent graduates, mid-career artists, writers, teachers and thinkers who come to Transart Institute to expand their points of view and invigorate their practice by participating in intensive immersive residencies including workshops and seminars, presentation and critique, peer dialogue and debate and becoming part of an international artistic research community.

Self - portraiture is sometimes viewed as a casually vainglorious practice ⎯ the conceptual stroking of the artist's ego, a pretentious selfie.

This aspect of the presentation will provide a view into Camnitzer's diverse practice as a conceptual artist, and will illustrate his critical role as a global link between developments of new visual languages in Latin America and New York.

In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.

Critics described Conceptual Art as the next logical step after Minimalism while suggesting that artists engaged with painting did three things wrong: they worked in an obsolete form; they did not go beyond the reductiveness of Minimalism in a way that could be labeled; and they did not accept Donald Judd's dim view of painting: