Sentences with phrase «viewed paint project»

Check out the most viewed paint project from last week... this amazing faux copper topped table from The Interior Frugalista!

Last week's most viewed paint project at our party was this gorgeous green dresser from Sunflower Hugs.

Last week's most viewed paint project was this gorgeous metallic table from For the Love of Decorating.

Not exact matches

I used my leftover Rustoleum Primer and Silver and Gold Metallic Valspar spray paint from my Metallic Magnet project (view it here).

Swap heads, paint with light, paddle in a virtual fishtank and see live moving images of Edinburgh projected onto a viewing table through a giant periscope.

The project, the Changing Face of Retirement, weaves together recently released survey data, regional and personal experiences and expertly comprised photos to paint a realistic view of modern - day retirement.

Real States featuring paintings by Tom Burckhardt, Clare Grill, and Sangram Majumdar is on view at Steven Harvey Fine Art Projects, New York, from February 10 - March 13, 2016.

John Yau reviews paintings by Ann Gale at Steven Harvey Fine Art Projects, New York, on view through February 15, 2015.»

2014 — PUBLIC ART COMMISSION: CHICAGO TRANSIT AUTHORITY, PERMANENT INSTALLATION FOR 35TH / WHITE SOX CTA STATION 2014 — RESIDENCY, DESIGN FABRICATION, ÍFRANS MAYER, MUNICH, GERMANY, 2014 2014 — NOMINATION 3 - ARTS AWARD 2011 — VISITING ARTIST, TEACHER INSTITUTE IN CONTEMPORARY ART, SAIC, NEA 2010 — GRANT: ARTIST PROJECT IN VISUAL ARTS, ILLINOIS ARTS COUNCIL 2009 — NEW AT THE MUSEUM OF CONTEMPORARY ART, CHICAGO 2009 — THE DRAWING CENTER VIEWING PROGRAM, CURATED ARTIST REGISTRY, NEW YORK, NY 2008 — CATWALK, NY ARTIST RESIDENCY, SCHOOL OF THE ART INSTITUTE CHICAGO 2004 — POST - MFA FELLOWSHIP, VISITING LECTURER, UNIVERSITY OF CHICAGO 1998 — HONORABLE MENTION AWARD / STATE LINE EXHIBITION / ROCKFORD MUSEUM, ILLINOIS 1996/1997 — ARTS MIDWEST / REGIONAL NEA VISUAL ARTIST FELLOWSHIP AWARD (PAINTING) 1990 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / NORTHWESTERN UNIVERSITY EXHIBIT 1987 — ILLINOIS ARTS COUNCIL: SPECIAL ASSISTANCE GRANT / CHICAGO CULTURAL CENTER EXHIBIT

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

On view in the gallery at 502 West 22nd Street is a painting called Ru Ware Project, 2007 - 2012, made up of nine small panels painted in different shades of pale blues.

ON VIEW AT THE METROPOLITAN MUSEUM of Art in the European Paintings galleries, Mehretu discusses the portrait of «Juan de Pareja» as a part of the museum's The Artist Project.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

Points of View: Jonathan T.D. Neil on the latest empassioned debate on art, money, markets and value; J.J. Charlesworth, in Dubai, on how contemporary art is driving the economy; Maria Lind on the power of bureaucracy; Mike Watson on the politics of the uselessness of art; Sam Jacob on preconceptions and disciplinary boundaries; Hettie Judah on Fashion in the museum and art on the catwalk; Jonathan Grossmalerman finds a new subject for his paintings; Oliver Basciano on off - space Project LALO in London & Los Angeles.

Smith has written for the New York Times «Critic's Notebook» about the need for museums to be free to the public, Brandeis University's decision to close its museum and sell its art collection (later rescinded), and the unveiling of the Google Art Project, which allowed online HD views of paintings in the collections of scores of leading museums worldwide.

Allan Stone Projects is delighted to present a major survey of paintings and works on paper by Wayne Thiebaud on view from April 28 — June 18, 2016.

On view in CB1 Gallery's Project Room is Painting of Levitated Mass, Emily Davis Adams» second one - person show with CB1.

Selected Bibliography «No Border: Zheng Xuewu Solo Exhibition,» Time Out Beijing, Beijing, August 2007; Jonathan Goodman, «Zheng Xuewu at Art Projects International,» Art Asia Pacific, reproduction, New York, Fall 2005; Xenia Tetmajer von Prxerwa, Zheng Xuewu's Lone Journey into Abstraction, exhibition catalog, Redgate Gallery, Beijing, 2004; Zheng Zuoliang, My View of Xuewu Print, catalog essay, Beijing, 2003; Xenia Tetmajer von Prxerwa, A Labyrinth of Reality, catalog essay, Beijing, 2003; Judith Farquhar, Introduction to Zheng Xuewu's Work, exhibition catalogue, reproductions, Art Scene China, Shanghai, 2003; Song Xiaoxia, «The Visual World in the Eye of the Urchin,» Chinese Art, 1999; Li Chun, «To the Tune of a Different Drum: The Paintings of Zheng Xuewu,» Central Academy of Fine Arts, Beijing, September 1994.

As it happens, the reason Rosenthal's paintings were on view at UNTITLED is that Oakland based gallery Johannson Projects had recently discovered the work in New American Ppaintings were on view at UNTITLED is that Oakland based gallery Johannson Projects had recently discovered the work in New American PaintingsPaintings.

2005 The Last Generation, curated by Max Henry, Apex Art, New York, NY, USA; traveling to Jousse Entreprise, Paris, France Superstars: From Warhol to Madonna, Kunstforum / Kunsthalle Wien, Vienna, Austria The Painted World, P.S. 1 Center for Contemporary Art, Long Island City, New York, USA The Disasters of War: From Goya to Golub, Ezra and Cecile Zilkha Gallery, Wesleyan University, Connecticut, USA Post No Bills, curated by Matthew Higgs, White Columns, New York, USA Helga's Art Collection, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain The Art of Aggression: Iraqi Stories and Other Tales, curated by Jean Cruthchfield and Robert Hobbs, Reynolds Gallery, Richmond, Vancouver, Canada 2004 Editions Fawbush: A Selection, Sandra Gehring Gallery, New York, USA Last one on is a soft Jimmy, Paula Cooper Gallery, New York, USA Bill Adams, Wayne Gonzales, Cameron Martin: Paintings, KS Art, New York, NY Word of Mouth, A Selection: Part 1, Dinter Fine Art, New York, USA La Lettre Volée, F.R.A.C. Franche - Comté Musée des Beaux - Arts de Dole, France The Freedom Salon, Deitch Projects, New York, USA Bush League, Roebling Hall, Brooklyn, New York, USA Painting (Wayne Gonzales, Roger Metto, Jason Middlebrook, Cristian Rieloff), Galleri Charlotte Lund, Stockholm, Sweden 2003 Parallax Views: Art and The JFK Assassination (Ant Farm & T.R. Uthco, Wayne Gonzales, Eric M. Jensen), Hallwals Contemporary Arts Center, Buffalo, New York, USA 150 artists make 150 T - Shirts, Daniel Silverstein Gallery, New York, USA Cartoon, Riva Gallery, New York, USA Melvins, Anton Kern Gallery, New York, USA 2002 The Presidential Suite, Nassau County Museum of Art, Roslyn Harbor, New York, USA Gravity Over Time, curated by John Pilson, 1000 Eventi, Milan, Italy From the Observatory, Paula Cooper Gallery, New York, USA Subject Matters, curated by Norman Dubrow, Kravets / Wehby Gallery, New York; Conner Contemporary Art, Washington, USA 2001 How is everything?

View of Gowanus Canal from MINUS SPACE project space Michael Zahn: I'm looking at your new Knife Paintings, and they're quite unlike anything you've done previously.

«Recent Paintings,» will be on view at Susanne Vielmetter Los Angeles Projects from November 18th to December 31st.

yours mine & ours is pleased to announce its inaugural project, The Yellow Kiss, a comprehensive view of a single painting by Nicole Wittenberg.

A classic John Currin painting in Rauschenberg Foundation «s We The People show, on view through November 9th at the Robert Rauschenberg Foundation Project Space, 455 West 19th Street, New York.

Recently Installation was invited to Adams» studio in Downtown Los Angeles to catch a special first look at two of six new paintings that will be on view at the CB1 Gallery booth next month at The Miami Project, December 3 - 8.

In addition, a 2016 painting, Cooling Trend, will be on view in our project space.

In Color Riffs, on view at McLean Project for the Arts extended through November 10, 2015, Januszkiewicz is able to transform music into painting in her own stunning, signature way.

The paintings on view on the Project Wall deliver a sustained visual display of clashing patterns and vibrant colors, with barely recognizable popular figures inlaid within the scenes as deceptively as camouflage.

ArtDaily yours mine & ours» inaugural project offers a comprehensive view of a single painting by Nicole Wittenberg Staff, October 1, 2016

Stepping back farther, we have a view of the smaller side gallery with a painting and sculpture by Kevin Finklea on the left, the Evertz painting, the Project Room, my row of paintings, and the pieces by Hsaio and Gomez

The Stylist Project (on view through April 3rd) presents Brooks» latest body of work — a series of oil painted portraits of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.

«Recent Paintings,» will be on view at Susanne Vielmetter Los Angeles Projects from November 18th to December 31st, including «Bandaged Grid,» pictured above.

His recent exhibitions includeHoly Island, Chandelier Projects, London (2014); The Walnut Tree, Chinashop, Oxford (2013), Figuratively Speaking (curated by Marcelle Joseph), Heike Moras Art, London (2015); The Threadneedle Prize 2014: Figurative Art Today (Curated by Sacha Craddock), Mall Galleries, London (2014); Rx for Viewing (with Jesse Wine), Ana Cristea Gallery, New York (2014); East London Painting Prize, Strand House, London (2014).

The shaped paintings on view in this exhibition create illusions of space and depth, where planes may be perceived as simultaneously receding or projecting, allowing the viewer to journey both around and through the work.

There are, of course, fundamental differences between the immaterial, insulated nature of VR experiences and the way we encounter physical objects, whether paintings, sculptures, or moving - image works viewed on a monitor or projected onto a wall.

You can print the projects via your computer by clicking on the headings of your choice below, then choose a painting, click onto it to view the project, you may then print them if you wish.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Like a kind of self - contained viewing station, Anne Vieux stages each component of her immersive painting in the Skybridge Project Space to envelope the viewer into a luminescent environment of tonal hues.

A complex piece in Zaatari's overall oeuvre, Time Capsule not only serves as a sort of sequel to the artist's earlier video In This House (2005), for which he unearthed a letter buried by leftist militants in 1991 (right after the Lebanese Civil War ended), it also links the experience of the Arab Image Foundation, which Zaatari co-founded in 1997 (he recently resigned from the organization's board, which inspired the time capsule project), to that of Beirut's National Museum, where dOCUMENTA (13)'s team found the wrecked objects that are now on view with Adnan's painting tool in the rotunda of the Fridericianum.

A series of evocative and often sexual large - scale paintings on canvas, drawings and prints by Dorothy Iannone (b. 1933, United States) will be on view at Peres Projects.

2017 Nominee, Tosa Studio Award at Minnesota Street Projects, San Francisco, CA Artist Talk with Caitlin Haskell, SFMoMA curator, Chandra Cerrito Contemporary, Oakland, CA 2016 Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA SECA Award nominee, SFMoMA, San Francisco, CA Artist in Residence, Wassaic Artist Residency, Wassaic, NY Grant, The Golden Rule Foundation, New York, NY 2015 Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA Grant, The Golden Rule Foundation, New York, NY 2014 Artist in Residence, Willapa Bay, Oysterville, WA (April 2015) Alternate for Artist Residency, The Ragdale Foundation, Lake Forest, IL 2013 Grant, Center for Cultural Innovation Grant, The Golden Rule Foundation, New York, NY Artist in Residence, The Ragdale Foundation, Lake Forest, IL 2012 Artist in Residence, The Sam and Adele Golden Foundation for the Arts, New Berlin, NY Alternate for Artist Residency, Headlands Center for the Arts, Sausalito, CA Artist in Residence, Vermont Studio Center, Johnson, VT Artist Grant, Vermont Studio Center, Johnson, VT 2010 Artist lecture, Academie Minerva, Groningen, The Netherlands Geoform, online flat files artist 2009 «Best of the San Francisco: One of three artists to watch», San Francisco Magazine Alternate for Artist Residency, Djerassi Resident Artist Program, Woodside, CA MINUS SPACE flat files, Brooklyn, NY Artist Grant, Goethe - Institute, San Francisco, CA 2007 The Drawing Center Viewing Program Artist Pierogi flat files, Brooklyn, NY 2004 Artist in Residence, Fine Arts Museums of San Francisco, San Francisco, CA Visiting Artist, University of California at Berkeley, Painting, Berkeley, CA 2002 - 5 Headlands Center for the Arts Affiliate Artist 1998 American Composers Forum Grant 1995 Samuel B. Fleisher Art Memorial, Challenge Award

Paintings and sculpture by Haim Mizrahi are currently on view at Vered Gallery in East Hampton in the Project Room of the Hamptons gallery.

On view at the Deitch Projects Wooster Street Gallery is The History of the Heart in Three Rainbows, a new series of large - scale watercolor paintings by Francesco Clemente.

An exhibition of new paintings by Halsey Hathaway is on view at Rawson Projects, Brooklyn, New York, from April 6 — May 19, 2013.

John Yau reviews Eleanor Ray: Paintings at Steven Harvey Fine Art Projects, New York, on view through December 24, 2015.

Gale's paintings will be on view at Steven Harvey Fine Art Projects, New York in January.

Last November, Soto and Good organized a viewing at the Lee Mullican studio, pulling out decades of Hurtado's drawings and paintings — a preview of sorts for solo shows of her work slated for New York and San Francisco (the venues are not yet public) and Park View's solo project with her at arteBA in Buenos Aires in May.

Threads: Paintings from the 1960s and «70s will remain on view through June 23 at Vito Schnabel Projects, 43 Clarkson Street, New York.

Image: Improperties, installation view of altered antiques, collage and paint, SMART Project Space, Amsterdam, 2010.

«A series of new paintings will be on view, accompanied in the Third Floor Project space by a new series of drawings, and a large - scale editioned etching, Epigraph, Damascus, 2016,» the press release stated.