Sentences with phrase «viewer around each canvas»
And, I am always thinking of how I am leading my viewer around each canvas and why.
http://www.artinnewyorkcity.com/ Not exact matches
His artworks brings together photography and painting on the same canvas, stimulating the eyes of the viewer and inviting to virtually «dive» into the pictures, going places around the world.
While other artists like Richard Tuttle and William T. Wiley were also experimenting with the unstreched canvas during the same period, Gilliam's sculptural approach was revolutionary in that it repositioned the viewer's relationship with the painting to include the object as well as the space around it, blurring the boundary between painting, sculpture, and architecture for the first time.
The stretchers that are normally hidden from sight and allow the canvas to become a picture exhibited on a wall, now become the physical object around which the viewer can move and look through.
Through gouache and graphite in his work on paper and acrylic on canvas, the works of Todd James challenges the boundaries between the viewer and what probably sees around him, trying to escape and get away from the current state of things, avoiding the contamination of the cruelest reality.
Massive Image 1991 acrylic on canvas Robert Motherwell born Aberdeen, Wash. 1915 died Provincetown, Mass. 1991 Museum purchase made possible by Doris E. Black; Donald F. Broda in honor of Kathleen L. Broda; Natalie Harris; Sally Foley Hughston; Pat Hurst Jordan, in memory of her parents, Dr. A. E. and Ruth Hurst; Jan J. Miller; Babette M. Rothschild; Sandy Bartlett Scarborough; Marge Tilley, in memory of Mr. and Mrs. L.A. Platt; Rebecca K. Yarbrough, in honor of Dr. Sidney H. Yarbrough III; special assistance from the Ella E. Kirven Charitable Lead Trust for Acquisitions; and a gift from the Dedalus Foundation 2000.13.5 The large scale of Massive Image wraps around the peripheral vision and overwhelms the viewer.
By eschewing the ground (canvas or panel) altogether, the painting directly addresses the viewer and relates more dynamically to the space around it.
His complex, restive surfaces provide little respite for the viewer's captivated eye as it works its way around his massive canvases.