Sentences with phrase «viewer becomes aware»

Walking through the Ameringer «Emily Mason: Recent Paintings» exhibition, on view from January 5 and through February 11, 2017, the viewer becomes aware that Mason's concerns change almost radically from canvas to canvas, apparently and not unexpectedly from the development of each painting's individual character.

Serra explained of the artwork: «The viewer becomes aware of himself and of his movement through the plaza.

So after entering the world of the artist and his art, the viewer becomes aware of the many different meanings and associations linked with his work, beginning with erotic associations, moving on to suggestions of a more precious material and concluding with confusion about the disproportionate format.

The viewer becomes aware of your process and concentration and time, but can't possibly spend that same amount of time looking.

Within these assemblages however the order is clarified as the viewer becomes aware of how each element combines to create and generate an audio composition.

The difference is subtle, but can't be unseen once the viewer becomes aware of it.

As with real art, time expanded, slowed down; viewers became aware of complex interplays between realities; logic was bypassed, multiple patterns of meaning formed.

Not exact matches

Combining monochrome painting, scrims of glass and salvaged wood, Collins sets up a situation where viewers at first encounter a minimalist object, then discover all manner of unexpected nuance, and ultimately, through reflections, become keenly aware of themselves and the act of viewing.

Each uses discarded, undervalued materials and meditative processes to encourage viewers to become more aware of their bodies and of the present moment.

Engaging their bodies to look, viewers become more keenly aware of the corporeal aspects of the images.

Mei - Ling hopes the viewers will relate their lives to past and present experiences, and become more aware of their surrounding environment.

Through remembrance of the past and projection towards the future, she propels viewers to identify the stage of their mutation and our relation to memory as the only remnant of the present and yet the only tool through which one becomes aware of his own mutation.

Looking at the painting with attention the viewer will become aware that it has a central vertical division and that there is an underlying symmetry in the pattern of the two sides.

For work that is entirely about empowering viewers to become aware of their own potentiality for reinterpreting material and political history the artist hopes to understand how such moves and gestures narrowly impact the viewer's engagement with the work itself; and, more broadly, the history and philosophy of science, military and popular influences on culture.

Since she moved to L.A., her art has become a lot about her studio practice, about creating a loop of the micro and macro aimed at giving viewers a sense of vertigo that makes them want to look closer, hyper - aware of their surroundings.

Initially interested in toys merely as objects, Levinthal became aware of the emotions that his constructions evoked in viewers.

In the Detroit series of decaying and derelict urban structures, the viewer becomes intensely aware of the passing of the years and the impact of economic depression.

There is a voyeuristic aspect to Senior's work as viewers become self - consciously aware of the action of their own gaze.

In these new sculptures, as well as across Price's work, the artist's careful attention to the minutiae of physical appearance and presentation invites the viewer to become more aware of the subconscious processes by which we recognise, interpret and respond to other people, all the while fashioning our own social identities via outward presentation.

Using artifacts, discarded quotidian objects, and wartime ephemera, Attia transforms the space of the gallery into one of introspection, allowing the viewer to become aware of the complicated and often inaccurate depiction of our multiple histories.