Telephone lines are open for
viewer comments on the relationship between gun violence and violent video games.
I'm totally surprised by all
the viewer comments on this site.
While my bosses always encouraged me to cover these situations and to press the congresswoman and her staff,
viewer comments on my voicemail and my political blog were always pro-Slaughter.
«It is appalling thatanyone would think these videos useful to properly educatingchildren about the purpose and place of sex in a well - adjustedperson's life,»
a viewer commented on the show's Web site.
Not exact matches
During a Facebook Live chat
on Sunday, a
viewer asked Zuckerberg what he thought about the future of A.I., citing Musk's
comments.
The animated dad will speak live to
viewers,
commenting on the day's news as well as answering fans» questions.
A video from a natural water slide in Puerto Rico had so many
viewers that after a few minutes
commenting was shut down, said John Kearse, creative director at Boston - based Mullen Lowe Group, which worked
on the campaign.
Fox News would not
comment on Hannity's ties to Cohen, or his failure to disclose their relationship to his millions of
viewers.
In
comments on «Fox & Friends,» she referred
viewers to Mr. Giuliani's remarks and the president's tweets.
Police in Ireland have launched an investigation after a
viewer claimed
comments made by British comedian Stephen Fry
on a TV show were blasphemous.
In recaps and in
comment threads,
on Tumblr and
on Twitter,
on podcasts and in subreddits,
viewers are striving to say the smart things about the smart shows.
«The spot takes the
viewer on a journey that is driven, once again, by Jameson's undying passion,»
commented Wayne Hartunian, Vice President, Whiskies and Cognac at Pernod Ricard USA.
It doesn't seem as though Kewell is going to win again based
on the
comments below from Crawley supporters and other interested
viewers, with many calling for him to go...
On November 9 2015,
viewers of TV3 media listened with utmost incredulity, one that has never been experienced for decades, primitive
comments from a sad, slow witted and an uncultured mercenary of Akufo - Addo identified as Agyei Bawuah, former ambassador to Japan when He stated «It's better for NPP to lose 2016 elections without Afoko».
In the
comments of the following video
on Youtube, a
viewer asks, «Is that a real video?
When I did my skin care routine
on video featuring my everyday skin care routine, one of my lovely
viewers left me a kind
comment saying, «sincerely, I can't figure out how old you are.
Before I go to a movie I check your «poop - meter» and the
comments from the
viewers who post
comments on the NYTimes Website.
The Piano Teacher, based
on a novel by Elfriede Jelinek (apparently largely autobiographical, which is disturbing news in itself), is much more classical in style, though as before it demands considerable input from the
viewer: Haneke deliberately avoids making any
comments on the film's action, letting the audience judge for themselves.
The characters in I, Tonya
comment on the action as it happens through re-created interviews, voice - over narration, or by directly addressing the
viewer.
The videos»
comments threads reveal where most
viewers stand
on the issue: the digital whoops, hollers and high - fives rival those heard at championship boxing matches, with a majority of commenters encouraging the beatings and applauding the parents.
I liked each and every bit of it.Your take
on the movie is also quite good.I do nt agree with your
comments on Tyson.Tyson and his tiger add special humor to the movie.Tiger in the bathroom is one of the craziest part of the movie.Phil, Stu, Alan are definitely there to stay in the heart of the
viewers for long.
Those two young leads are the only ones who make a sharp impression
on the
viewer, even if their relationship allows the film to
comment on class differences with the subtlety of a jackhammer.
I think there's something to the «oppressive»
comment because Poppy will no doubt be a character that grates
on the nerves of plenty of
viewers.
They are essentially online slide shows of images, documents, or videos that enable
viewers to
comment on any slide (or at any point in the video) by typing, recording an audio or video
comment, or drawing
on the image itself.
«I'm watching this
on my iPad,» joked one
viewer in the
comments — while another
comment offered a different perspective: «thank god they did nt over price like Apple!»
We thought that last
comment was particularly interesting, considering that
on May 3rd, with BP trading over $ 50, our favorite TV personality explained that «BP's debt to capital is really incredible» and
on May 10, he told
viewers that he was purchasing shares of BP for his charitable trust at just under $ 50.
My blog rarely receives
viewers or
comments, especially my countless articles
on Iran, Antarctica and China — my post which took me ages to write
on getting an Iraq visa got about 6 views in 4 months!
Save for a few exceptions, Nintendo of America lets YouTube
viewers comment their hearts away
on whatever content Nintendo uploads to YouTube.
- 2.3 million
viewers - Game Awards 2016 show is very likely - next show may have eSports competition during the day of the event - top streaming platforms were Twitch and YouTube - show trended worldwide
on Twitter, with more than one billion impressions with tweets using #TheGameAwards - this ended up doubling last year's social impact - more than 175,000 different people used that hashtag, writing about 279,000 tweets - top streaming channels saw more than half a million
comments - Snapchat was used to deliver virtual access to the show and after party - money-wise, Keighley believes the show broke even this year.
Often times
on Twitch or Mixer so that
viewers can interact with me and
comment on my gaming antics.
As you'd expect, the awards will be shown
on Spike; it appears that this channel's only available in the US and Canada, so if anyone has any tips for worldwide
viewers who might want to watch this please leave a
comment!
Watch Nintendo's Treehouse Live coverage right here
on NintendoFuse and
comment with other
viewers in the
comments!
On Twitter, The Game Awards will be the first live awards show broadcast on the platform, creating a unified experience for viewers to watch and comment on gaming's biggest nigh
On Twitter, The Game Awards will be the first live awards show broadcast
on the platform, creating a unified experience for viewers to watch and comment on gaming's biggest nigh
on the platform, creating a unified experience for
viewers to watch and
comment on gaming's biggest nigh
on gaming's biggest night.
Robert Storr recently wrote an article
on the interesting paintings of Rick Briggs where he
commented that paintings should initiate a
viewer's interaction by creating the question: «What's that?»
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted
on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted
on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the
viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which
comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The project aims to explain to the
viewer how art investigates and
comments on the processes of everyday interactions between people and the world, how contemporary art practices interpret the current condition of disappearing transitions from object to subject, from nature and culture to conceptions of the world as a collective process.
His intention, however, is not so much to
comment critically or ironically
on the notion of historical progress in art as it is simply to keep the
viewer from getting bogged down by an unfamiliar or excessively abstract sign system.
Many of Johns» late works present themselves as obscure puzzles, and the artist himself has generally withheld
comment on the import of his pictures, leaving critics and
viewers to delve as they may.
For is it not the columnist who
comments on current affairs in newspapers, journals and magazines, expresses their opinion and thus allows the
viewer a view through a different lens?
Polish art historian Bolena Kowalska writes in the accompanying catalogue: «The artist gave a mysterious title to her exhibition in the Poznań - based Arsenał City Gallery, i.e. «
On the Way Home», allowing the viewers to understand it and comment on it their own wa
On the Way Home», allowing the
viewers to understand it and
comment on it their own wa
on it their own way.
She acknowledges they are depending upon
viewer sophistication, because in the way paintings perceive nature and issues such as climate change, the art also
comments on landscape painting's history and forces of culture and politics behind it.
Isaac Julien's five - screen installation that set up in the centre of the space,
comments on the essence of creation and creativity to lead
viewers into an unknown space.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting
on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view
on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works
on paper and plaster are a contemporary
comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings
on handmade paper reflect
on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the
viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
Complete with coral and deep - sea wear - and - tear, the pieces continue the artist's interest in challenging the
viewer's perspective while
commenting on art's changing status as time unravels.
Artworks in the exhibition
comment directly
on our cognitive relationship with these forces or manipulate mass, density, color, light, and space to render for the
viewer a transportive experience.
Many writers and
viewers have
commented on its unashamed yet unsentimental humanism.
Taking these
comments on madness by famous intellects at face value only to encounter art born from the tragedy of madness,
viewers are confronted with an appalling sense of guilt.
If anyone
on RC would like to have a fruitful and mature well reasoned and respectful dialogue about the manipulative strategies used in this example and why it is that people so easily fall into the traps such as the
viewer comments indicate, I'm up for it.
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on BBC Arctic Live for
viewers outside the UK: watch scientist distort polar bear facts
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