Sentences with phrase «viewer expectation by»

With a giant god like hand, Whedon destroys viewer expectation by carefully crafting the perfect satire film with a wit, intelligence and depth that is often lacking in the films it makes fun of.

Not exact matches

The hearer, as with the viewer of a picture, has the edges of his attention gathered up and focused by the clear sense of being personally addressed with a definite expectation of some kind of response.

The story behind the naming of the hit TV show Curb Your Enthusiasm is that it was a reaction by creator, Larry David, against the many people who lived their lives projecting false enthusiasm and also to urge viewers not to raise their expectations too high.

Still, it aims low for a film that seeks to make superstars out of its performers, and doesn't succeed even in its limited aspirations, such that perhaps From Justin to Kelly actually benefits from its perpetual critical derision, as only the very lowest of expectations can have viewers feeling pleasantly surprised by the miniscule returns in entertainment the film provides.

Viewers, of course, can still enjoy the show — if only to admire Dean Norris» hiss - inducing and campy performance as the town's mayor, Big Jim — by adjusting their expectations.

It may get by without regularly producing winces, but it eventually must undo itself with questionable actions and the unenviable task of trying to dance around expectations while still leaving viewers fulfilled.

Often using the figurative form as a base, she subverts the viewers» expectations by implementing several textures, patterns, and materials.

It is in this collaboration that Gortner draws his boundaries, asking the viewer to suspend traditional expectations of art making (i.e. that each painting should be «original» and authored in its totality by one artist) and instead consider how this connectivity to the past and present expresses a new authenticity and content ownership.

It is in this collaboration that Gortner draws his boundaries, asking the viewer to suspend traditional expectations of art making (that each painting should be original and authored in its totality by one artist) and instead consider how collaboration - whether blind or solicited - expresses a new authenticity and content ownership.

The expectation is, of course, that viewers follow the instructions on the paper — implementing themselves within the piece, out of free will or by instruction, depending on how we choose to interpret Nauman's authority.

Jordan Kantor's enigmatic paintings seem to pose this question explicitly, by challenging viewers» expectations about the mediation of images...

The artist strives for the feeling of both the stone and the essence of the subject, which «shakes up the expectations of the viewer» by forcing them to reconcile the inanimate material with the viewer's living memory of that object.

Be it videos, works on paper or installations, his work, exemplary of post-conceptual strategy, plays with the viewer's expectation by a free use of common cultural codes such as the teaser borrowed from cinema's industry: Coming Soon.

The resulting paintings, often presented as a suite or installation, evoke a physiological response by the viewer, whose recognition of the material triggers an internal expectation of sound.

«In all of my work, I'm interested in exploiting the tension between «observed» and «abstract,» and similarly, I enjoy playing with the expectation of reality by inventing where the viewer may not expect invention,» Cole explains, «My paintings are at once rooted in the unique experiences of my own life in Brooklyn, and in conversation with the larger history of American painting.

By presenting these stories, Kingstone subverts some expectations viewers might have about the subjects of his videos, positioning them more as individuals than types.

Embodying Manual Digital's focus on interlocking geometries and the existing tension between the artists» hand and technological precision, these artists cleverly upend viewer's expectations on the type of art influenced by modern technology.

Alison Kendall creates drawings and paintings in which viewers» expectations are breached by dreamlike intruders.

Presiding over the gallery is Self - Portrait: Blue Beard (1996) by Del LaGrace Volcano, a photographic self - portrait that defies viewers» assumptions and expectations about gender performance and expression.

Expectations of engagement by the viewer post-performance, thus become dictated by the media through which the works are presented, serving to make the record fundamental in establishing the future experience of the work.