Sentences with phrase «viewer feeling»

Simply filming a property with your smartphone's video capabilities can lead to an immersive virtual tour that makes viewers feel as if they're exploring the listing right by your side.

Based on the feedback, they chose the highest rated film, which left viewers feeling really good, and used it as a stand - in for an extraordinary experience.

Like listing photos of a house, you want to make sure that you show off the most appealing aspects to make viewers feel at home.

Common sense knowledge will play a factor in how viewers feel about the ending.

Please look into it, perhaps some of your other loyal viewers feel the same way.

Ultimately, I hope viewers feel this expressive freedom when they see my work.

In his boxed and wall constructions, he uses materials like Plexiglas, plywood, pine, and aluminum as Donald Judd did before him, but without giving viewers the feeling of knowing where they stand.

Sepuya's images make viewers feel as if they intimately know his subjects, and provide an honest look at his process, especially his interest in the relationship between archives and photography.

«Still Mine» is technically proficient, giving viewers the feel of a farming community in which any resident can go to a government office without a one - hour wait for service as the only person there, taken care of immediately albeit by the usual sniveling official.

However, I hesitate to recommend it, as the slow pace and overlong running time may leave many viewers feeling increasingly frustrated as it goes on, and while the ending is satisfying and solves the mystery, I was more relieved to have finished the film more than anything.

The false luxury of some of his pieces, achieved by using industrial materials made to look deceptively lavish, and his references to well - known archetypes make viewers feel comfortable with their own cultural history.

A journalist at CBS News, reporting a school of blue whales putting on a show off Southern California, felt the need to give inland readers and viewers a feel for just how large a blue whale is.

Very well - made and solidly acted, this nonetheless has such a grim and despairing view of human nature that it will make viewers feeling more miserable than entertained.

Sicario also boasts an incredible score that almost feels designed to make viewers feel uncomfortable, and disgustingly dirty in need of a shower after the credits roll.

Famed director's blockbuster war drama lets viewer feel the conflict's confusion and fear, rather than celebrate it.

It was offering them precisely what they wanted, like Netflix figuring out what viewers feel like watching next.

Dramatic tonal shifts, she's bound to make viewers feel something before the credits roll.

The happy ending it earns can not undo the missteps and slowness of the preceding 90 minutes, even if it leaves viewers feeling good and with hope in humanity.

Talking head videos help put a human face on your corporation and make viewers feel connected, while animations are highly effective at illustrating points and making multi-step processes digestible.

An air of déja vu pervades this unremarkable coming - of - age tale, set in the mid-1970s, that fails to make viewers feel much empathy for its pudgy protagonist and wastes a sturdy cast that includes Donald Sutherland, Luke Wilson and Judy Greer.

To make that leap without viewers feeling manipulated or being alerted that they're watching something scripted is no small feat.

Exhibit curator David Freund, a photography professor at Ramapo College, says, «Verene's photographs dodge the bullet of looking like art: surely, their surface resemblance to snapshots will make most viewers feel he is talking to them, that they can trust the seemingly artless view before them to be the truth, not a world adjusted to accommodate an artist's agenda.»

Live is informal — and by definition, unscripted — which means viewers feel like they're getting a more intimate experience.

Aware of series creator Matthew Weiner's fetish for prop - selection, and aware of the star status of costume designer Janie Bryant, viewers feel challenged to nail down why the creative geniuses have put onscreen the things they put onscreen.

Mixed Reality gives video viewers a feel of what Virtual Reality is all about and this Assetto Corsa race at old - school Monza is a great example of it.

With them safe in the bag, scriptwriters go out of their way to make lefty viewers feel comfortable too.

Such feeble responses do not make Tory viewers feel proud that this man is their party Chairman.

Still, it aims low for a film that seeks to make superstars out of its performers, and doesn't succeed even in its limited aspirations, such that perhaps From Justin to Kelly actually benefits from its perpetual critical derision, as only the very lowest of expectations can have viewers feeling pleasantly surprised by the miniscule returns in entertainment the film provides.

And like the best heist movies, Logan Lucky keeps wowing us with its inventiveness — and then it makes sure the ending doesn't leave viewers feeling robbed.

Heavy on symbolism yet lacking in depth, Fenrik's newest flick leaves viewers feeling decidedly unsatisfied.

Prudent when it could have incited, tame when it should be tough, «Submission» exhibits all the qualities of academia that drive the likes of Ted up the ivy - covered wall — ultimately leaving viewers feeling less provoked than soothed and underwhelmed.

On the one hand, most people seem to agree that he did an admirable job of translating Suzanne Collins» popular dystopian sci - fi thriller into cinematic form; on the other hand, some of Ross» stylistic choices with Hunger Games (specifically, the disorienting shaky cam / editing approach) left many viewers feeling disgruntled.

Cue a tense struggle for survival that hits us with shocks, twists and some bloody gore that will make even modern viewers feel a little dizzy.

That's a city we Australian Open tennis viewers feel we know very well after two weeks at the Rod Laver Arena (and two... Read More

While both are sure to have followers, Kitten Bowl has the leg up so far, having released a trailer to get potential viewers feeling warm and fuzzy in anticipation of the big event.

«My goal as an artist is to create work that makes viewers feel happy,» she explains, «so I gravitate towards deliciously bright, joyful colours and energetic brush strokes.

Aside from some subtle product placement, this commercial leaves viewers feeling inspired and misty eyed.

Similarly enticing is the nude subject of Sally Mann's silverprint Jessie, in which the artist's daughter is poised defiantly on a precipice, making viewers feel keenly aware of their own unreciprocated gaze.

In a series of photographs of her nude self, Chetrit presents a fresh take on self - portraiture that leaves viewers feeling voyeuristic.

Yet somehow Lee's meditation on isolation has a way of making viewers feel conversely more present, connected, even happy.

When first confronted with the black paintings of Ad Reinhardt and Stella, the delicate hand - drawn grids of Agnes Martin or the carefully placed fluorescents of Dan Flavin, viewers felt bereft at not sensing their subjectivity mirrored, or even acknowledged, in artworks.

They featured a sparse black and white palette and repeating patterns that created a sense of dynamism that made viewers feel unstable, or off balance.

There's a kind of nervous impulsiveness that makes viewers feel as though you are working out some kind of inner conflict.

And the heightened intensity this season's contenders bring to the game may leave viewers feeling like it's both fascinating and troubling to watch people on television scramble in the name of money.

Director Lav Diaz's slow, patient approach opens the film up in a way that lets viewers feel every small detail of the world Diaz creates, teleporting them into characters» lives in ways a more traditional narrative feature couldn't do.

When confronted by them, viewers feel something.

Mosaic is an interesting mystery that, as a series, unfolds a little more awkwardly than expected, giving viewers the feeling that it was something else previously and was repurposed.

It tends to frustrate more than make viewers feel good about the current job market (s), but then, does it really have an obligation to make one feel good?