Sentences with phrase «viewer into the mind»

And by allowing the viewer into the mind - set of each of the candidates with use of narrative voiceover Payne ensures all their deluded points of view are equally and hilariously represented.

«Tinker Tailor Soldier Spy» begins with something of an overture, a jazzy - like composition that lets viewers into the mind of main character George Smiley (Gary Oldman)-- sort of.

Promising to take viewers into the mind - blowing future of 1995, veteran exploder of things Roland Emmerich has teamed with master of being slackjawed at technology Keanu Reeves to produce a new show about virtual reality.

I wanted a cinematic look to bring the viewer into the mind of the main character.

Whether full - length bodies or depicted from the neck up, scaled down or up, sculpted or filmed, Price's figures invite the viewer into their minds and into an appreciation of their formal beauty, thereby confronting conventional cultural associations, assumptions and archetypes.

Not exact matches

Well designed and well targeted, such a campaign burrows into an audience's subconscious mind, resulting in an increased likelihood of the viewer to spring into action, seemingly spontaneously.

But how do you create a presentation that plants the idea you are communicating into the mind of the viewer?

An especially inflammatory article or episode can increase Web site hits, achieve «most e-mailed» status, drag more outraged viewers or listeners to the phone lines and burn a media brand more deeply into consumers» minds.

«I would encourage viewers to keep the big picture in mind and not spend excessive energy trying to delve into the minutiae of just one statement or another,» says Kimberly.

Happy's art is meant to transplant the viewer into that same mind space of wonder and possibility.

The sequel to the video game adaptation «Silent Hill» in 2006, «Silent Hill: Revelation 3D» embarks on a strange journey into the mind and soul of its characters and viewers.

If you followed the magic scene in the last decade (as yours truly did) and watched Angel's television show «Mindfreak» and / or were into the stunts performed by the like - minded David Blaine, then you may find a little more humor than the casual viewer.

Building from an original screenplay by James Ellroy, with re-writes by Moverman, the film takes the viewer on a journey into the mind of a corrupt LAPD officer, and his descent into hell, with the Rampart corruption scandal as a framework.

The disc will still be for the birds based on its complete lack of insight into production, but Valiant's appealing sensibility to it and sufficient number of laughs qualify it as a good time for open - minded viewers to enjoy.

With that in mind, viewers should - if possible - attempt to manage their expectations before walking into TDKR.

The jokes are mostly of the simple - minded nature, focusing on sex and crude language simply for the sake of «earning» its R. Again, the film starts out with enough momentum to almost fool the viewer into thinking that they're watching a high quality R - rated flick, but then quickly the film nosedives into a slow death of flat jokes.

The beauty of Alex Garland's sci - fi film lies deep beneath its mysterious roots, covering every inch of the screen, and burrowing deep into the mind of the viewer.

It worked; Annie Wilkes torture of bed - ridden Paul Sheldon is forever seared into viewers» minds.

Its technique puts the viewer into the troubled mind of its protagonist.

Happy's art is meant to transplant the viewer into that same mind space of wonder and possibility.

The greatest examples of horror build and maintain tension for the entire experience, but that's incredibly difficult and requires pinpoint balancing to work, and they still understand the important of quiet moments to let the dread settle into the mind of the viewer, or in this case player.

Beginning with vibrant characters and storylines that rival major studios, Fuel Entertainment's properties are created with today's emerging audiences in mind and crafted specifically so that they can be leveraged into multiple touch - points - to spark imagination wherever your viewers go.

A vizual sonic mind - wondering \ «Google Cardboard \» Virtual Reality trip for electronic music lovers and space cadets everywhere.The \ «Google Cardboard \» Viewer and #HackThePlanet App open a VR portal into an immersive cyberdelic parallel universe inspired by the Anniversary \'s of cyberpunk composer Simon Boswell...

Venturing down narrow stairs into the bowels of the 1895 former schoolhouse, viewers encounter Realm of the Mind (2002).

For the viewer, the details of my work coalesce into a clever illusion — recalling the Zen masters» lesson that life itself is an illusion, from which we can awake only by clearing our minds of daily distractions.»

The transition into the externalized reconstruction of the viewer's own mind that fills the main gallery is signaled by Lucas Knipscher's What Nice Feet I Have # 1, a flat circle covered in newspaper that hangs from a narrow square pole just inches above its own shadow on the slick concrete floor.

Over the past several years, Fred Tomaselli has introduced otherworldly, mind - altering experiences into his art, transporting the viewer far from the mundanities of conscious perception.

For each, a broken grid of icons and representation asks the viewer to enter into the artist's mind as if sharing a private language.

These «subliminal ads» are designed to produce a generalized desire in the subconscious that will then translate into a specific desire — a desire for the advertised product — in the viewer's conscious mind, a strategy so obvious and ridiculous that McCarthy need only point to it to underscore our culture's susceptibility to such tactics.

The rosy pink color that dominates the Bortolami show's eight paintings — four large seasonal scenes of defiantly numinous figures, Dionysian grapes, leafy curlicues and metallic silver daubs; three other large paintings; and one modestly sized portrait of a naked cat, facing away from the viewer into a stoically indifferent opacity, its body like a chicken's carcass, its red tail like a snake charmer's cobra, poised to strike — brings to mind the mysterious pink lasers that transmit divine messages in Philip K. Dick's novel VALIS.

Newly juried in oil painter Ellen Kolansky draws the viewer into her work engaging both mind and emotion.

Also, Claude Monet inevitably comes to mind when Bernadet's paintings (the Fugue paintings) get closely inspected, not simply because of the appearance, but rather the inherent ability of the works to envelop the viewers into their own visual universe.

As viewers approach these mind - bending pieces of art from a distance, Provosty tricks them into discovering that pictorial space in the work is not as flat as it appeared from a distance, despite the apparent reductivism of her monochromatic palette.

His exquisitely rendered drawings and paintings draw on dream imagery, where the surface of his work relates to both the mind and the body, and becomes a skin on which to create layers of marks, volumes of text, leading the viewer into another world.

The steep perspective of the cobble stone street leaning toward the viewer, giving one the feeling that they can step into the painting, had a formative impact; the idea that one cold walk into a painting was already germinating in her mind at a young age.

William Kentridge: Anything Is Possible gives viewers an intimate look into the mind and creative process of William Kentridge, the South African artist whose acclaimed charcoal drawings, animations, video installations, shadow plays, mechanical puppets, tapestries, sculptures, live performance pieces, and operas have made him one of the most dynamic and exciting contemporary artists working today.

Chronological retrospectives bring to bear a full body of work and allow viewers a glimpse of understanding into the mind and process of the artist.

Through the medium of durational performance art she enters into laborious tasks / circumstances that create repetitive strain on her body and mind while creating tension with the viewer.

In From Point, Lee's thoughtful and philosophical outlook is transformed on the canvas, with the inevitable naturalness of water seeking its own channel, into pulsating rhythms that reach out to the viewer and communicate a state of mind.

Viewers will be transported into the feedback loop of a human mind Continue Reading»

Jeppe Hein's interactive art works encourage viewers to enter into their own inner dialogues, focusing attention on the awareness of one's own body and mind.

In the words of Thomas Edison, genius is 1 % inspiration and 99 % perspiration, and Lucas and Garbay have collected every last drop here in «The Mug», giving the viewer insight into two unharnessed, utterly creative minds.

These works give the viewer a glimpse into Nauman's mind at work — how the artist aims to measure, explore, and manipulate space, and how this space interacts with the viewer's psychological and physical being.

By the skillful expressions of rich nuances in Sugito's work, viewers are able to feel even physical sensations such as the senses of touch, light and shade, and temperature, which enter into viewers» minds and embrace the space.

At L.A. Louver, a sharply focused show zeros in on LeWitt's capacity to transform abstract ideas into concrete objects that viewers experience as slippery interminglings of drawing, painting and sculpture — while comparing and contrasting such physical entities with idealized images of geometric perfection, which inhabit the mind's eye but never appear in the real world.

«The Mind's Eye presents works drawn from the artist's personal archive of vintage materials and, in addition to photographic prints, includes a selection of three - dimensional photographic sculptures, films, artist's books, albums and work prints to give viewers first - hand insight into Uelsmann's creative process and expressive range.

The Peabody Award - winning show takes viewers into the studios and creative minds of prominent working artists.

Standing as one of the gallery's most prominent shows to date, allowing viewers into the unique and fantastical mind of sculptor thought to have made over 40,000 works over the last 50 years.

The film gives viewers an intimate look into the mind and creative process of William Kentridge, the South African artist whose acclaimed work has made him one of the most dynamic and exciting contemporary artists working today.

Yet, in his continuous search to express the essence of life, to establish an analogy to musical rhythm and to touch the viewer deep into the subconscious mind, Bernède gradually grew to gestural painting, partnered with a black and white palette.