The viewer moves from room to room, and thus experiences the narrative of art history as a sequence which forms a totality, and at the same time as a succession of separate individual presentations or small - scale exhibitions.
Not exact matches
A monumental sculpture forms the centerpiece of Buzz Kill: extending
from the four corners of the gallery, and reaching
from the floor
to the ceiling, this massive painted aluminum sculpture divides the exhibition space into individual «
rooms «through which
viewers can
move.
They are composed of large aluminum spheres, fiberboard ellipses, hydrastone cubes and wooden ramps that were installed around
rooms as though
to intentionally obstruct the
viewer from moving around them.
Viewers may find themselves
moving back and forth repeatedly
from room to room, comparing each's intersecting planes and compositional counterpoints.