Sentences with phrase «viewer moving through»

Entering Nelson's work is an active, and sometimes anxious, experience in which viewers move through an elaborate labyrinth of rooms often concealed within rooms, surrendering their bearings to experience the artist's three - dimensional narrative.»

Colors mutate, fade and intensify, seeming to hover just above the surface of the room like a prism, materializing the unseen shifts of light and air as the viewer moves through space.

As a viewer moves through the narrow, open - ended corridor, illuminated by green fluorescent lights from above, the eyes become overwhelmed by its particular shade of green.

On looking at the final composition, he realised it created a narrative, as if the viewer moved through the room.

Unlike typical retrospectives, this presentation is organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

Rather than offering a comprehensive drawing retrospective, the show will be organized with an eye to morphological relationships so that, as viewers move through the gallery, they will recall and ideally return to earlier related images.

As the viewer moves through the space they will have to -LSB-...]

As the viewer moves through the space, the miniature paper imagery comes alive.

As viewers move through this gifographic, the images and animations build upon each other further highlighting the theme of the visual.

These new works set up uncanny formal repetitions, triggering a sense of déjà vu as the viewer moves through the rooms of the gallery.

In Muntean / Rosenblum's installation, the viewer moves through the artificial living space as the avatar, experiencing the constructed environment from within, and thusly becoming the malleable consumer rather than the god - like controlling hand.

Hadid does in painting what multiple cameras do in film and television, offering simultaneous angles as the viewer moves through space.

As the viewer moves through the space, the works reflect and refract, giving an impression that is both imposing and unexpectedly organic.

Grosse's works are highly performative; as viewers move through them, tracing the artist's gestures, their own actions are in turn framed by the color - saturated backdrop.

Not exact matches

All channels converted to a digital format back in 2009, so over-the-air viewers should be able to continue to find channels that are moved through a process known as rescanning.

April 30 Walt Disney Co will create live sports, news and entertainment programming specifically for Twitter Inc's social network, a move to attract online viewers and advertising revenue through digital video.

When through an unusual coincidence President Reagan's second inauguration was telecast on the same day as the 1985 Super Bowl, the entire day seemed liturgically orchestrated, as viewers moved from one sacred event to another.

In the final act, viewers are lead through a fun and energetic choreography using the moves they just learned.

Although it moves along at an incredibly sluggish pace, Beauvois manages to keep the viewer engaged through his delectable direction, breathtaking images of the Limousin countryside, and with the help of several outstanding performances from his cast of leading women.

Victoria's tricky segues from drunken - hangout comedy to tentative character piece to chase picture are impressive enough, but what's genuinely laudable is how the creator, cast and crew skillfully navigate viewers through the city's different locales: grungy dance clubs, lonely rooftops, underground hideouts, swanky hotels, and even moving vehicles.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

An impressionistic barrage of sexually frustrated prisoners grasping for each other and at themselves, their musculature bathed in chiaroscuro light as they lovingly move their hands down their bodies while they're watched by drooling, baton - wielding guards, Un chant d'amour is an all - consuming work of art that aims to liberate the viewer through erotic fantasy.

At the even indier end, we have had Rian Johnson's Looper, which managed to tie all manner of time - travel - related knots without losing the viewer, and threaded a moving love story through it.

This hour - long feature documentary, Consider The Alternative provides viewers with a balanced understanding of publicly - funded charter schools from those who can speak about it best: charter school supporters, public school teachers and administrators, members of the legislature, the Nebraska State Board of Education and a parent moving through the education system.

The 90 - second film, created as part of Honda's partnership with Britain's Channel 4, takes viewers through each stage of the filmmaking process, including storyboarding, illustration, filming and animation, moving at a blink - and - you'll - miss - it pace while managing to showcase the Civic, Civic Type R and CR - V cars, as well as the Africa Twin motorcycle.

For those unfamiliar with hitbox viewers, they will often show at least three type of box: the active hitbox, which represents the area covered by an attack; the hurtboxes of both characters, which show where they can be hit by opposing moves; and a pushbox that is used to as a way to prevent characters from moving through one another in the game.

Rauschenberg's A Quake in Paradise (Labyrinth) from 1994 invites viewers to move through — and become a part of — a maze - like installation of panels printed with the artist's signature layers of mechanically reproduced imagery.

Particularly within the denser configurations, the parallax produced by moving through the gallery space created a startlingly visceral effect of animation, with the individual strands of yarn appearing to dance back and forth, continually shifting their position relative to each other and the viewer.

Arranged to move the viewer through them and through the space surrounding them, the installation comprises the following pieces: «Torqued Spiral (Closed Open Closed Open Closed)», «Torqued Ellipse», «Double Torqued Ellipse», «Torqued Spiral (Right Left)», «Torqued Spiral (Open Left Closed Right)», «Between the Torus and the Sphere» and «Blind Spot Reversed».

Using custom - designed software, Villareal enlivens his light sculptures with pattern and chance, creating large - scale, immersive environments that are continually changing, and that the viewer experiences by moving through them.

The paintings of the two artists were arranged on the walls so that the viewer could see the work of one painter with that of the other close by, moving chronologically through time so that, in walking through the exhibition, the viewer could see how each artist developed over time, both on his own, as well as in relation to the other.

Prominently placed in the Garden Room at the beginning of the exhibition is Scatter Piece (1968), whose setting gives the viewer control over how he experiences the objects by moving through the space.

In this show the serenely sphinx - like faces are a template through which the artist can systematically explore the concerns of painting and drawing, not ignoring the sentimental implications of rendering a human likeness, but by their blankness and repetition allowing the viewer to move on to other aspects of the work besides «who is this» or «what can I learn about this person.»

Beginning with loose references to flora and fauna, Sausele - Knodt creates shaped paintings that deftly move the viewer through a series of shifting and fragmented picture planes.

Lighted from behind, images seen through the grooved surfaces of these lightboxes change as the viewer moves past them.

Often narrated in the artist's voice, and interspersed with spoken and written instructions that directly address the viewer, her works confound expectations through a rapid - fire succession of moving images and sounds.

Through this lens, elements of the unseen are captured, as the viewer is able to incoherently move through time andThrough this lens, elements of the unseen are captured, as the viewer is able to incoherently move through time andthrough time and space.

As a Reader, as a Viewer: the curators of Move Still will guide visitors through two distinct spatial and temporal perspectives of the exhibition: emphasizing the descriptive and interpretive relationships between the body, material apparatuses, and tasking embedded in the included works.

In an interview with Asia Society Museum Director Melissa Chiu, Sze said, «The viewer's perspective and how information is revealed to the viewers as they move through time and space are for me actually what the experience of the work is always about.»

The photographs act as a moving portrait, weaving the viewer through the mindset of each subject, while audio of the interviews play overhead.

The stretchers that are normally hidden from sight and allow the canvas to become a picture exhibited on a wall, now become the physical object around which the viewer can move and look through.

Shown as a monumental cube installation, the films invite viewers to move through the gallery as they follow the progression of the image across three screens.

But to my complete surprise, they became instead these absorptive bodies because while they were moving through space, the viewers saw themselves completely reflected in them.

Multiple colors move through each painting, taking the viewer along many and varied paths to visions -LSB-...]

That project can not help but be contextual: It imagines its viewers individually rather than collectively and targets them each as they move through the spaces of the show.

Endangered and extinct species move through visual space in what appear to be varying degrees of construction - the animals» wooden substructures are left exposed to the viewer.

Throughout the exhibition, the viewer encounters many of Lucas's headless Bunnys, moves through a garish crimson room with male torsos on a massive scale, and ends their journey with the artist's most recent series «Penetralia», which combines female and male forms in characteristically phallic sculptures.

Multiple colors move through each painting, taking the viewer along many and varied paths to visions both expected and unexpected.

Heather Phillipson works with sculpture, moving image, text and sound, creating video installations and «talking pictures» (video with live voice) that weave the viewer through a collage of fragmentary and evolving ideas and narratives in multi-sensory environments.

Heather Phillipson works with sculpture, moving image, text and sound, creating video installations and «talking pictures» (video with live voice) that weave the viewer through a collage of fragmentary and...