Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and using the (constant - and - never - moving as a way to allow
viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention
of digital shooting) camera merely as a functional recording - device rather than as an originator
of instant meaning and knowledge as in Hollywood, this film remains the best summation
of the
truism that a longwinded presentation
of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode
of filmmaking but is more dramatic than any car chase.
Such concise allegations elicit public discussion, directly engaging
viewers in a larger discourse on society that often broaches polemical issues.The medium
of modern computer systems became an important component in Holzer's work in 1982 when nine
of her
Truisms flashed at forty - second intervals on the giant spectacolor electronic signboard in Times Square.