Learn how to make a constellation
viewer out of a paper tube.
Not exact matches
Principal Vernon assigns each detained student to write a 1,000 - word essay about who they think they are and while that seems like a daunting task to these kids, the average adult
viewer would have no difficulty producing a
paper for each
of these complex youths who are fleshed
out by confessions and confrontations.
Each
of these stretched -
out paintings (which are made on separate abutting canvases or, in the case
of Chemin de Peinture, a long roll
of paper) recapitulates nearly the whole
of 20th century painting from Constructivism to Abstract Expressionism, Neo-Dada, Minimalism and Neo-Expressionism, but because
of the extreme horizontal format, artist and
viewer are constantly treading into unknown territory.
In Shakinovsky's small abstract oils fashioned
out of cut and bent canvas and
paper, and other mixed media works, she is interested in shifting the
viewer's perspective — whether it be visually or conceptually — to notice or think something not thought a moment before.
While Morley's paintings invite the
viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits
of his youth to the
paper cut -
out varieties.
The expectation is,
of course, that
viewers follow the instructions on the
paper — implementing themselves within the piece,
out of free will or by instruction, depending on how we choose to interpret Nauman's authority.
Viewers got to see Hayuk's colorful, layered weave paintings that balance between tradition, psychedelic, strict geometry and abstraction, Revok's abstract geo - based works inspired by patterns and waste materials from urban environments, Peterson's signature b / w visions
of power struggles and conflicts in the society, and Deiana's meticulous ball point pen on
paper works that create abstraction
out of textures, TV static and other everyday occurrences.
Upon passing through a maze
of fragile polythene and paint - cracked curtains, the
viewer is met with a monumental mountain range constructed
out of crumpled sugar
paper that fills the room.
Press The British Journal
of Photography, UK, 2018 It's Nice That, UK, 2018 FOAM Magazine, # 49, Back to the Future, 2018 Image Culture Podcast by William Jess Laird, 2018 London Financial Times, How to Spend It, UK, 2017 Creative Review, UK, 2017 Vogue, UK, 2017 Kiekie, Amsterdam, 2017 Humble Art's Foundation, 2017 Monocle Radio, Podcast on Photo London by Kathlene Fox - Davies, 2017 La Gazette Drouot, Paris, 2017 Aesthetica Magazine, London, 2017 L'Express Styles, Paris, 2017 Wall Street International Magazine, Paris, 2017 Art
Viewer, Budapest, 2017
Paper Visual Art, Ireland, 2016 Refinery29, 2016 Liberation Daily, Paris, 2016 Art21, 2016 Cool Hunting, 2016 Maake Magazine, 2016 Charlotte Magazine, 2015 Charlotte Viewpoint, 2015 The New Yorker, 2015 Beautiful Decay, 2015 Collector Daily, 2015 NY Photo Review, 2013 New York Magazine, The Look Book, 2013 Art Slant, 2012 New York Times, 2012 Die Zeit, 2012 Wall Street Journal, 2012 Capricious Photo, 2012 Hyperallergic, Brooklyn, 2012 LVL3 Artist
of the week, 2011 A + D Catalogue, 2011 New City Break
Out Artist, 2009
In constructing life - sized models
out of paper and cardboard often based on images taken from various media sources, and by photographing the constructed scene, Demand plays with the
viewer's notions
of the real and the fictional.