Sentences with phrase «viewer participation in»

Other work that once demanded viewer participation in a shared space may acquire barriers to entry.

Painting ambiguous narratives, populated by human and animal figures, his artwork allows the viewers participation in creating the final story.

Not exact matches

It works in digital advertising, focused on boosting engagement with viewers by creating ads that require participation.

Thanks to iSideWith.com founders Taylor Peck and Nick Boutelier, those viewers were able to read the responses from the Reform Party's Rocky De La Fuente, Jill Stein of the Green Party, the Constitution Party's Darrell Castle, independent candidate Evan McMullin and — in moments when he wasn't seemingly too bored and actually stayed on topic — even gleaned a few responses from Libertarian Party nominee Gary Johnson, a former governor of New Mexico who made participation in the televised debates the rallying cry of his second bid for the White House.

In fact, it vocalizes just about everything viewers might be thinking — from the quantity and quality of spousal participation to a flagging body image to the individual pieces of parental responsibility.

Features both the American and British versions of the film, commentary track by creator / actor Richard O'Brien and co-star Patricia Quinn, an audience participation picture - in - picture track with a live version of the show and a «callback» subtitle track that cues viewers to classic audience responses, featurettes, two deleted musical scenes, outtakes, alternate opening and ending, and other celebrations of the culture of «Rocky Horror.»

Literature touches our spirit in a way that film, television, and even art can not, for instead of presenting the passive viewer with a visual image, good writing demands our participation and co-creation.

As an added bonus, they've also confirmed customized Mixer support — which is Microsoft's next gen streaming service that offers viewers real - time influence and participation in live game streams we've covered before.

However, Mixer is the next gen live streaming service that offers viewers real - time influence and participation in live game streams.

In 1998, he published his book Relational Aesthetics, which theorized a new style of art — pioneered by such figures as Pierre Huyghe and Dominique Gonzalez - Foerster — that placed an increased emphasis on viewer participation and the interaction between humans surrounding works.

Why do you think we have such a rich panorama of precedence from Duchamp, who brilliantly summarized nearly every avenue of the visual arts in «Etant donne:...», which merged painting, sculpture, installation, viewer participation, perspective, voyeur, high craftsmanship, shoddy behind the scenes facade construction, performance... it goes on.

Adam Pendleton, a New York - based installation artist, takes a cue from the writer Reinaldo Arenas in an audio installation that invites written participation from the viewer.

In his manifesto, The Ergonic Messenger, Dugger explains how in Participation Art, the body or hand of the viewer is «used to give forceful impetus to the artwork by articulating or positioning the sculptural elements manually... relying on the power of the human hand to provide action or motion.&raquIn his manifesto, The Ergonic Messenger, Dugger explains how in Participation Art, the body or hand of the viewer is «used to give forceful impetus to the artwork by articulating or positioning the sculptural elements manually... relying on the power of the human hand to provide action or motion.&raquin Participation Art, the body or hand of the viewer is «used to give forceful impetus to the artwork by articulating or positioning the sculptural elements manually... relying on the power of the human hand to provide action or motion.»

Audience participation, which for that one moment morphs viewer to artist, is the toothpaste that will not be put back in the tube.

Language as medium also allowed for new approaches to painting and sculpture, and Lawrence Weiner famously uses works as the medium for his sculptures, which require the participation of the viewer to be realized in thought.

The work is impossible without her participation in it, but it is equally impossible without the kola nut, which becomes, as Pirotte notes, a vehicle for delivering an intimate and integrated experience between artist and viewer.

The viewer's participation in an active visual dialogue with a painting was in fact a part of all Hard Edge painting and the MoMA exhibition included examples by all three schools.

Originally exhibited at the Cincinnati Arts Center, this new series exemplifies Camil's continued interest in the aesthetics of commerce, performance, and viewer participation.

These artists all engage with the dynamic, participatory aesthetic of the digital baroque, creating artworks sited in the fold between the physical and the cyber that invite — and sometimes even demand — viewer - participation to be fully - realized.

The allusion to audience participation hints at the signature characteristic of Lee's practice, which includes interactive installations in which the artist invites viewers to be co-creators in his often playful projects.

With Meireles's larger installations in the show, viewers are confronted by entire rooms filled with art, engaging them to experience the work through direct participation, either by walking through it or inhabiting the space.

As with his work in the Tate, Uomo in Piedi (Standing Man), the work requires the viewer's participation to complete the portrait.

Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».

Frequently creating areas of negative space that rely on the participation of the viewer in inhabiting areas of the installation, Lakomy negotiates the varied complexities and simplicities of urban living with his thoughtful and often humorous works.

The intent is to expand the viewer's perception of the space and encourage participation in the play of light.

After those years of conceptual art that demanded so much from the viewer, so much of a participation, so much of an intellectual involvement, we had a return in the»80s to the expensive home decorations, you know?

From 2012, she started holding interactive solo exhibitions in which works are completed by the viewers» participation.

By combining parallel forms in an open and original framework, Gillick encourages active participation and fluid exchange between the gallery space, the viewer, and the artwork.

From playground antics to mathematical strategy, the artists in Push Play mine the significance of games, reinventing them to create experiences that involve the viewer and reflect on the nature of participation in art and art exhibitions.

Lazzarini emphasizes the corporeal participation of the viewer as a way of offsetting stasis in painting and sculpture and as a way of referencing the physical manner of her death.

In his installations, Ernesto Neto continues the tradition of Brazilian modernism, an approach strongly characterised by the viewers» presence and participation.

CURRENT artist Rirkrit Tiravanija invites visitors to a Thai curry cooking performance, and to interact with contemporary art in a more social way, thereby enticing each viewer to participate in the completion of the total artwork through immediate participation.

Engaging the Brechtian techniques of alienation, Marsh turns the cameras on themselves, denying their traditional role of relaying information and exposing their participation in the manipulation of what the viewer is presented with.

Opening: «Pia Camil: A Pot for a Latch» at the New Museum Following her successful presentation of «inhabitable paintings» in the form of wearable clothing that was given to visitors to Frieze New York last spring, Mexican artist Pia Camil returns to the city for a museum solo show with new projects that invite viewer participation.

For films like Glimpses of the USA (shown on seven screens for the American exhibition in Moscow in 1959) they carefully constructed systems of presentation in which the viewer's participation was primary.

Even more than in other recent Turner Prize shortlists there's a sense of contemporary art as a hermetic niche activity in which the participation of the viewer — despite all protests to the contrary — is of purely notional importance.

In a timely and relevant exploration, Thomas sources protest imagery from the twentieth century, enabling viewers to face their own participation in demonstrations, willingly or not, as the reflective surfaces stare bacIn a timely and relevant exploration, Thomas sources protest imagery from the twentieth century, enabling viewers to face their own participation in demonstrations, willingly or not, as the reflective surfaces stare bacin demonstrations, willingly or not, as the reflective surfaces stare back.

Portals such as the opera glasses and the window taint the viewer's participation in Prager's work with the specter of surveillance.

Following the tradition of Brazilian Modernism that advocates the idea of viewer's presence and active participation, Neto's installation Boa, placed at Museum of Contemporary Art Kiasma in Helsinki, from March until September 2016, again gives the opportunity to escape from the stress of everyday life by devoting some time to senses.

Ethan Hayes - Chute makes art in Berlin, where he thinks about hypothetical domiciles, fantastical isolation, outsider architecture, self - sufficiency, landscape, self - preservation, rusty nails, viewer participation, found materials, daily life, nostalgia, seclusion, sublimity, ad - hoc construction, knick - knacks, craftsmanship, customization, longing and decay.

Her words urge viewers to be willing to expose their participation in the suffering perpetuated by our current society, and, significantly, clarifies that this exposure is not «sacrifice» but «primer and prelude.»

Bishop, Claire, (2006) «Viewers as Producers» in Bishop, Claire, (2006), Documents of Contemporary Art: Participation.

This project will continue to develop its experimental movement to arouse viewers» latent senses that situates within their inner world, and to touch viewers» daily lives through active participations of their movement in the space, which is occupied by the artists» existing senses.

The exhibition encourages viewers to consider their own accountability, participation in and response to the forced maturation of a society.»

This exhibition encourages viewers to consider their own accountability, participation in and response to the forced maturation of a society.

With nineteen - sixties Minimalism having established an active engagement between the spectator and object, the works in the exhibition continue this dialogue by including the viewers» physical participation or perceptual awareness as a crucial component in each artwork.

The subjective participation of the viewer «completes» these paintings in a fashion akin to the action of gazing into a fire and seeing one's own imagined universe, or if not the universe, certainly the milky way, Denyer's art so often resembling the night sky.

Mixer is the only next - gen live game streaming service that offers viewers real - time influence and participation in game streams.

Mixer is the only next gen streaming service that offers viewers real - time influence and participation in live game streams.

Current streaming models for gaming like twitch.tv, boom.tv, and Youtube Gaming fall short in monetizing their viewers participation.