Sentences with phrase «viewers feel as»

We are guided by the film's music, which is anticipatory in tone, mirroring those anticipatory emotions viewers feel as we long for the reconnection of a family that has been split apart.

There's a kind of nervous impulsiveness that makes viewers feel as though you are working out some kind of inner conflict.

«Cave uses MASS MoCA's signature football field - sized space to create his largest installation to date, made up of thousands of found objects and millions of beads, which will make viewers feel as if they have entered a rich sensory tapestry, like stepping directly inside the... Read More

Instead, Cave uses MASS MoCA's signature football field - sized space to create his largest installation to date, made up of thousands of found objects and millions of beads, which will make viewers feel as if they have entered a rich sensory tapestry, like stepping directly inside the belly of one of his iconic Soundsuits.

Instead, Cave will exploit MASS MoCA's signature gallery to create his largest - ever installation, made up of thousands of found objects and millions of beads, making viewers feel as if they have entered the nap of a rich sensory tapestry.

A brilliant performance done by Gary Oldman as Winston Churchill makes the viewer feel as if they are looking into a flashback from the past.

Larraín's filmmaking style is so calm and unsensational — shabby even, much like the grizzled protagonist and his troupe — that moments of sexual explicitness, homicidal violence and transgressive outrage barely register, leaving viewers feeling as numb to it all as the characters themselves.

The Center of the World moves slowly, never making the viewer feel as uncomfortable as he / she should with a movie like this.

As with most Sony DVDs, the surround sound and subwoofer effects are quite nice and the race scenes make the viewer feels as if they are standing on the track as the cars zip by.

My goal is to create an emotion which leaves the viewer feeling as though the passing of time has no relevance.

In my photographs, I hope to make the viewer feel as I had when I first saw those spaces for the first time.»

In the second gallery, over 30 watercolors and prints on loan from the Tate, MFA Boston, Baltimore Museum of Art, Harvard Art Museums, Seattle Art Museum, and other institutions further illustrate this romantic perspective, often painted so that the viewer feels as though they're a voyager riding a vessel into port.

Not exact matches

The more authentic and immersive the video, the more viewers get sucked in and feel as if they're experiencing the moment themselves.

Speaking as a cartoonish version of himself, Zuckerberg showed viewers some of the damage caused by the recent powerful storms, mentioning, «One of the things that's really magical about virtual reality is you can get the feeling that you're really in a place.»

If that's being the host of a TV show, if that's being a chef, if that's being an expert, if that's being a musician or if you're an expert at whatever it is that you feel passionate about, the only way the people will trust you, identify with you and connect with you as an audience and as a viewer is if they believe what you're selling.»

Because it's unedited and accessible, it gains greater trust from the audience watching as it not only feels true but it puts viewers in the center of the action.

Based on the feedback, they chose the highest rated film, which left viewers feeling really good, and used it as a stand - in for an extraordinary experience.

As Ad Age's Anthony Crupi reports, Van Pelt said viewers who fall asleep to his midnight TV show and wake up to the new digital program might feel like they're married to him or are «hooking up,» then asked the audience to «decide which is the more horrifying thought.»

Viewers then felt the tension rise markedly as Stone walked in, limping.

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

Movement to a church of similar content and association as the television program may also remove discordance felt by the viewer between the message received through television and the message received through his or her church.

As these very special kids open up about their heartaches and lessons learned, young viewers are offered the chance to better understand the different issues and feelings that come up when parent part.

The advertisement, shown on ITV, starts with an attractive young woman running her hand over her tight black dress as she tells viewers: «You know that feeling you get when something's great.

Using iconic slasher films as examples, experts say that the feeling viewers get is no different from the emotions on screen.

It serves as a nice «warmup» and gives the viewer the feeling that the presentation is more individually customized for them.

But as designers are introducing latest designs so I feel irresistible and I am here to share some latest designers formal party wear dresses with my viewers.

Mosaic is an interesting mystery that, as a series, unfolds a little more awkwardly than expected, giving viewers the feeling that it was something else previously and was repurposed.

No matter how familiar the material, he makes it seem as though he's discovering it afresh — so the viewer feels that way, too.

The performance of David Duchovny struck this viewer as pretty wooden and left one wondering how he went from interested skeptic to heart - felt believer.

Responses were generally positive; the majority of critics and viewers acknowledged the intelligence of Anderson's (and Bale's) artistry, even as they felt driven away by the sheer unpleasantness of the enterprise.

Viewers may relate to the feeling of being trapped during this strained and tedious throwback, which the writer - director Mickey Keating has framed as a hat tip to the 1970s work of Sam Peckinpah and Peter Watkins, but which lands well south of John Waters in its try - anything - for - a-reaction pretensions.

Holland has said that she wanted her harrowing and rewarding epic to run long so it would make viewers feel that they're in the sewers as well.

It's clear that Killer's Kiss requires a great deal of patience from the viewer, as much of the movie's first half suffers from the feel of a rather unimpressive student film - with director Stanley Kubrick exacerbating this feeling by suffusing the proceedings with needlessly ostentatious visual choices.

Review I have seen this movie twice, probably the third romantic movie that compelled me to do that, and the reasons are quite simple: It's probably impossible that anyone can't relate to young Josh Hutcherson's character, an 11 year old with a normal middle class life and problems (parents initiating divorce); that its surprise by the rediscovery of a young classmate (Charley Ray) initially as an unexpected friend and later as something else... The well crafted work of director Mark Levin is based on the mutual discovery of all these feelings (mostly new and uncontrolled) that evolved in Josh's character and in another particular viewer: you.

Whatever triumphant feeling it initially evokes, Weed Wars drags as the lackadaisical attitudes of both the suppliers and the customers begin to grate on a viewer's nerves.

But because of the overly familiar plot devices it does just feel like a two - parter and as such will be completely incomprehensible to the casual viewer.

This truly intimate film invites viewers to commune as well and feel a profound living connection with fellow humans of 30,000 years ago.

Any irritation viewers might feel about the absurd accent Franco adopted when playing Tommy dissipates as we realise this is exactly what the real Tommy sounded like.

He reportedly auditioned for a small part, and though the show's producers did not deem him right for the characterization, they felt so impressed by Eigenberg's presence that they created the character of Steve Brady especially for him, as an extension of his own personality; the plan, again, was to create a sincere, committed, down - to - earth male paramour to offset Miranda's (Cynthia Nixon) cynicism.Though initially intended as a temporary part, the popularity of the character among viewers (and Eigenberg's onscreen chemistry with Nixon) led to Eigenberg's permanent inclusion on the show, as well as subsuquent movies.Circa 2002, Eigenberg expanded into film roles by playing the business partner of Richard Gere in Mark Pellington's underrated supernatural thriller The Mothman Prophecies.

I feel overall, the film should be rated a bit higher (3/4 stars), because it is a superb horror film and even if it was an experiment to show how simply the viewer can be manipulated through horror if done right - it deserves recognition for breaking that ground as well as for its technical mastery.

At first you might be inclined to feel annoyed at her, but understanding that she is autistic will hopefully shed some light as to why she acts the way she does for all viewers.

A trim, informative 99 - minute primer on celluloid film, which to many viewers has a warmth and feel as soothing as buttered popcorn, and the brave new world of digital cinema.

Indeed, when the credits finally rolled, I felt as though I'd just witnessed someone pulling off a darkly clever magic trick: with very few forays into territory that'd be immediately identifiable as science fiction, Under The Skin offers viewers a two hour experience that feels absolutely, unsettlingly alien.

Then, as it turns out, most viewers will guess the Big Twist, and be annoyed at how ludicrously it plays out in an endless scene that again feels more out of «Hedda Gabler» by high schoolers on speed than anything, as Penn and the assassin shriek at each other as the assassin pushes a gun against the dictator's head.

It is almost like they were trying to hold something back, but then we as the viewer never feels the full measure of the proceedings.

Still, it aims low for a film that seeks to make superstars out of its performers, and doesn't succeed even in its limited aspirations, such that perhaps From Justin to Kelly actually benefits from its perpetual critical derision, as only the very lowest of expectations can have viewers feeling pleasantly surprised by the miniscule returns in entertainment the film provides.

A Separation offers its viewers an experience that is both challenging and heartbreaking and, as with all truly great cinema, you come away from this film feeling just that little bit changed for having seen it.

Some viewers will require an adjustment period, as Tangerine involves so much shouting, and moves at such a breakneck pace, that it can feel a little assaultive.

As viewers, we ask the same questions Kate asks, consistently wonder alongside her if she's even on something even close to being considered a good side, and feel every bit of strenuous moral pain and paranoia radiating across her superbly articulated facial expressions and mannerisms.

This feeling, along with the slow pace of the film leaves the viewer feeling a bit detached as well.