Sentences with phrase «viewers feeling less»

Not exact matches

You never ever showed off your beautiful home in a way that made it seem like you were bragging about everything you and Brian were fortunate enough to get, you never push the products you're loving on your viewers and you never make us feel any less for not having the things you have.

The film has about five sets and they never feel like they connect together, but this is less an attempt at disorienting the viewer than simply cutting corners; the grisly, overdone lighting, meanwhile, makes you want to hide behind your fingers for all the wrong reasons.

These battle scenes feel more akin to modern action cinema and while they may be the main event to historians and war buffs, they're also more routine and less entertaining for the average viewer.

Unsurprisingly, «Fantastic Beasts» amplifies both the strengths and weaknesses of Rowling's storytelling approach, which unfolds in the episodic style of vintage serials — a cliff - hanger - oriented tactic that works well in novels, where readers might otherwise be tempted to put the book down after each chapter, but feels less elegant on screen, since viewers invariably commit to taking in the entire story in one sitting.

He says he combines the influences around him, including hip - hop, motorcycle culture — and the friendly, familiar feel of brands like Fanta and Nike — to introduce viewers to the less - familiar sight of Marrakesh bike culture.

Working with a strategized network narrative — one that stands out from the many in Bordwell's samples, the year 2000 film had appeared as less all - encompassing and oddly mapped out, but after the screening I felt that device was no less disciplined as it engages the viewer by revealing some information, dispelling some, while omitting others — those countless fades to black are welcome beats for analysis.

Although Meirelles film detaches the viewer from actually feeling the gravity and emotion of each situation, this also makes for a more realistic, less manipulative feel, which some viewers may mistake for being indifferent, which this most certainly is not.

It's a well - crafted good time that doesn't ask much of the viewer but also doesn't leave them feeling like an idiot the way that lesser popcorn movies do.

The whole feels less than the sum of its parts and although it does a fair job of holding the open - minded viewer's attention, in retrospect it feels both forgettable and dull.

It makes the player feel less like a decision - maker and more like a viewer.

my intention in art is less about what a finished piece makes the viewer see and more about what it makes one feel.

Shear's two instances of larger canvases feel massive in this company, and while the titular painting's hail of aerosol'd black headlights lunges at the viewer with overt aggression (which, to me, would feel far less pronounced if rendered in a smaller scale), Autocorrect in the back gallery works sublimely... but precisely because much of that canvas is untouched by any media.