Sentences with phrase «viewers feeling like»

As with all Paul Schrader movies, Dog Eat Dog is a down and dirty bit of nastiness that leaves viewers feeling like they need to scrape something off of the bottom of their shoes by the time the credits roll.

But at nearly three hours long, this bloated sea tale drags on and on, leaving some viewers feeling like they've been to the end of the earth and back.

Live is informal — and by definition, unscripted — which means viewers feel like they're getting a more intimate experience.

It was offering them precisely what they wanted, like Netflix figuring out what viewers feel like watching next.

He has a great way of capturing moments to make the viewer feel like they are actually there.

The best of them haven't just made familial themes a focus, but have developed their onscreen relatives well enough to make viewers feel like they're part of the extended clan — or at least invited to the dysfunctional reunion.

His talent for channeling his father is uncanny, and watching him drop diss track «No Vaseline» on his ex-running mates is liable to make viewers feel like they're actually in the room watching the controversial track being minted.

As it stands his demise was supposed to make the viewers feel like the stakes were real, but this failed because firstly we all know the big names make it due to Marvel announcing their slate of films, and second because we don't know very much about him.

I've got my eyes on 3d printing), it is important to take high quality photographs with enticing perspectives and lighting to make the viewer feel like they are right in front of the artwork.

After a while, viewers felt like they knew what to expect, and they were pretty much right.

At university I loved the abstract expressionists, I wanted to create monumental colorful artworks that would make the viewer feel like they were cocooned by color.

Not exact matches

While some theaters will entice viewers by making themselves feel more like home, providing comfy couches and even beds, others attract crowds by serving restaurant quality food and drinks that go far beyond the standard popcorn and Buncha Crunch.

As Ad Age's Anthony Crupi reports, Van Pelt said viewers who fall asleep to his midnight TV show and wake up to the new digital program might feel like they're married to him or are «hooking up,» then asked the audience to «decide which is the more horrifying thought.»

Like most Pixar movies, it's irresistibly fun, funny and touching — but it's also one of the most insightful movies of the year, challenging viewers not to vilify any of their feelings, but rather emphasizing the importance of allowing room for the full range of emotions.

I especially like this when it is not just something to observe, but when it includes interaction between the art and the viewer — «something we can eat, drink, watch, touch, feel, smell».

For whatever reason, he's unable to mask his distrust of journalists, and for people watching at home that hostility can feel like its directed at the viewer themselves.

Politicians like to appear on our sofa because so many of our viewers are floating voters, but when other outlets have to follow our leads it always feels a little like David has toppled Goliath.

He said the President appeared «like an angry despot who felt insulted by a contrary opinion», telling viewers that President Akufo - Addo needs anger management lessons.

You never ever showed off your beautiful home in a way that made it seem like you were bragging about everything you and Brian were fortunate enough to get, you never push the products you're loving on your viewers and you never make us feel any less for not having the things you have.

I dislike not having eyes in my pics because I feel like there's no connection to the viewer if they can't see your eyes.

Now I only agree to review products that I will use myself and also feel my viewers would like to see.

The viewer is never sure, but for some reason ambiguity in «Trees Lounge» doesn't feel like vagueness but restraint.

A definitely disjointed film, it coasts on the competent performances of co-stars Mendelsohn and Reynolds to keep viewers invested in a controversial third act that feels like a betrayal of the genre.

It makes the viewer willing to excuse the film's flights of fancy, like a fiery action sequence in a hidden room where escape follows a familiar movie formula, or a denouement that feels a bit padded.

Without a discernible plot or goal in mind, some viewers may feel like this is a film about nobodies who do nothing for the duration.

Snowfall will feel like too much work for some viewers.

The film has about five sets and they never feel like they connect together, but this is less an attempt at disorienting the viewer than simply cutting corners; the grisly, overdone lighting, meanwhile, makes you want to hide behind your fingers for all the wrong reasons.

Yet all of Marvel's phase three films and their tentative questioning of the underlying political ethos of the franchise feel like buildup for Black Panther, which in its second act comes very close to completely tearing down the Marvel Cinematic Universe en totale — and making viewers long for such a thing to happen.

But because of the overly familiar plot devices it does just feel like a two - parter and as such will be completely incomprehensible to the casual viewer.

Any irritation viewers might feel about the absurd accent Franco adopted when playing Tommy dissipates as we realise this is exactly what the real Tommy sounded like.

Season 4 feels like an anvil being dropped on the heads of the viewers, one with a note attached that reads, «LOVE ME.

And yet the final act feels like a cop - out, resolved with a magical - realist sleight of hand that cheats the viewer of a proper resolution while pushing the characters to the limits of credibility.

It is almost like they were trying to hold something back, but then we as the viewer never feels the full measure of the proceedings.

The relationship of violent subjection between Jasna and the boys she so desperately tries to woo is so revolting (the last scene is a simultaneous sucker punch on screen and on the viewer) because it feels like home.

The movie's final chapter, where viewers see the man who Chiron becomes (played by Trevante Rhodes), and his reunion with his childhood friend, feels like an utter surprise when it begins.

Torres and Blasi wrap up the movie's central conflict so rapidly and so carelessly that it feels like an afterthought — as if they're eager to give the audience its happy ending, hoping against hope that viewers won't stop to think about what that ending really means.

Wile I'd like to see another few episodes to make sure, there's something comfortably gooey right away about This Is Us, reminding us once more that amid all the high - functioning detectives, emergency - rescue personnel and secret - agent superheroes covered in cryptic tattoos, there are very few network dramas aimed at viewers who are simply interested in everyday people and how they feel.

The muted photography feels like an attempt to match the frequently serious story beats, but it's all wrong, robbing viewers of the splashes of color that made «Guardians Of The Galaxy» so memorable.

They have decent chemistry, mostly thanks to Kendrick's enveloping charisma, yet it feels like just another example of Mr. Right presuming no real discernment on the part of the viewer.

To call a movie «stupid» feels like a childish way to criticize something, but I suppose that fits a movie as insulting to the viewer's intelligence as this.

As a viewer, you're probably going to feel a little like an animal just for sitting through the whole movie.

Afterwards, viewers emerged, in the best way, feeling like they needed a shower to shake off director Alexandros Avranas «wallow in the darkest possible side of Greek family life.

Viewers see and hear a mosaic of available video clips; choosing one makes it play out and lead to other choices, with the overall result feeling like an absorbing mini-profile of the Guntersville community.

Max doesn't feel like a genius and Leroy doesn't seem like a cop, but somehow the viewers are supposed to accept this as true.

And like the best heist movies, Logan Lucky keeps wowing us with its inventiveness — and then it makes sure the ending doesn't leave viewers feeling robbed.

My familiarity with The Man From U.N.C.L.E. television series is non-existent (I was born in 1989 dammit) but I feel pretty confident in assuring viewers that this film reboot is nothing like the series from the 60s.

This feels like the kind of film that will offend or warm the heart depending on the viewer.

This decision gave the film a grander feel for the viewer so it didn't seem like a low budget horror film.

These criticisms may not be entirely fair, but ignoring them makes the film feel something like a Hallmark channel movie, meant to make the viewers feel good, even at the risk of over-sensationalizing a topic.

Ndalianis describes experiences as a gamer, movie / television viewer or fairground attraction goer that make her book feel more like a personal account crossed with incredibly illuminating academic analysis.